We're No Angels

We're No Angels,First-Viewing, owned VHS,(Neil Jordan)- Robert DeNiro, Sean Penn, Demi Moore, John C. Reily, Bruno Kirby, James Russo

An interesting comedy starring two very talented actors. This is the first comedy role I've seen DeNiro in prior to his 90s comedies (analyze this, meet the parents, etc…). DeNiro and Penn play escaped convicts who disguise themselves in a small town. Although DeNiro is great, and in certain scenes definitely shows his superiority as an actor, Penn overall gives the better performance. With a more complex character, yet simple (he is very simple-minded, but a complex character), his performance is very good. Although Demi Moore really didn't have a big role, she was convincing as a local woman in the small town. John C. Reily, once again gives a good performance, in a similar role to that of his in 'Casualties of War'. Overall a good film for laughs and well done by the director and screenwriter. Thought the acting was the highlight, and had some very funny scenes. 8/10

Everyone knows what a black comedy is. But is there is such a thing as a white comedy? I think so, and I think this is one of them. In the same way that '21 Grams' works a fairly serious portrayal of a crisis of faith into a tense melodramatic thriller, 'We're No Angels' actually masks some serious thoughtfulness about the importance of faith and hope into a decently funny comedy of mistaken identity. It also illustrates concretely the truth of C.S. Lewis's famous dictum (from the Screwtape Letters)that all men become what they are pretending to be.

The movie is very plotty and all the loose points neatly wrapped up. What a lot of the critics have missed is that all of the jokes are thematic, and tied to the central topics of the movie.

I am not at all conventionally religious, but I do appreciate faith, and I liked this movie quite a bit.

"We're No Angels" is a movie made for those faces, and one of the pleasures of watching the film is to see them looking sidelong at each other as they try to figure a way out of the complicated mess they're in. The movie has a lot of other good stuff to look at (including dramatic period locations in a small Canadian town) and to listen to (dialogue by David Mamet), but I can think of no other recent movie in which so much of the pleasure lies in watching the expressions on the faces of the actors - especially when they're reacting, not talking. Mamet and Neil Jordan, who directed the movie, wisely remember the most important thing about any mistaken- identity comedy: The fact that someone's identity is mistaken is not always funny even the first time and rarely thereafter. Movies that depend on mistaken identities for their laughs are among the slowest, dreariest slogs through cinema.

Too bad that the film came out to be both simplistic and ordinary despite of the talent involved especially when it features De Niro and Penn,two of the best actors in Hollywood; and Jordan,one of the finest director of the industry.There were a lot of boring moments.Also,it just turned out to be somewhat corny and provides minimal laughter in a lot of scenes.Overall,it was definitely a misfire from the cast and the director involved as it does not live up to its potential.

Overall rating: 6 out of 10.

We're No Angels (1989)

*** (out of 4)

Remake of the 1955 film has Robert DeNiro and Sean Penn playing escaped convicts who hide out as priests in a small town where they try to sneak across the border into Canada. Most of the reviews you read for this film will probably be negative but I've always enjoyed what the movie has to offer even though there's no way of denying that it could have and should have been a lot better than it turned out. I think the biggest problem with the film is the direction of Jordan who just wasn't right for the material. This is suppose to be a comedy yet you wouldn't know it because Jordan handles the material so dark that it's rather hard to get many laughs. We've get some rather strong tones on religion and even some strong violence, which just doesn't sit too well in a comedy. Even the entire atmosphere of the film is rather dark, which is a staple of Jordan but again, that wasn't really needed in this film. What does work are the performances by DeNiro and Penn who are excellent together. Playing dumb is never an easy thing but both men pull this off remarkably well, which is very important since most of the laughs come from them not understanding anything to do with religion yet they're suppose to be priests. The two men's facial expressions is what works the best because the look on their faces when they're put on the spot are just flawless as is their constant begging and pleading for various things throughout the movie. Demi Moore has a supporting role, which brings in more darkness that really isn't needed but Bruno Kirby and John C. Reilly turn in nice supporting performances with Reilly really standing out as another priest obsessed with Penn. The laughs throughout the film are certainly minor but to me the film still works well thanks to the terrific performances. You really don't expect to see DeNiro and Penn in a movie like this but they both pull it off very well and make it worth viewing.

With practically no resemblance to the 1955 Humphrey Bogart movie (nor to the play it was adapted from), film-buffs might find themselves perplexed as how to take this remake: two convicts escape prison and find themselves in a border town disguised as priests. What could be formulaic actually has some grit and ambiance to go along with its slapstick. Demi Moore, as a single mother of ill repute, gives one of her best performances and works very well with Robert De Niro, who takes a while to warm up (he's not a mugger, but is encouraged in that direction by director Neil Jordan). Sean Penn, on the other hand, never quite finds his way here, using a thick accent which is mildly irritating. Much better is John C. Reilly in a fantastic supporting bit as a novice priest who worships Penn, and there's a cute little girl in the movie who never acts like a movie kid (she's a natural). Lots of surprises in this critically-lambasted comedy, not the least of which is an extremely moving finale involving a waterfall and a holy statue. **1/2 from ****