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6.9/10
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A filmmaker creates a short for a devious studio while its producer secretly bets $25,000 against the film's usefulness. His friends step in to help.A filmmaker creates a short for a devious studio while its producer secretly bets $25,000 against the film's usefulness. His friends step in to help.A filmmaker creates a short for a devious studio while its producer secretly bets $25,000 against the film's usefulness. His friends step in to help.
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Deven Chierighino
- Brian Lucas
- (as David Conrad)
- …
Will Ryan
- All the Unions
- (voice)
- (as William Z. Ryan)
- …
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- Production, box office & more at IMDbPro
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Welcome to the church of Cinematology....
The story of one man's impossible dream: to create with the aid of Hollywood a feature length motion picture with a real story, with real people and special effects that mean something.
CAN it be done?
Mike Jittlov is employed by two producers to work an a special effects extravaganza for their network. Of course they make a bet whether he can do it all in time, cue: the sleaze trying to sabotage Jittlov at every turn.
Okay, babe.
It may not sound too original but the film's quirky sense of humour, staggering attention to detail, several thousand jokes and inspirational messages and cast of characters you actually CARE about set it apart from other formulaic hokey comedies.
What a way to make a living.
And as if that wasn't enough the film features some of the most amazing stop-frame work seen since Harryhausen (except less jerky and unnatural), all building towards the film's climax - Jittlov's finished piece the "Wizard Run".
Nothing can stop the creative spirit.
What more can I say? Be amazed, be happy and (you've guessed it) may all your good dream and fine wishes come true!
The story of one man's impossible dream: to create with the aid of Hollywood a feature length motion picture with a real story, with real people and special effects that mean something.
CAN it be done?
Mike Jittlov is employed by two producers to work an a special effects extravaganza for their network. Of course they make a bet whether he can do it all in time, cue: the sleaze trying to sabotage Jittlov at every turn.
Okay, babe.
It may not sound too original but the film's quirky sense of humour, staggering attention to detail, several thousand jokes and inspirational messages and cast of characters you actually CARE about set it apart from other formulaic hokey comedies.
What a way to make a living.
And as if that wasn't enough the film features some of the most amazing stop-frame work seen since Harryhausen (except less jerky and unnatural), all building towards the film's climax - Jittlov's finished piece the "Wizard Run".
Nothing can stop the creative spirit.
What more can I say? Be amazed, be happy and (you've guessed it) may all your good dream and fine wishes come true!
I didn't see it noted, but there were 2 versions of this movie released on video. One from SGE and one from StarMaker. Both have the same picture on the box, but the StarMaker version is easily recognized by the gold border around the picture. (The one pictured on IMDb while I write this.)
Most people agree, the SGE version is the better version.
A lot of the jokes in the film do revolve around Hollywood, unions or the IRS and the characters' somewhat Dilbert-like frustrations that the process of making films or money is not nearly the straight-forward process they'd expect.
A good bit of lore has built up around the movie as well, as many ironic stories have sprung up around it. A usenet newsgroup dedicated to Mike Jittlov fans has been around for a long time (relative to the internet anyway.)
It also has the unusual distinction of having parts being played by the real people: the filmmaker is played by a filmmaker, the evil producer is played by a ....well, producer, the musician is played by a musician, his mother is played by his mother, his brother is played by his brother... etc, etc, etc.
Most people agree, the SGE version is the better version.
A lot of the jokes in the film do revolve around Hollywood, unions or the IRS and the characters' somewhat Dilbert-like frustrations that the process of making films or money is not nearly the straight-forward process they'd expect.
A good bit of lore has built up around the movie as well, as many ironic stories have sprung up around it. A usenet newsgroup dedicated to Mike Jittlov fans has been around for a long time (relative to the internet anyway.)
It also has the unusual distinction of having parts being played by the real people: the filmmaker is played by a filmmaker, the evil producer is played by a ....well, producer, the musician is played by a musician, his mother is played by his mother, his brother is played by his brother... etc, etc, etc.
I finally managed to track this down at a cult-film video store, and it was worth all the effort. Do whatever you have to do to see this one! It vaguely reminded me of the low-budget inventiveness of Weird Al's "UHF," only multiplied 1000 times, and the "let's make a movie while the executives are out to lunch" zaniness of "Pee-Wee's Big Adventure."
There's a lot more to this movie (or movie-within-a-movie, or is it a movie-within-a-movie-within-a-movie?) than might appear. Subliminal messages, Hollywood major-studio politics, art vs. commerce, a startling new use for a chrome bust of Mickey Mouse, fantasy vs. reality, the horrors of dealing with unionized labor, some plugs for the Church of the Sub-genius, lots of deftly-employed stock footage, and the most terrifying "pizza with everything" you'll ever see. And there's even an intentionally-horrible musical number about the creation of the universe, which is thankfully interrupted by a ridiculous Presidential announcement.
