Exclusive: Jason Patric, known for his roles in features such as The Lost Boys, The Beast, After Dark My Sweet and Rush, has signed with More/Medavoy Management.
Patric can currently be seen in Cineverse’s horror film Terrifier 3, which opened strong at the box office this past weekend. In the film, written and directed by Damien Leone, Art the Clown (David Howard Thornton) is set to unleash another round of chaos on the unsuspecting residents of Miles County as they peacefully drift off to sleep on Christmas Eve.
Patric also starred in the drama Narc for writer, director Joe Carnahan and The Alamo for director John Lee Hancock, as well as Downloading Nancy, Expired, My Sister’s Keeper and The Losers.
His other previous film credits include starring roles in Geronimo: An American Legend, The Journey of August King, Sleepers and Your Friends and Neighbors, which was the first feature...
Patric can currently be seen in Cineverse’s horror film Terrifier 3, which opened strong at the box office this past weekend. In the film, written and directed by Damien Leone, Art the Clown (David Howard Thornton) is set to unleash another round of chaos on the unsuspecting residents of Miles County as they peacefully drift off to sleep on Christmas Eve.
Patric also starred in the drama Narc for writer, director Joe Carnahan and The Alamo for director John Lee Hancock, as well as Downloading Nancy, Expired, My Sister’s Keeper and The Losers.
His other previous film credits include starring roles in Geronimo: An American Legend, The Journey of August King, Sleepers and Your Friends and Neighbors, which was the first feature...
- 10/15/2024
- by Denise Petski
- Deadline Film + TV
E.L. James' original "Fifty Shades of Grey" trilogy is undoubtedly the most successful piece of fanfiction ever published. James turned the teen-friendly romance between Bella Swan and Edward Cullen in Stephenie Meyer's wildly popular "Twilight" franchise into an erotic reverie explored by the mysterious (and quite wealthy) entrepreneur Christian Grey and college journalist Kate Kavanaugh. It was a Bdsm gateway drug that opened up a healthy portal for kink-curious young adults. You didn't have to feel like a freak for wanting to do what conservative society deemed freaky.
Was it good literature? Does it matter? James' novels have sold hundreds of millions of copies and been translated into 52 different languages. They are adored by people who never knew they wanted to see Bella and Edward engage in consensual sadomasochism. I am happy they have these stories in their lives. What matters, at least when it comes to my bailiwick,...
Was it good literature? Does it matter? James' novels have sold hundreds of millions of copies and been translated into 52 different languages. They are adored by people who never knew they wanted to see Bella and Edward engage in consensual sadomasochism. I am happy they have these stories in their lives. What matters, at least when it comes to my bailiwick,...
- 2/1/2024
- by Jeremy Smith
- Slash Film
Josh Olson shares his top 10 movies from his favorite movie year, 1992, with Joe Dante.
Show Notes: Movies Referenced In This Episode
Gremlins 2: The New Batch (1990)
Star Wars (1977)
Glengarry Glen Ross (1992)
After Dark, My Sweet (1990)
The Last Of The Mohicans (1992)
Thief (1981) – Josh Olson’s trailer commentary
Manhunter (1986) – Josh Olson’s trailer commentary
The Last Of The Mohicans (1936)
The Player (1992) – Allan Arkush’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Popeye (1980)
Buffalo Bill and the Indians, or Sitting Bull’s History Lesson (1976) – Glenn Erickson’s Blu-ray review
Quintet (1979)
HealtH (1980)
Come Back To the Five And Dime, Jimmy Dean, Jimmy Dean (1982)
Secret Honor (1984)
The Graduate (1967) – Neil Labute’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Touch Of Evil (1958) – Howard Rodman’s trailer commentary, Randy Fuller’s wine pairings, Glenn Erickson’s Blu-ray review
Dead Alive a.k.a. Braindead (1992) – Mike Mendez’s trailer commentary
Meet The Feebles (1989) – Mike Mendez’s...
Show Notes: Movies Referenced In This Episode
Gremlins 2: The New Batch (1990)
Star Wars (1977)
Glengarry Glen Ross (1992)
After Dark, My Sweet (1990)
The Last Of The Mohicans (1992)
Thief (1981) – Josh Olson’s trailer commentary
Manhunter (1986) – Josh Olson’s trailer commentary
The Last Of The Mohicans (1936)
The Player (1992) – Allan Arkush’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Popeye (1980)
Buffalo Bill and the Indians, or Sitting Bull’s History Lesson (1976) – Glenn Erickson’s Blu-ray review
Quintet (1979)
HealtH (1980)
Come Back To the Five And Dime, Jimmy Dean, Jimmy Dean (1982)
Secret Honor (1984)
The Graduate (1967) – Neil Labute’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Touch Of Evil (1958) – Howard Rodman’s trailer commentary, Randy Fuller’s wine pairings, Glenn Erickson’s Blu-ray review
Dead Alive a.k.a. Braindead (1992) – Mike Mendez’s trailer commentary
Meet The Feebles (1989) – Mike Mendez’s...
- 8/30/2022
- by Kris Millsap
- Trailers from Hell
Cosmo Jarvis is haunting as a brutal enforcer torn between his duty to a crime clan and his son in Nick Rowland’s powerful debut feature
Inventively adapted from a story in Colin Barrett’s Young Skins collection, this striking directorial feature debut from Nick Rowland (who was Bafta-nominated for his 2014 short Slap) is an immersive tale of tortured masculinity and divided loyalties that pulls the viewer right into the raging bull mindset of its haunted protagonist. Set in rural Ireland, and boasting something of the “West Country western” flavour of Sam Peckinpah’s Cornish epic Straw Dogs, it’s a fable of failed fathers and false families, unflinching in its depiction of grim realities, but laced with a redemptive transcendence that reminded me of Andrew Haigh’s Lean on Pete, or Chloé Zhao’s The Rider.
Cosmo Jarvis (unrecognisable from his magnetic turn in Lady Macbeth) delivers a performance...
Inventively adapted from a story in Colin Barrett’s Young Skins collection, this striking directorial feature debut from Nick Rowland (who was Bafta-nominated for his 2014 short Slap) is an immersive tale of tortured masculinity and divided loyalties that pulls the viewer right into the raging bull mindset of its haunted protagonist. Set in rural Ireland, and boasting something of the “West Country western” flavour of Sam Peckinpah’s Cornish epic Straw Dogs, it’s a fable of failed fathers and false families, unflinching in its depiction of grim realities, but laced with a redemptive transcendence that reminded me of Andrew Haigh’s Lean on Pete, or Chloé Zhao’s The Rider.
Cosmo Jarvis (unrecognisable from his magnetic turn in Lady Macbeth) delivers a performance...
- 3/15/2020
- by Mark Kermode
- The Guardian - Film News
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