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5.1/10
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In the distant future, a federation marshal arrives at a research lab on a remote planet where a genetic experiment has gotten loose and begins feeding on the dwindling scientific group.In the distant future, a federation marshal arrives at a research lab on a remote planet where a genetic experiment has gotten loose and begins feeding on the dwindling scientific group.In the distant future, a federation marshal arrives at a research lab on a remote planet where a genetic experiment has gotten loose and begins feeding on the dwindling scientific group.
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Expect little from it and you'll be please with what you get. I was. 'Forbidden World' is a quickly produced Roger Corman low-budget b-grade fable that's all in for exciting and junky exploitation. Nice. So I see it tagged as an 'Alien' clone
yeah kinda. Ah definitely. This time it's not an outer-space visitor, but a mutant of genetic work which goes through transformation cycles and then making ends meat of a terrific b-cast. Out of all of the films of this ilk that decided to ride the wave of 'Alien (1979)' success, from what I've seen this would be my favourite of the bunch. Still need to get my hands on the other Corman produced Sci-fi / horror cult fave 'Galaxy of Terror (1981)'.
The story centres on intergalactic trouble-shooter Mike Colbey being sent to a barren world were a group of scientists in remote station are researching genetic research without restrictions. However one of their experiments has got out of control.
It's rather straightforward, even though the script does throw around many scientific exchanges but counterpointing that is many trashy dialogues. But it seems to know what it is and goes about it in the right manner. After such a disjointed beginning (like from some other movie), it hits its strides and keeps a quick tempo, as it moves through in no time. Where this draws the most interest from is its crude and gooey make-up effects. It's daring, outrageous and literally had guts. There are a few unforgettable sequences and it's a sight to behold in the way they finally depose of the mutant. Ridiculous, but clever. However talk about leaving a icky mess! They don't make them like this anymore. Although it did get hard to see with moments of hectic editing techniques (though some odd inclusions added something different), dim lighting composition and fuzzily intrusive photography. This stark visual quality helped cemented the forebodingly moody and suffocating atmosphere within the tautly limited set-designs. Susan Justin's electronic score is elastically thumping with a real seductive pull to it. Some might call it irritably cheesy, but I loved the main theme. Allan Holzman's direction is bitingly simple and it works. Adding graphic violence (like the melting tissue in to sloppy gruel) and constant sleaze (with actresses June Chadwick and Dawn Dunlap showering together) in a pulsating package of genuine competence. The mutant (who turns peeping tom at one stage or another) with its massive head and glaring teeth looks great and terrifying. The cast do the job of what's asked from them. Jesse Vint is fine as Mike Colbey, although he spends more time flirting and sleeping about with the women. Fox Harris hams it up as one of the scientists and the sumptuous June Chadwick gives a sharp performance as scientist too. The gorgeous Dawn Dunlap spends a lot of the time screaming her head off, running around corridors and baring flesh. I guess the character is just keeping to tradition. Linden Chiles, Michael Bowen and Scott Paulin cap off a modest support cast.
Cheap and tacky, but highly enjoyable kitsch.
The story centres on intergalactic trouble-shooter Mike Colbey being sent to a barren world were a group of scientists in remote station are researching genetic research without restrictions. However one of their experiments has got out of control.
It's rather straightforward, even though the script does throw around many scientific exchanges but counterpointing that is many trashy dialogues. But it seems to know what it is and goes about it in the right manner. After such a disjointed beginning (like from some other movie), it hits its strides and keeps a quick tempo, as it moves through in no time. Where this draws the most interest from is its crude and gooey make-up effects. It's daring, outrageous and literally had guts. There are a few unforgettable sequences and it's a sight to behold in the way they finally depose of the mutant. Ridiculous, but clever. However talk about leaving a icky mess! They don't make them like this anymore. Although it did get hard to see with moments of hectic editing techniques (though some odd inclusions added something different), dim lighting composition and fuzzily intrusive photography. This stark visual quality helped cemented the forebodingly moody and suffocating atmosphere within the tautly limited set-designs. Susan Justin's electronic score is elastically thumping with a real seductive pull to it. Some might call it irritably cheesy, but I loved the main theme. Allan Holzman's direction is bitingly simple and it works. Adding graphic violence (like the melting tissue in to sloppy gruel) and constant sleaze (with actresses June Chadwick and Dawn Dunlap showering together) in a pulsating package of genuine competence. The mutant (who turns peeping tom at one stage or another) with its massive head and glaring teeth looks great and terrifying. The cast do the job of what's asked from them. Jesse Vint is fine as Mike Colbey, although he spends more time flirting and sleeping about with the women. Fox Harris hams it up as one of the scientists and the sumptuous June Chadwick gives a sharp performance as scientist too. The gorgeous Dawn Dunlap spends a lot of the time screaming her head off, running around corridors and baring flesh. I guess the character is just keeping to tradition. Linden Chiles, Michael Bowen and Scott Paulin cap off a modest support cast.
Cheap and tacky, but highly enjoyable kitsch.
Well I've known and loved this one, since I was a tyke, and now own this video. It's your basic Alien ripoff, with a bunch of scientists hiding out in a remote space station on Xarba, where a troubleshooter Jesse Vint comes to save the day. However, the problem is an experiment, which turns out to be an alien, that escapes and goes on a rampage. However, the best thing about this film is the element of pure cheese; if you like how Corman used to put cheese in his films, you'll love this. Anyhow, the best is probably where they forcefeed the alien a lump of cancer and make 'em puke. That's great. However, the acting's pretty amateurish, the directing is about awful, the set and FX are about average for mid80s, the one thing though is the change of lights throughout the film, which can be found in Event Horizon and a dozen other films. It's a great cheesy flick for drivein and/or Corman fans, but those expecting a contender to ALien well you've been warned.