You'll also get a fascinating look at the art of low-budget special effects production. Some of the visual treats Jittlov comes up with are astonishing, even in the post-CGI era, and particularly since he shows you how a lot of it is done.
There are some profound insights and a lot of laughs. I nearly fell on the floor laughing during the scene with the police helicopters, and why is one of the thugs Canadian? (why not?) How in the world did Jittlov film the suitcase/car chase at the end? Look for Philip Michael Thomas in a rare post-Miami Vice role. And make sure you stick around for all of the credits!
Mike Jittlov may not think of himself as a "real" actor, but he's got a lot of charm and he comes off as a genuinely likeable guy. And it was nice of him to cast his friends and family as themselves.
It might be too weird for some viewers, but if you're game, "The Wizard of Speed and Time" will put a smile on your face like few other films.
There's a lot more to this movie (or movie-within-a-movie, or is it a movie-within-a-movie-within-a-movie?) than might appear. Subliminal messages, Hollywood major-studio politics, art vs. commerce, a startling new use for a chrome bust of Mickey Mouse, fantasy vs. reality, the horrors of dealing with unionized labor, some plugs for the Church of the Sub-genius, lots of deftly-employed stock footage, and the most terrifying "pizza with everything" you'll ever see. And there's even an intentionally-horrible musical number about the creation of the universe, which is thankfully interrupted by a ridiculous Presidential announcement.
You'll also get a fascinating look at the art of low-budget special effects production. Some of the visual treats Jittlov comes up with are astonishing, even in the post-CGI era, and particularly since he shows you how a lot of it is done.
There are some profound insights and a lot of laughs. I nearly fell on the floor laughing during the scene with the police helicopters, and why is one of the thugs Canadian? (why not?) How in the world did Jittlov film the suitcase/car chase at the end? Look for Philip Michael Thomas in a rare post-Miami Vice role. And make sure you stick around for all of the credits!
Mike Jittlov may not think of himself as a "real" actor, but he's got a lot of charm and he comes off as a genuinely likeable guy. And it was nice of him to cast his friends and family as themselves.
It might be too weird for some viewers, but if you're game, "The Wizard of Speed and Time" will put a smile on your face like few other films.
Bizarre and obscure little film that charms you into watching it with gusto once a few minutes of it pass your eyes. It's an homage to struggling independent film makers everywhere, and filled with lots of subtle bits of humor and satire and quick-to-pass messages during the F/X. This film looks like it was made for about 40 bucks but don't let that keep you from watching it. What's more, evidently Mike Jittlov cast all his friends (a LOT of them) and his mom in the film as well, and it appears that each and every one of them are having the time of their lives doing this movie.
One of my favorite scenes is when Mike enters the office that Dora Belair (portrayed by Angelique Pettyjohn, sadly her last film appearance) works from, and there's a poster on the wall behind them of her Star Trek character "Shana" dressed in that aluminum foil bikini from the episode "The Gamesters Of Treskelian". It's a nice sci-fi touch... And nobody seems to notice.
Mike has a hard time trying to get his work recognized by anyone of substance (very much like real life) and it seems there's a crooked producer at every turn waiting to rip him off, and it isn't helped by his stigma about shaking hands... which is never really explained other than that he simply "...doesn't shake hands".
Throughout the film we see Mike working on film F/X in what appears to be his own garage and his own tools and props, and we get to see him actually producing the F/X that end up running in the short that he presents as his product, "The Wizard Of Speed And Time".
This is an astonishing little film that deserves much more recognition than it ever got, and it's a gem in the rough for being so matter-of-fact and innovative. It's also a must-have for any cult film or obscure cinema collector to include in their video collection. Of my all-time top 20 films, this would have to slip into the mix somewhere by its sheer tenacity and strength of will and innovation, if not for anything else. I really would have liked to have seen Mike Jittlov do something else similar to "Wizard..." but alas nothing ever came to be. I can watch this film over and over again, and with each viewing its atmosphere and flavor makes me feel like I'm 20 years back in time.
It's not for all tastes. Some people think it's absolutely wonderful, some people think it's amateurish nonsense. Some people simply won't get it at all. I got it. I liked it a lot, and the somewhat silly segments with the terribly cliche'd producer are forgivable if not perfectly allowable for the sake of comic relief, especially seeing as how that's the real producer of this film hamming it up on camera. If you *do* appreciate films like this, you'll feel refreshed after watching it and you'll feel like you'd like to meet Mike and maybe buy him a coke... just don't try to shake his hand.
Then go out and become an independent film maker yourself.
Bravo Mike, ya done good!
