User reviews

This movie was an extremely enjoyable experience. I loved every minute of it, even though the story itself is not much to talk about. Its really a slice of life, centering on a piano teacher and her star pupil. The pupil gets involved in the lives of the teachers' neighbors and that's the movie. It might sound boring but it is not. The characters are all sweet and kind to one another, for the most part, and have a real affection for each other too. A birthday party for Madame is a standout scene.

Shirley MacLaine does not rely on her usual mannerisms and delivers a powerful performance as Madame Sousatzka. The rest of the cast is great, too, especially Twiggy as the beautiful Jenny and Peggy Ashcroft as the landlord Lady Emily.

This is the ideal movie for a Sunday morning or when you want to be entertained by some good music surrounded by a good story.

Madame Sousatzka is one of those coming of age to win the big competition films; albeit, the kid doesn't come of age (that will be his next step) and there is no competition. And the lovable, eccentric coach is the maddening, overbearing piano teacher, Madame Sousatzka.

Sushila and Manek Sen, an immigrant Indian family, moves to London. Sushila, the mother, supports her son, Manek, by cooking pastries for an upscale department store out of her cramped kitchen. Manek is a raw child prodigy of the piano. For years, Sushila has been funding Manek's studies by selling off her family heirlooms.

They hook up with Madame Sousatzka, one of the top piano teachers in London. She has issues, however. She smothers her students. She has an "art for art's sake" philosophy, and she doesn't believe that her students should seek commerce for their skills. And she tries to hide her students from the world. Through flashbacks, she relives her failed career through her students.

I just finished watching this film for the second time--the first since 1988. It holds up really well. Shirley MacLaine, who plays the title role, gives one of her best performances. She is neither showy nor mannered, in a role that was too easy to devolve into both. Navin Chowdhry (Manek) seems like a natural at the piano. His part calls for him to be cocky and nervous, all at the same time. And he does it quite well. And the supporting roles from Twiggey to Peggy Ashcroft seem to hit the right chords.

There is a lot of great music in it. And the direction and the pace of the film are swift. I think if the film would have spent too much time talking about music, I would've been bored. As it is directed, I was captured by all the pieces played.

Finally, I couldn't help but notice that Ruth Praweer Jhabvala adapted this piece. (I, in fact, researched this film to find out who wrote it.) It's the work between A Room with a View and Howard's End. It really shows off her style of writing. There is this great sense of time and space of modern day London here, as there was in early twentieth century London in Howard's End. And dangerous intimacies seem to be a subject she likes tackling in all three films.

Overall, Madame Sousatzka is well worth the two hours.

I can see how this movie would not be for everyone. However, it worked beautifully for me. It was a wonderful contrast of a renowned piano teacher who becomes too attached to her young prodigy. The story was a wonderful juxtaposition of classical performances, along with a study of the people involved. The story develops simultaneously with the evolution of the main charactors, and the acting was first rate. You don't have to love classical piano to enjoy this, but it probably helps. It is a fine story with many layers and I give it a thumbs up.

Shirley MacLaine's Golden Globe winning performance was matched by India's gorgeous star actress, Shabana Azmi's as Sushila Sen. MacLaine's part is that of a reputably in high demand local piano teacher who takes younger piano prodigies to the brink of their entrance into public performances. Then, the big name men piano professors get a stronghold on them. Madame Sousatzka remains in the shadows as the one who truly molded them into great musical performers.

It's interesting that India's Shabana Azmi is hardly even mentioned as a best supporting actress though her part was to be the mother of one such piano prodigy who Sousatzka molded. A mother who baked & baked to earn the money for her son's piano lessons.

The plot, director, acting, actors, music, sets, lighting, editing & costumes are all very well done. In a world where every other word has to be bleeped because it's cursing, this film is refreshing and suitable to hold the interest of refined adults & children, especially ones interested in musical careers.

Madame Sousatzka is overall a well-made and enjoyable film which gives the audience an interesting glimpse into the world of piano music. The film is mainly about music, and as expected, the music is an integral part of it, and it is beautiful. Just like a film of this sort would require, Madame Sousatzka has a very good score which contributes to its musical and dramatic tone, and also a serene, subtle narrative style which complements the story, the characters and the overall atmosphere. The biggest triumph of the writers, however, is the main character of piano teacher Madame Sousatzka, which is memorable. The film tells her story by mainly focusing on the lessons she gives to the young son of an Indian immigrant, and there we see who she is. She is strict, demanding, uncompromising, but she is also loving, caring and kind.

All of it is handled perfectly by one of my favourite actresses, Shirley MacLaine. This is her show all the way, and she is excellent in a heartbreaking and unforgettable performance. She skillfully creates a tough yet vulnerable persona and plays Sousatzka's strength, inner pain, and her struggle with her lonely present and her twisted past with great conviction. We know everything about this faded but assertive lady, one that we can meet everyday in our neighbourhood, just because of this portrayal. Her facial expressions are amazing, and throughout the film they really enhance the impact she makes here. This colourful character lets her be imperious, motherly, humorous, funny, unlikable, moving and sympathetic throughout it, and in some instances, she can be all of the above at the same time. A great, great performance.

