A Soviet tank and its warring crew become separated from their patrol and lost in an Afghan valley with a group of vengeance-seeking rebels on their tracks.A Soviet tank and its warring crew become separated from their patrol and lost in an Afghan valley with a group of vengeance-seeking rebels on their tracks.A Soviet tank and its warring crew become separated from their patrol and lost in an Afghan valley with a group of vengeance-seeking rebels on their tracks.
- Awards
- 1 win total
- Moustafa
- (as Haim Gerafi)
- Sherina
- (as Shosh Marciano)
- Iskandar
- (as Itzhak Babi Ne'Eman)
- Helicopter Co-Pilot
- (as Ramy Heuberger)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Tight, well paced war movie
The Use of American English by the Russians is Intentional
As the film begins, we are in an alien desert setting with the Russian tank crew speaking only in Russian and committing a series of terrible deeds. The camera tightly zooms into the speaking lips of one of the Russians whose native language seamlessly transforms into American English. The camera then zooms back out to the original framing. The audience soon begins to empathize with the Americanized Russians and begins to see many parallels between their conflict and our experience in Vietnam. Americans know very little of the Afghanistan war. This device, however, makes the war seem less distant. It helps the audience bond with the characters and better share their later suffering.
The film has the authentic and gritty feel of "Das Boot" with the tank filling in for the submarine. The detailed and realistic portrayal of the equipment lends greatly authenticity to the drama. I last saw the film about ten years ago, and yet its images and emotional impact stay with me much better than most of the films I've seen so far this year.
I give The Beast a 9.
Cold War ideology
During the Soviet invasion of Afghanistan, the United States funded, supplied, and trained Mujahadeen forces. American stinger missiles were used to shoot down Soviet helicopters. The most famous Mujahadeen fighter trained by the United States would come to be Osama bin Laden. He would participate in the fight against the Soviet army, much to the approval of the United States. This film pays tribute to the Mujahadeen for valiantly defending themselves against America's enemy. The fact that the United States has invaded Afghanistan makes the film much more interesting to watch. It is ironic that these militants once praised by Hollywood are now our enemies. The lesson this film should teach us now, albeit inadvertently, is that we should be careful who we glorify and who we vilify. Humans will be humans, and will fight for what they *believe* is right, sometimes whether it actually is right or not.
A hidden gem of the war genre
Victim of a studio dumping it into an initial release with little to no fanfare or backing, Beast is a film that was worth more attention as Reynolds and his screenwriter William Mastrosimone (adapting his own play) create a boiling pot of tension and drama as they follow Russian tank officer Daskal and his crew across the sand swept surrounds of Afghanistan as they are pursed by a justice seeking group of Afghani locals in a secluded valley after they wreck havoc on their small village.
Getting stuck straight into the action, we as viewers are thrust into the sweat covered lives of the unstable Daskal and his skeleton crew that includes Jason Patric's Konstantin Koverchenko, Stephen Baldwin's wide-eyed Anthony Golikov and Don Harvey's unbalanced Kaminski, as they traverse the foreign landscape of the country they have invaded while Steven Bauer's village chief Khan Taj and his men pursue them deeper and deeper into a hellish valley that seems likely to lead to a conflict where only one side will come away victorious.
There's barely a moment where Reynolds film lets up, Beast moves along at a rapid pace, much like its barely functioning tank that is both a savior and a curse to the men inside, and when it comes to films set in the Afghanistan region there's a real case to suggest that this 1988 effort is one of the best set in the time and period where the Soviet's went toe to toe with the local militia in the country.
Something else that is evidently apparent in the film is the string of quality performances.
Leading from the front is the almost never better George Dzundza who goes all out as Daskal who is looking back to past glories as he dictates his men's movements into a seemingly losing battle and Patric, who brings great intensity to his role as the voice of reason Konstantin, a man who has been put into a hopeless position where he is torn between self preservation and doing what's right for the country his committed to serve.
Overall this is a white knuckle affair, one with brilliantly staged battles, great delivery and one of composer Mark Isham's most effective scores and while its unlikely you've heard of this war film, it's one you should find and check out as one of the 80's most undervalued efforts.
Final Say -
One of the hidden gems of the war film genre and one of the most effective tank based sub-genre efforts, The Beast of War is a thrilling piece of filmmaking that deserves to find an audience it was cruelly denied upon release.
4 RPG's out of 5.
A truly great war film
Did you know
- TriviaFor increased realism, 90mm blank shells were modified to fire a weight of water out of the tanks' 105mm cannons, thus causing the cannon to recoil as if it had fired a live shell.
- GoofsRussian tanks run on diesel, not Helicopter Av-Gas; even if it did, 20 gallons of fuel would be worth about 20 minutes in the tank, not a full day and night of operations.
- Quotes
Daskal: [the tank is incapacitated. Daskal hands out a grenade to Kaminski and Golikov] You know our standing orders.
Kaminski: What?
Daskal: Out of commission, become a pillbox. Out of ammo, become a bunker. Out of time, become heroes.
Kaminski: You must be out of your fucking mind!
[He tosses his grenade aside]
Daskal: Now. Together.
[Daskal pulls the grenade pin]
- Crazy creditsAt the start of the film, just after the Columbia Pictures logo the following quote is given: When you're wounded an' left on Afghanistan's plains. An' the women come out to cut up your remains, Just roll to your rifle an' blow out your brains, An' go to your Gawd like a soldier. - Rudyard Kipling
- Alternate versionsThere are two versions playing on American Premium (Subscription) Movie Channels. One has subtitles for the Mujahadeen and the other does not. Currently, on STARZ, the version with subtitles is playing. Last year, on A&E, was the version without subtitles.
- ConnectionsFeatured in Megiddo: The Omega Code 2 (2001)
Details
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $161,004
- Gross worldwide
- $161,004
- Runtime
- 1h 51m(111 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1







