The Prowler

THE PROWLER maybe isn't a milestone in the slasher-genre, nor is it innovating in any way, but it certainly is one of the better teen-slasher-movies of the 80's. It has what it takes: Tension, a high body count, gore, nudity and a decent (though not really original) story. I'd say it even is almost on par with Friday THE 13TH PART I. Almost, I say, because Friday THE 13TH had an original twist in the end. In the case of THE PROWLER you'll probably guess the identity of the killer way before the final 'unmasking'-scene.

The plot is straightforward and easy to follow (like almost every slasher-flick). The prologue is a bit strange (black & white documentary footage of soldiers coming home from the World War II), but it's necessary to provide the killer's background-story. The first killing takes place in 1945 during a homecoming-party. It appears the killer had personal motives. He was never caught. Then, almost 40 years later, a new town's party is being organized and the killer picks up his old habits (and weapons).

On the bright site, THE PROWLER has a lot of killings, and therefore lots of bloodshed. All the make-up & blood-effects are masterfully executed by Tom Savini (with the ultimate high-light being an exploding-head shot). The killer is pretty creepy with his military outfit (including a German-like war-helmet) and uses various weapons (a pitchfork, a big army-knife, a shotgun,...). The fact that he doesn't speak one word during his attacks adds to the scariness. What also raises THE PROWLER to an effective and above-average slasher-level, is Joseph Zito's directing, the acting and the over-all atmosphere. Thankfully this movie doesn't include teenagers playing stupid jokes on each-other, a phenomenon slasher-movies too often suffer from. At a few moments Joseph Zito's directing even reaches levels of tension like in Carpenter's HALLOWEEN (no, it's not as good as HALLOWEEN but it has its moments). It's also nice to see that when leading girl Vicky Dawnson for the first time sees the masked killer, she doesn't ask obvious things like "Who are you? What are you doing here?". No, see looks at him, and when the killer stares back at her, silent and motionless, she immediately senses the danger and starts running. Further more, there are at least two jump-scenes that really work (always a good thing in a horror movie, but you might wanna turn up the volume) and I thought the roses were a nice touch.

It was also a nice surprise to see a slasher-movie that knows the rules of the genre and dares to break a few too (you figure out which ones yourself). I applaud Joseph Zito and Tom Savini for a job well done, and I feel sad about the fact that THE PROWLER seems to be a bit under-appreciated. So, come on all you slasher-fans, seek out this movie and boost its rating here on IMDb to a higher level.

I'll get this off my chest - the first 30 minutes of The Prowler are basically slasher heaven. I really mean that. The atmosphere is there, the characters aren't that bad, the killer is imposing, the kills are brutal and nasty...but then...(sigh) things just fall apart and don't get semi-exciting again until the last 10 minutes.

The Prowler might be so wonderful in its first act, because it starts off like most slasher flicks end. By the time its first act has wrapped up, it seems as if already a half-dozen people have been offed and our Final Girl to be has already had a fairly exciting chase sequence.

Sounds great, right? It is. But then she's saved and the rest of the film is spent with her and a policeman doing Scooby Doo-esque detective work in old houses with flashlights with brief interludes of death scenes during a graduation party. It just stops everything in its tracks.

This is not to say that The Prowler is a bad movie. Far from it. It just needed something more exciting and urgent in it's middle section to keep the audience interesting. One never feels like the two leads are in any danger and that drag it down. Still, the special effects steal the show and are wonderful.

If it weren't for the insanely dull middle section of The Prowler, it'd probably be one of the most effective slashers of the early 80's. All the other ingredients are in place and are well utilized with Tom Savini's grisly makeup effects stopping the show every single time they make an appearance. As light weight as the story is already, it could have probably used a few trims to cut it down to something more like 70 minutes.

As for being your usual copy-and-paste slasher. "The Prowler" was a modest attempt, but its looming reputation makes it out better than it actually is. Don't get me wrong. Everyone talks about Tom Savini's magnificently creative gruesome FX work, and deservedly so. But other than the potently bloody gore, and overall nastiness of some memorable deaths. What really drags this one down is how it gets bogged down with a scratchy story, and inconsistent script which led the film to plod along. Director Zito does his best to in-store some life, but while effectively demonstrating a grim, cruel atmospheric wound. In between the death sequences is little in the way of suspense, or even interest since there are too many vaguely ambiguous and padded distractions that cement themselves in the second half and only go on to annoy. Figuring out whose behind that ominous masked solider in uniform figure, doesn't take much. Baffling though was the choice of weapon… no not the army bayonet, but that pitchfork. When did they issue those things out? Odd, but I like it. The stalk 'n' slash angle doesn't entirely wear its self out, since while the jolts are basically telegraphed (but genuine) and having a flimsy story being strung together by its set-pieces that don't tie together. Still it managed to get the heart-racing when needed, and there are few piercing visuals and positioning work by Zito. The shady camera-work luridly focus on the action at hand.

The performances are soundly delivered, but never did I feel anything for these rather one-dimensional characters. Vicky Dawson makes for a strong, likable heroine, but the rest of the cast don't have much affect. Stalwart actors Farley Granger looks embarrassed and there's rather an unusually pointless role for Lawrence Tierney (who also briefly appeared in Zito's 1979 film "Bloodrage") . Christopher Goutman as the local deputy sheriff just pines a lot, and looks clueless. Richard Einhorn's composed a forebodingly hummer music score that superbly complements the film.

There are no pretensions here, in what it wants to be. A middlingly gritty, shocking slasher fare.

The Prowler is an overlooked horror film from that golden age of slasher films of the late 70s and early 80s. The film is directed by Joseph Zito who has special effects wizard Tom Savini to thank for the film's best scenes. The two also teamed up for Friday the 13th: The Final Chapter (part 4), and that film is a superior effort to this one.

The Plot of this film is very similar to My Bloody Valentine. We have a brutal act of violence taking place many years ago. We have the first big social event scheduled in several years on the very grounds where the trouble took place. And we have a spooky killer chopping up victims left and right. Only instead of full mining gear, our Prowler is dressed in WWII era military fatigues.

The gore is by far the best thing this film has going for it. There are some DISGUSTING killings which look very much like they could be the real thing. Our killer loves to use his bayonet, a pitchfork, and a sawed-off double barrel shotgun on his victims. Most of the killings in the version I have are not mere snippets of knives piercing flesh. You see the killer slice and penetrate these victims until they aren't breathing any more. There is a tidal wave of blood spilled in this film. They saved the best for last, when we see just what a blast from a shotgun at point blank range can do to someone's face. (I would not dream of revealing the victim's identity here!) The film has some glaring dead spots, too. Lawrence Tierney who is billed pretty highly makes such a short appearance you wouldn't believe it. Character development is nearly non-existent, and the motivation behind the carnage is not defined by any logical means. Let me put it this way; I have absolutely NO IDEA why the killer committed these murders. I wonder if the writers even knew.

Gore fans will definitely need to see the uncut version of this film at some point in their lives. It's like a golfer having to play a certain course he heard is interesting before he dies or a skier having to try a certain slope. That kind of thing. See this film out of a sense of duty, but don't expect a true classic.

6 of 10 stars from the Hound.