In early-1930s Germany, a passionate stage actor faces a dilemma: renounce his apolitical stance and comply with the Reich's doctrine, or face oblivion. But, Faustian bargains never end well... Read allIn early-1930s Germany, a passionate stage actor faces a dilemma: renounce his apolitical stance and comply with the Reich's doctrine, or face oblivion. But, Faustian bargains never end well. What is the price of success?In early-1930s Germany, a passionate stage actor faces a dilemma: renounce his apolitical stance and comply with the Reich's doctrine, or face oblivion. But, Faustian bargains never end well. What is the price of success?
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- Won 1 Oscar
- 15 wins & 5 nominations total
Ágnes Bánfalvy
- Angelika Siebert, naiva
- (as Bánfalvi Ágnes)
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We're all familiar with the archetypal Faustian Bargain, where, in exchange for your soul, the devil grants your wishes. But Why might someone might want to make such a bargain? I mean, there are the common lusts and desires; but, the question still remains: What does it profit a man to gain the whole world and lose his own soul? Mephisto suggests an answer. And it's not to be found in evil machinations of the Prince of Darkness and his minions, or any such nonsense. It's found in the human psyche.
Brilliantly played by Klaus Brandauer (Out of Africa, White Fang), Hendrik Hoefgen is a man haunted by insecurity. At the core of his being is shame. From the age of twelve, he tells his wife, he's always felt ashamed. So he always wears a mask, because he dare not expose his true identity to anyone, for fear of rejection. To hide himself and to medicate his feelings, he adopts a strategy that is all too common: he overcompensates. He buries himself in his work, identifies himself with his work, and becomes an empty creature playing to the crowds, a social chameleon who's a nobody adroitly playing a role. He constantly works on and perfects his social image, alert to the smallest hint of disapprobation in anyone. In this endeavor, his practiced talent of self deception aids him: He says to himself, after he's sold out to the Nazis, that he's satisfied with his success, because it means that many people love him. He's the perfect actor, even for himself. He's a public persona, nothing more. In the flower of his fame, he's a hollow shell. Mephisto is the most brilliantly produced drama on this subject I've ever seen. It's absolutely enthralling. I highly recommend it as one of the best films ever made, by anyone.
Brilliantly played by Klaus Brandauer (Out of Africa, White Fang), Hendrik Hoefgen is a man haunted by insecurity. At the core of his being is shame. From the age of twelve, he tells his wife, he's always felt ashamed. So he always wears a mask, because he dare not expose his true identity to anyone, for fear of rejection. To hide himself and to medicate his feelings, he adopts a strategy that is all too common: he overcompensates. He buries himself in his work, identifies himself with his work, and becomes an empty creature playing to the crowds, a social chameleon who's a nobody adroitly playing a role. He constantly works on and perfects his social image, alert to the smallest hint of disapprobation in anyone. In this endeavor, his practiced talent of self deception aids him: He says to himself, after he's sold out to the Nazis, that he's satisfied with his success, because it means that many people love him. He's the perfect actor, even for himself. He's a public persona, nothing more. In the flower of his fame, he's a hollow shell. Mephisto is the most brilliantly produced drama on this subject I've ever seen. It's absolutely enthralling. I highly recommend it as one of the best films ever made, by anyone.
...and be careful what you wish for. A German actor, in the 1930s, against best advice and with only himself in mind, continues to pursue his thespian fantasies while his friends and colleagues flee.
What can one say about this film apart from it being totally brilliant? Klaus Maria Brandauer is ideally cast in the role of Hendrik Hoefgen. The character of Hoefgen is a thinly disguised version of the famous German actor and Director of the Prussian State Theatre in Berlin, Gustav Grundgens. Grundgens compromised with the National Socialist authorities under Hitler to retain his role in the theatre. Others left as they did not want to be associated with the Third Reich and all its horrors. Marlene Dietrich was one such person. Grundgens remained. This film is a classic for any drama student as it shows the state of theatre in Germany before the rise of the Third Reich in Germany. It very clearly depicts theatre pre-1918 and also the early and important work of Bertolt Brecht. The thuggery of the Nazi German regime is clearly exposed with all the filth who polluted the upper echelons of society down to the working man. This is a brilliant piece of film making. Don't miss it as it is gripping drama.
Everyone knows the story of Faust: a man sells his soul to the Devil in exchange for something. Well, as we learned in the Rolling Stones' song "Sympathy for the Devil", the Prince of Darkness doesn't necessarily appear as a mustachioed red being with a bifurcated tail. In "Mephisto", the Devil appears as an ideology-turned-governmental-system: Nazism. And in this case, the Devil doesn't request your soul, but rather a favor: that you work for it. Such is the fate of actor Heinz Hoefgen (Klaus Maria Brandauer). Hoefgen has felt shame all his life and has often worn white make-up, as if to hide behind it. But the Nazis make him feel powerful, and so he works for them; metaphorically, he sells his soul to them.
"Mephisto" proves not only the mastery of Germany's film industry, but also what a great director Istvan Szabo is (also shown in "Sunshine" and "Being Julia").
"Mephisto" proves not only the mastery of Germany's film industry, but also what a great director Istvan Szabo is (also shown in "Sunshine" and "Being Julia").
10Bucs1960
What a wonderful film!! Klaus Maria Brandauer brings all his talents to bear in the story about an actor who sells his soul to the Devil, in this case Nazism. The character of Hofgen is based on the real-life Gustav Grundens, an actor whose star rose with the rise of the Third Reich and who was championed by Goering (the General's character in the film). Grundens was a homosexual but this issue is sidestepped in the film and instead the character of Hofgen is involved with a beautiful female dancer. Brandauer is magnificent as the passionate but doomed actor who must renounce his family, betray his friends and throw aside his honor for the price of fame. In the end, like Faust, he must pay the devil for his success. The film starts a little slowly but stay with it to see an acting tour de force. You won't be disappointed.
Did you know
- TriviaBased on the novel "Mephisto" by Klaus Mann, which obviously portrays his former brother-in-law Gustaf Gründgens. Therefore, it was banned in Germany until 2000.
- GoofsAs Hoefgen leaves the Deux Magots café in Paris after meeting with his first wife, decals for contemporary credit cards - Visa, among them - can be seen on the window of the door.
- Quotes
Hendrik Hoefgen: What do they want from me now? After all, I am just an actor.
- ConnectionsFeatured in At the Movies: The Best Films of 1982 (1983)
- How long is Mephisto?Powered by Alexa
Details
- Runtime
- 2h 26m(146 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
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