During Prohibition, Treasury agent Eliot Ness sets out to stop ruthless Chicago gangster Al Capone, and assembles a small, incorruptible team to help him.During Prohibition, Treasury agent Eliot Ness sets out to stop ruthless Chicago gangster Al Capone, and assembles a small, incorruptible team to help him.During Prohibition, Treasury agent Eliot Ness sets out to stop ruthless Chicago gangster Al Capone, and assembles a small, incorruptible team to help him.
- Won 1 Oscar
- 11 wins & 18 nominations total
Storyline
Did you know
- TriviaAn envelope is dropped on the desk of Eliot Ness in one scene. It is assumed to be a bribe, but the amount inside is never revealed. In real life, Al Capone promised Eliot Ness that two $1,000 bills would be on his desk every Monday morning if he turned a blind eye to his bootlegging activities (an enormous amount of money then; more than $30,000 today). Ness refused the bribe, and in later years struggled with money. He died almost broke at the age of fifty-four.
- GoofsAt one point Eliot Ness says that drinking alcoholic beverages is illegal. Drinking itself was never illegal during Prohibition. The 18th Amendment only made the manufacturing, transportation and sale of alcoholic beverages illegal. People who had bought alcohol before January 16, 1920, could and did continue to drink and serve it privately.
- Quotes
Malone: [talking privately in a church] You said you wanted to get Capone. Do you really wanna get him? You see what I'm saying is, what are you prepared to do?
Ness: Anything within the law.
Malone: And *then* what are you prepared to do? If you open the can on these worms you must be prepared to go all the way. Because they're not gonna give up the fight, until one of you is dead.
Ness: I want to get Capone! I don't know how to do it.
Malone: You wanna know how to get Capone? They pull a knife, you pull a gun. He sends one of yours to the hospital, you send one of his to the morgue. *That's* the *Chicago* way! And that's how you get Capone. Now do you want to do that? Are you ready to do that? I'm offering you a deal. Do you want this deal?
Ness: I have sworn to capture this man with all legal powers at my disposal and I will do so.
Malone: Well, the Lord hates a coward.
[jabs Ness with his hand, and Ness shakes it]
Malone: Do you know what a blood oath is, Mr. Ness?
Ness: Yes.
Malone: Good, 'cause you just took one.
- Alternate versionsIn Belgium the first release in the theaters omitted the scene where Al Capone hits one of his henchmen with a base-ball bat. Two weeks after its release the scene was restored. Cinemas announced this to be the 'uncensored version'.
- ConnectionsEdited into Public Enemies (1996)
- SoundtracksMOOD INDIGO
Written by Duke Ellington, Irving Mills and Barney Bigard
Arranged by Bob Wilber
Courtesy of Wilkes College Jazz Archives
Here are a few reasons why. First reason is that The Untouchables is just so darn entertaining. All the other films had completely different aims and even though I love a deep and brilliant story my main objective when I see a film is to be entertained and basically no film does that better than The Untouchables. That does not mean, however, that The Untouchables is just some half baked action comedy. No. There is genuine emotion and real story in this film. The story is, as most people know, loosely based on the actual events during the prohibition era in USA in the 1920s (the story is also based very, very loosely on the series that go by the same name) which to some extent means that what we see on the screen is real making the characters and general story seem that much more believable. This also adds greatly to the already very high entertainment value of the film because it draws the audience in. To add to the realism of the film the dialog is also very memorable and there are some great one-liners including some of my all time favorites in this film.
The acting is nothing short of brilliant. This is without a doubt Kevin Costner's best role. Some people have remarked that he seemed stiff and unable to portray the emotion of the character and to that I can only ask: Were we watching the same movie?! He is a hundred percent believable all the way through. In the beginning he seems a bit too much like a square I-wanna-do-some-good kind of character but as the story progresses he really evolves and becomes more and more emotionally involved in what he does. Both in his friends and in the cause. He even bends some of the rules he initially tried so hard to uphold. Brilliant. Charles Martin Smith does a good job as well and even though his character is very limited he still manages to pull the audience in. Andy Garcia appears in this film in a very limited role as well and he serves his purpose brilliantly. He is the sharpshooter of the group and he is perfectly believable in that part. He doesn't get to say much but what he does get to say is said with as much passion as I have ever heard from him (he seemed a little stale and lifeless in Godfather III). Robert DeNiro is great as Al Capone. He steals every scene he is in and he really brings the larger-than-life quality to the character which is extremely fitting. The film's best performance belongs to Sean Connery though. The film is for lack of a better expression a Sean Connery tour-de-force. Not only does he steal every scene he is in but he also brings the certain indescribable something to the character that he always does and in every situation you feel with him (as you do in all his films whether he is a villain or a hero). He also got a well deserved Oscar for his performance. People have claimed that the Oscar wasn't as much for this particular performance but an Oscar in recognition of his contributions to the film industry. This belittles his performance which I can safely say is the best of his career and one of the best displays of acting that I have ever seen.
The film also has a memorable score made by the legendary Ennio Morricone who is perhaps best known for the work he did with the equally legendary western director Sergio Leone (who doesn't know the score from The Good, the Bad and the Ugly) and in my opinion the score he did for The Untouchables is the best he has ever made. The score is very unlike most scores from the 80s which does that the film doesn't feel like an 80s film as much as Scarface which I find inferior to this masterpiece. The score is grand and epic just like the story and the effects. For an 80s movie the effects are pretty amazing. Once again everything works.
All in all The Untouchables is a riveting story which is highly recommendable to all fans of crime/gangster movies.
10/10 - on my top 10 of best films
- MinorityReporter
- Sep 20, 2005
- Permalink
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Los intocables
- Filming locations
- Roosevelt University - 430 S. Michigan Avenue, Downtown, Chicago, Illinois, USA(front entrance and main lobby used as Lexington Hotel, where Al Capone lives)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $76,270,454
- Opening weekend US & Canada
- $10,023,094
- Jun 7, 1987
- Gross worldwide
- $76,272,360
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1