MacLaine is supported by several good actors giving good support. Another favourite of mine, Shabana Azmi, is very good in a much smaller part as the loving but greedy Bengali mom. Her Bengali accent and mannerisms (which most non-Indians would never really take notice of) are spot on, and she comes across as a lively and vivacious character. Navin Chowdhry is pretty good as the student. The film is quiet and even though it is a bit slow in pace, it is entertaining and makes for an interesting watch. Obviously for me, it is MacLaine's performance which makes it so recommendable. Madame Sousatzka is not the greatest movie you will see, it is definitely not a film that would be enjoyed by everyone, and even though I personally had bigger expectations from it, it is overall a fine, artistic and well-made picture.

I see that Shirley MacLaine complained that no one got to see Madame Sousatzka in its first run. Well I can say that back in 1988 I did get to see this film with the late Daniel Strausbaugh in its initial run. Seeing it again 31 years later it is as fresh and original as it was on first viewing.

Playing the title role of a strict and demanding piano teacher recently settled in London MacLaine is far from some of the characters she did in her salad days. She's a good teacher, but she intrudes a bit too much into the lives of her students. She's not one to just take the money from parents who want their untalented kids. She's like a jockey who wants only to ride stake horse races.

Such a thoroughbred is Indian kid Navin Chowdhry whose mom Shabana Amzi is a single mom with a catering business who has sacrificed all for her talented kid.

The thing is Navin is a regular kid who likes to kid things such as rollerskating. A habit MacLaine cures him of. She nurtures his talent and him. But he does grow away from her because teenage boys do have hormones even if they're piano prodigies.

The cast is uniformly fine and this film should be better known. MacLaine's scenes with Chowdhry are special. You really do think this is a demanding teacher and pupil not just actors playing them.

If you like Shirley MacLaine this is a must.

Shirley Maclaine portrays an aging piano tutor with some very strict ideas about the purity of her service and the pitfalls of ambition, in an original coming-of-age drama set against the highbrow world of classical music instruction. As an eccentric (what else?) Russian émigré in an offbeat London household, Maclaine plays the role of a fussy perfectionist to perfection, showering her naive new pupil (a gifted Anglo-Indian prodigy with more talent than wisdom) with stern maternal affection, and guarding him against the crass, commercial ambitions of his mother. Not even the clumsy expository flashbacks or a romantic subplot involving Twiggy can dim the luster of Ruth Prawer Jhabvala's perceptive screenplay, which in between selections from Beethoven and Chopin explores the widening gap between art and commerce, in both music and life. Director John Schlesinger doesn't need to add much more than a series of slow camera pans over candle-lit rooms, but he manages to generate more tension than otherwise might be expected from the piano recital climax, during which the young student is forced to choose between a lifelong vocation and a lucrative career.

Luckily for "Manek" (Navin Chowdhry), he has a school teacher who knows a prodigy when she sees one, and so recommends to his recently single-mother "Sushila" (Shabana Azmi) that she send him to the eponymous piano teacher (Shirley MacLaine). She's rather an eccentric woman but she instantly recognises that this lad has skills - and, that he has a few issues too. As his home life becomes more strained and his mum's business goes down the tubes he begins to lose focus. That's only made worse by her upstairs neighbour "Jenny" (Twiggy) with whom he becomes just a little bit obsessed. It may be that the rapport between teacher and pupil and a forthcoming chance to prove his mastery of the piano on a grand scale are the necessary steps "Manek" needs to take as he nears an adulthood he craves? It helps that there are some gorgeous piano solos from Chopin and Schumann here, and I thought that aside from turning in a solid effort as the young lad, Chowdhry also did a mean job on the piano-synch work too. Dame Peggy Ashcroft's "Lady Emily" provides, sparingly, for a benign influence on the proceedings but it's really all about a MacLaine who portrays her flawed, proud and frustrated character - and I think she does it with some skill. There's that horrible adage about people who can do and people who can't teach - and to an extent you see her character almost jealous of the potential of her young charge as he gradually, under her sometimes quite aggressive tutelage, begins to show his true potential! It's quite an intricately knitted combination of the prolific with the obligatory melodrama, but that latter familial discord element is kept to manageable levels that leaves us with quite an engaging combo of veteran and newcomer and there's even a ditty from Twiggy, too. The production design is classy, the dialogue doesn't let the story hang about and though it does sag a little from time to time, is still worth a watch.

To me this movie was excellent. It showed how much work you must go through to be the best and also inspired me to keep practicing the piano. I think any aspiring musician should watch this movie.The main character was very dedicated and it was a bit cheezy during parts. I think that the girl he fell for should have been younger, such as another girl taking piano. I was a little confused about the moving old woman and why she had to move. i think it was nice hearing all those old classics, because i enjoy classical music very much. It shows very much artistry and it is now one of my favourite movies. It helps motivate me. I love it.

