Kessler

TalkingPicturesTV in the UK have aired the Secret Army series are now following with Kessler. When shown originally I missed much of both series due to work and family commitments. I am really pleased to be watching them - first The secret Army and now half way though Kessler.

Both have been a joy to watch with top-notch casting, scripts and filming that make we realise why I am so disappointed, with one or two exceptions, of most of the offers from modern film, streaming and TV. More so, to see some of the cast in their skilled and attractive youth I wonder why we haven't seen more of them over the years.

I remember watching this when it was first shown on the BBC. It takes the story on, post-war, of what becomes of Gestapo chief Kessler. Hopefully UK Drama will show this - as they are now showing Secret Army.

All the superlatives about Secret Army apply equally to this. It may be a cliche, but drama like this makes the BBC license fee worthwhile!

The first episode of the "Kessler" mini series is a re-worked version of the (unbroadcast) final episode of "Secret Army" (1977-79), "What Did You Do In the War Daddy?", which the BBC management had refused to broadcast in 1979.

As such, the first episode features the surviving cast of "Secret Army" - Albert, Monique and Natalie. This is great, but they only appear in the first episode (which sets up this series).

Overall, "Kessler" was disappointing. It didn't have the strong dramatic tensions which had made "Secret Army" such a success. Removed from his Gestapo post, and on the run, Kessler was no longer the sinister menace that had given the character such strength in "Secret Army".

And it was, of course, impossible to present the character sympathetically. This was a serious drawback to the series. The main character must have the audience's sympathy if we are to care what happens to him.

"Secret Army" had very successfully characterised its two Luftwaffe officers - Major Brandt and Major Rienhardt - sympathetically, by their contrast to the evil Kessler. But it was impossible for the writers to do anything with Kessler himself other than demonise the character. This seriously undermined the "Kessler" series, as there was never any chance for the audience to like the lead character.

The presence of the well-loved Resistance heroes of "Secret Army" might yet have saved the day. But that was made impossible by the decision to set the sequel mainly in South America, and to give it a completely new cast (for all but the first episode). Only Kessler himself continued from "Secret Army".

I was particularly surprised by the absence of Madelaine (Hazel McBride), Kessler's only friend in the earlier series, who might have stood at least some chance of showing up a human side to him.

Difficult to watch. This is an overdrawn Boys of Brazil. With similarly thick accents. The plot is not gripping at all. The Israeli girl a poor actress. The show grows preachy (European country do so little to catch the war criminals that we are told with a straight Israel must do the job, the whol hit squad being a petite Sephardic woman), the Fourth Reich business was already laughable in 1981. The show is slow, hardly believable, the characters are hard to like, the "nostalgic" bits too frequent. Pass you way. Just watch the Secret Army, a far more subtle series (especially in its second and third seasons).

Not really a sequel to Secret Army, despite the brief appearances of Monique, Albert and Natalie, all of whom are wasted in the first episode. Hopes are raised that they will have a major part to play but these are soon dashed. Kessler himself seems less menacing if still unsympathetic but suffers from the lack of interplay and rivalry with his Luftwaffe counterparts. His rise in the Nazi hierarchy is unconvincing. He still has a pretty boy assistant now in a three piece suit rather than SS uniform though Franz is nastier, more ambitious and devious than his two predecessors. Kessler's daughter Ingrid does not have the humanising effect of her mother Madeleine but is a caricature of a neo Nazi madchen. The Nazi hunters lack depth and the ageing Nazis are stereotypes. The pace, characterisation, dramatic structure, tension and atmosphere are all inferior to Secret Army. All told a disappointment unworthy of its inspiration, it would have been better if there were no link with Secret Army.