OK. Once again Mettler shows (after Scissere) his gift for striking visual composition. There are certainly some mesmerizing scenes in this film - particularly the last few minutes involving the protagonist and a set of swinging strobe lights. But once again Mettler also forgets that in order for a substantial amount of people to find appreciation in a film there has to be enough of the familiar (not necessarily predictable.) Otherwise people are just going to lose patience with the film regardless of how skillful the cinematic technique is. Your film will fade into obscurity, as this one has. There also has to be more of a focus. If your main goal is to present striking visual imagery then that is admirable and fine - however, the film can't meander as much as this one does. There is no logical foundation here for a viewer to grasp ahold of.
That is not to say everything has to be clearcut. But here we have such a radically obscure presentation that the filmmaker is asking a little bit too much of his audience.