John Schlesinger became famous as a polemic and very socially oriented director, but this is his Masterpiece of all times. It is not a monumental movie and it is not a box-office smashing hit.

No. This is a far superior work of artistry, worked and reworked from the guts and above all, from the heart.

The story is very skillfully developed and has plot twists and turns as the classical masterpieces interpreted in this movie.

Yes, because it is a tale of two cultures: the Western and the Eastern. The western side is taken by a (Russian?) piano teacher, living in London (masterfully played by a magnificent Shirley MacLaine) and the Eastern is represented by a would-be and reticent Hindi piano student.

Not only does Schlesinger tell us the story of the two and their passions and strives in life, but also gives us a whole palette of undertones in quite different social worlds.

Despite its length (slightly over two hours) the movie has never a dull moment or a static conversation. Emotions are fully and honestly expressed by all involved and never for a moment, one can feel he is watching a movie here.

Quite the contrary. All the characters play their parts so much to the hilt, that it "sucks" us in and doesn't let loose until the end credits roll.

I am not an emotional person generally, and many "tearjerkers" only make me crack up, so academic they are, but when I watched this movie for the first time in New York City at the Carnegie Odeon Movie Theater, I must admit I came out in tears and had to make an effort not to be noticed for that.

Not that it is particularly sad, quite the contrary. Despite some very dramatic moments, it is truly a wonderful comedy. No the sadness comes out from the realism contained in the lives of the characters, in which we all could find similarities.

The dreams, the passions, the disappointments, the crime and punishment and finally, the absolute redemption are all very important factors in this excellent movie.

The music world is only a mask to show us a much deeper view on society as such. But the film is conducted by Schlesinger (the old fox) as an orchestra conductor, directing a symphony by Beethoven.

His baton is light but never loses out on a note. His conducting is comparable to the mastery of Herbert von Karajan. The only difference is that he waltzes with a camera.

If you want to discover a different movie from the same-o, same-o, then this is an absolute must see.

I personally laughed, cried, got concerned and was worried, was uncomfortable, then immediately relieved by pleasant surprises throughout the entire movie, but above all, it made me think about the similarities with my own world and this is probably why I learned to love this tiny masterpiece.

I just own the VHS version, but would like to plea the producers of the movie (Universal was the distributor, but the movie was a Cineplex/Odeon production) and all those who are involved in DVD production to finally decide to release a pristine copy, with a decent digital sound and a crisp image.

Of all the movies around, this one surely would merit an extra effort to digitalize it and therefore preserve it for posterity.

I can only recommend it. This movie is for all, although some scenes may be a bit difficult to understand by younger audiences, without an adult presence. But in reality, this is a naive suggestion, since it has to be watched by the entire family on a quiet movie evening around the living room.

You need some concentration though, to watch it. It is not a popcorn and beer movie. This is a movie for those who love to think.

Sweet hearted at it's core ..the relationships of how people care and become important to each other unfolds at the right pace in this story. It is acted so well that although not an exciting picture it seems to flow quickly through the story. There is an interesting sub plot as to what kind of love is going on between the mother...who is absolutely beautiful The other tenant...Twiggy....who is very sexy and who is a young boys...well actually old boys to...dream girl. And of course Shirley Mac.... who mentors and is so very attached to him ....that I was trying to figure out what was up with the way they viewed this young man. Really lovely music to...

Shirley MacLaine once said as a joke in an interview that "not more than ten people saw the movie"! Well, I am lucky to claim that I was one of the ten and rate it as my top ten movie of all time! The acting is flawless!

I own the LD copy of the movie and am hoping to see the DVD format being available soon. This is such a gem that it would be a shame if it's not released on DVD format to share with the world of what great movies are made of! One final word to describe this movie: Beautiful

"As she proudly professes, Sousatzka not only teaches musicology, but life itself as well, and she is not malleable of her disciplines, particularly regarding when Manek will be ready for public performance, problems arise when Manek is approached by producer Ronnie (Lawson) to arrange his debut performance, and a rival music teacher Leo (Rietty) may have his own design on snatching Manek under his tutelage. But, what director John Schlesinger flintily homes in on is that their extant teacher-student rapport is already insalubrious, it is the overflowing maternal affection Manek receiving on a daily basis from two "mothers" that drives him away from Sousatzka, the sad truth is that it is a lesson the latter fails to learn from, and Manek is simply not the first."

read my full review on my blog: cinema omnivore, thanks

Too bad there wasn't made a Madame Sousatzka II and a Madame Sousatzka III with successive students. This film does more for any plausible immortality than her laughable, daffy & wild reincarnation baubles. Sousatzka is one hell of a story, and an A+ piece of direction by John Schlesinger. They should have made it at least twice. MacLaine and the director were absolutely the very best. Doubtless her best film maybe incl the Apt.

This movie was wonderfully written, produced and directed. A+. Easily a 3 star movie, esp if you are one of the many music persons who also play an instrument. However, I was a bit bewildered about the contribution of Twiggy and the boy's kissing her. MacLaine was outstanding!!