Forbidden World isn't exactly a stellar film, but it sure is an entertaining one! This shameless Alien rip-off is packed to the brim with gore and nudity and never pretends to be more than just an hour and seventeen minutes of pure escapism.
For a low-budget movie, the research station set doesn't look bad at all. There might not be much more than a few corridors, some sleeping quarters, a sauna (yes, a sauna, guess why) and a laboratory, but it's quite an atmospheric place. Also, the practical effects are rather good, with bloody corpses that ooze slime from every pore and a shape-shifting monster (bearing more than a passing resemblance to Alien's Xenomorph) to admire. The catchy synth soundtrack is also worth mentioning.
If you're looking for a serious sci-fi horror movie, steer well clear of this film, but if you're in the mood for a bit of trashy fun, you could do a lot worse than Forbidden World!
For a low-budget movie, the research station set doesn't look bad at all. There might not be much more than a few corridors, some sleeping quarters, a sauna (yes, a sauna, guess why) and a laboratory, but it's quite an atmospheric place. Also, the practical effects are rather good, with bloody corpses that ooze slime from every pore and a shape-shifting monster (bearing more than a passing resemblance to Alien's Xenomorph) to admire. The catchy synth soundtrack is also worth mentioning.
If you're looking for a serious sci-fi horror movie, steer well clear of this film, but if you're in the mood for a bit of trashy fun, you could do a lot worse than Forbidden World!
I first saw this in the late 80s on a vhs.
Revisited it recently on a fast forward mode.
The movie has a lousy sex scene mixed with a lousy 'cannot make out wots going on' kill scene.
Dawn Dunlap's nudity is the only saving grace. She looks more like a younger Denise Richards.
The fight towards the end with the alien looks as if the guy is fighting a bull or something but that too is ruined with shaky cam n reddish flickering lights.
Were the end flashback scenes required?
Revisited it recently on a fast forward mode.
The movie has a lousy sex scene mixed with a lousy 'cannot make out wots going on' kill scene.
Dawn Dunlap's nudity is the only saving grace. She looks more like a younger Denise Richards.
The fight towards the end with the alien looks as if the guy is fighting a bull or something but that too is ruined with shaky cam n reddish flickering lights.
Were the end flashback scenes required?
Yet another cheap 'n cheesy early 80's "Alien" rip-off produced by Roger "King of the B's" Corman! This given alone is more than enough reason to proceed with caution and keep your expectations to a minimum. Then, during the opening credits sequence, your first impressions are most likely to seep to an even deeper level, as the first five minutes are a headache-inducing and utterly pointless compilation of confusing and hectic images that make no sense at all. But please do your best to struggle yourself through this crappy opening, because "Forbidden World" does eventually get interesting and worthwhile. Well, in all honesty
it's crap from start to finish! But hey, at least it's tremendously entertaining crap! We're in the darkest regions of outer space, somewhere in a distant future, but there's no menace of aliens this time. The cool-looking monster on the VHS cover is mankind's own little mistake-creation, spawned on a spaceship where the crew was actually trying to discover new types of food sources. Now they're up against a continuously growing monster that somehow understands English, yet dramatically misinterprets the meaning of the verb "co-exist". Lone space ranger Mike Colby (Jesse Vint) is called to the rescue, but he doesn't really contribute anything, except having sex with the female crew members on board. What a guy! Another scientist member of the expedition eventually comes up with an admittedly creative (but totally ludicrous) plan to destroy the monster. Naturally, I can't reveal anything about the denouement, but rest assured it's 100% original and hilarious. The cinematography is dreadfully dark and unclear, presumably to camouflage the ultra-cheap and tacky set pieces and make-up effects. The monster is very cool, though, and the killings are amusingly gross and bloody. The aforementioned "co-exist" scene truly priceless and any horror fan with a slight sense of humor will LOVE that moment. Alan Holzman didn't have any experience directing movies back in 1982, but he does a fairly adequate job and admirably prevents his cast from going over the top. Following good old Roger Corman traditions, there's some great sleaze and nudity to enjoy and also the dialogs are imbecilic but fun. Highly recommended in case you can tolerate B-movie cheapness.
Did you know
- TriviaDuring a screening, Roger Corman actually smacked an audience member on the head for laughing at the film. When Roger left the theater, the guy he punched poured soda all over his head from the balcony.
- GoofsIn the first lab scene on planet Xarbia, when Mike Colby says "That thing is trouble, I can smell it", we can see a yellow microphone appearing from the inferior-left that appears again on the next scene from the same plane.
- Quotes
Tracy Baxter: You know what? It looks like you could really use the steam bath!
Mike Colby: Well, I had a hard night.
Tracy Baxter: So fair's fair. Get naked.
- Crazy creditsThe concluding credits roll over the vomit covered corpse of the monster.
- Alternate versionsThe German version (labelled "Mutant - das Grauen im All") recycles the space battle of the first five minutes, with a new language track. Tracy's absence is explained away by simply not waking her from cryo-sleep; SAM's return upon destruction at the end of the original film is not explained at all.
- ConnectionsEdited from Battle Beyond the Stars (1980)
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- $1,000,000 (estimated)
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