One of my favorite scenes is when Mike enters the office that Dora Belair (portrayed by Angelique Pettyjohn, sadly her last film appearance) works from, and there's a poster on the wall behind them of her Star Trek character "Shana" dressed in that aluminum foil bikini from the episode "The Gamesters Of Treskelian". It's a nice sci-fi touch... And nobody seems to notice.
Mike has a hard time trying to get his work recognized by anyone of substance (very much like real life) and it seems there's a crooked producer at every turn waiting to rip him off, and it isn't helped by his stigma about shaking hands... which is never really explained other than that he simply "...doesn't shake hands".
Throughout the film we see Mike working on film F/X in what appears to be his own garage and his own tools and props, and we get to see him actually producing the F/X that end up running in the short that he presents as his product, "The Wizard Of Speed And Time".
This is an astonishing little film that deserves much more recognition than it ever got, and it's a gem in the rough for being so matter-of-fact and innovative. It's also a must-have for any cult film or obscure cinema collector to include in their video collection. Of my all-time top 20 films, this would have to slip into the mix somewhere by its sheer tenacity and strength of will and innovation, if not for anything else. I really would have liked to have seen Mike Jittlov do something else similar to "Wizard..." but alas nothing ever came to be. I can watch this film over and over again, and with each viewing its atmosphere and flavor makes me feel like I'm 20 years back in time.
It's not for all tastes. Some people think it's absolutely wonderful, some people think it's amateurish nonsense. Some people simply won't get it at all. I got it. I liked it a lot, and the somewhat silly segments with the terribly cliche'd producer are forgivable if not perfectly allowable for the sake of comic relief, especially seeing as how that's the real producer of this film hamming it up on camera. If you *do* appreciate films like this, you'll feel refreshed after watching it and you'll feel like you'd like to meet Mike and maybe buy him a coke... just don't try to shake his hand.
Then go out and become an independent film maker yourself.
Bravo Mike, ya done good!
The truth is, eye came across this movie in a video store and thought it looked like the most stupid thing ever. Im 17 & interested in film-making & so like to watch total low-budget crap and laugh at how poor some low budget movies are!
But not this. The wizard of speed & time is literally more than a movie. I feel like Mike J is a movie & magic pioneer in the industry showing that Creativity and magic are still very much alive:)
The film is just so magical & feel-good. There are odd sequences cut & pasted together & look so different. There are 3 unicorn references (I love unicorns) and the fact Mike J basically MADE THIS MOVIE HIMSELF is a testament to how much passion he put into this project. The Prince of the movie industry! The sequence with Mike going to all the unions is a clever & witty dig at the ugly crapiness of hollywood. This movie is a reminder of all the guys & girls sitting in their rooms making the most magical stories,pictures & music that only they will hear. I just wish that Mike J had been sucessful and given us more movies like this. Well, at least the movie lives on.....
Peace Nyrone (uk)
But not this. The wizard of speed & time is literally more than a movie. I feel like Mike J is a movie & magic pioneer in the industry showing that Creativity and magic are still very much alive:)
The film is just so magical & feel-good. There are odd sequences cut & pasted together & look so different. There are 3 unicorn references (I love unicorns) and the fact Mike J basically MADE THIS MOVIE HIMSELF is a testament to how much passion he put into this project. The Prince of the movie industry! The sequence with Mike going to all the unions is a clever & witty dig at the ugly crapiness of hollywood. This movie is a reminder of all the guys & girls sitting in their rooms making the most magical stories,pictures & music that only they will hear. I just wish that Mike J had been sucessful and given us more movies like this. Well, at least the movie lives on.....
Peace Nyrone (uk)
Did you know
- TriviaMike Jittlov did his own stunt work in the pool - diving in, laying on the bottom, and holding his breath for two straight minutes.
- GoofsIn a shot of the studios from the air, the name is misspelled across the roof of one of the buildings ("Hollywod Studios" instead of "Hollywood Studios"). However, this misspelling is repeated in signs within the studio itself (ex. "Hollywod's Greatest Defects"), showing this not to be an error in the movie, but an intentional mistake to further demonstrate the incompetence of the studio.
- Quotes
Mom Jittlov: You got a job today?
Mike: Yeah, almost; I sold my car.
Mom Jittlov: [aghast] Your wonderful car?
Mike: Mmm-hmm. Sold my property to pay property taxes.
- Crazy creditsIn the section where they attribute other copyrights to their respective holders, the roman numerals are "expanded" to forms that use more letters than they have to.
- ConnectionsEdited from The Wizard of Speed and Time (1979)
- SoundtracksTime Tripper
by John Massari
- How long is The Wizard of Speed and Time?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- El mago de la velocidad y el tiempo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,535,000 (estimated)
- Runtime1 hour 35 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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By what name was The Wizard of Speed and Time (1988) officially released in India in English?
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