The Final Option

One of the more remarkable aspects about director Ian Sharp's garrote-taut hostage thriller is not only how well the gritty, flint-edged film holds up, but in today's divided world of political ferment, with clearly so little altered in the higher echelon's continued abuses of power, the crass media obfuscation, 'Who Dares Wins' (1982) continued relevance is additionally damning. Reginald Rose's lean, perfectly paced screenplay places our uncommonly heroic he-man Captain Peter Skellen (Lewis Collins) at the fulminating center of a well-funded, far from slumbering anti-nuclear terrorist cell, imperiously masterminded by intractable zealot Frankie Leith (Judy Collins) the unrelenting tension increases as Skellen embeds himself ever deeper into this murderous conspiracy, his covert solo mission fraught with myriad dangers, not only to himself, his lovely wife Jenny (Rosalind Lloyd) and new born baby Samantha but, perhaps, the continued peace of the western world. All too few action thrillers are both intelligent and unflinchingly bellicose, the exciting action is breathlessly swift and brutal, no slow-motion languor, precise, surgical, expeditious, kill or be killed, every retaliatory action timed to the millisecond and it is this coolly pragmatic take on violence that is so frequently fetishized today which not only proves immediately striking but exhilarating, while you are well aware this is merely splendidly made escapist entertainment, there is a glacial verisimilitude to the characters steadfast actions, and the morally 'grey' areas of both parties are expertly factored in, this isn't merely just another prosaic, spoon-fed, unquestionably good surmounting Evil, as both protagonist's relentless appropriation of extreme measures to justify their disparate means expose where such terrible power can be abused to suit secret, destructive agendas. 'Who Dares Wins' is a genuinely thrilling film and its classic status is greatly deserved, enlivened by a magnificently propulsive score by the inimitable genius Roy Budd, and never again will we enjoy such an exemplary cast assembled for our sublime cinematic edification: Judy Davis, Edward Woodward, Richard Widmark, with especially refined work by Tony Doyle as bluff, no nonsense Colonel Hadley (SAS), Ingrid Pitt as the terrifyingly tenacious Helga and a truly commanding performance by Lewis Collins who is extraordinarily vivid as indomitable SAS Captain Peter Skellen, effortlessly exuding the fascinating kind of steely integrity one only rarely sees today.

This is a film I'd heard of years ago, but never got around to watching it until yesterday.

While the plot seems a little slow at times (an illusion created by watching too many hollywood action movies), and (as many people here have commented) the dialog can get a little cheesy, add to the fact that the hairstyles, clothing, vehicles, etc... look dated now. But that's not what I was watching the film for.

The actual action sequences in the film are typical special operations style action sequences, i.e. they're over practically before they've started! This film, if not realistic (I'm sure it is, but as someone who doesn't know how the SAS really operate, I couldn't comment), is totally believable. From the handover by the police to the military, through the planning phase of the operation, the MOE (fast-roping from helicopters onto the roof, then abseiling down the side of the building), the total communication throughout the assault. It's absolutely breathtaking.

This is no Hollywood Action Movie. It's totally different from the likes of "Operation Delta Force", etc... There are no cheesy one-liners when a terrorist is dropped. There is no jumping about, emptying whole magazines (and more!) into people, shooting from the hip at targets 200 metres away and hitting them with the first shot, while snipers on the opposite side couldn't hit the Titanic from 2 metres away.

So, to sum up, I'd give the plot, characters and acting 7/10, but the action sequences, I'd wholeheartdly give 12/10! Fantastic stuff...

I read the book that inspired this film, 'The Tiptoe Boys,' and to be honest, I prefer the film to the book, which is unusual. The movie is a bit over-long, but the characters are quite well developed and the action sequences are among the best in any UK production and highly realistic. The legendary Roy 'Get Carter' Budd provides the score and we have a minor 80s action classic. Without doubt the assault at The Mews is outstanding and I will never forget the rush the first time I saw it. 'You don't muck (sic) about with the SAS...'

Ok so some of the supporting actors are weak. the american cast are clearly on holiday. but Lewis Collins is great and should of been a star on the british cinema screen.however the british film industry was pratically dead at the time.great music score maybe not enough action.maybe collins should of been in wild geese 2 instead of scott glenn.

Very entertaining movie, this one. Saw it upon it´s initial release here in Sweden (1982). It has a 007-feeling and Bond-ish quality about it, which I love. Lots of crew members from 007-productions behind the camera.

It is also very suspenseful and it´s got solid action scenes combined with good acting and snappy directing. What´s not to like?!:/

I can very well imagine that the S. A. S. Operates with a similar modus operandi. Since they (of course) doesn´t reveal anything one can only speculate and read books on the subject matter (S. A. S.) It looks and seems real enough (yes, I know it´s a movie).

It´s a pity and very strange that some films doesn´t get the attention and respect they deserve?! Instead loads of crap (WOKE, PC, man-hating - etc.) finds an audience.

Highly recommended film!++++