When a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.When a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.When a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.
- Awards
- 1 nomination total
Jon Conrad Pochron
- Tony
- (as Jon Pochran)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Underappreciated and misunderstood
Highlights of this underrated film include witty, dark humor, with many laugh out loud moments and performances; moments of unexpected poignancy; and an equally unexpected reflective quality. Starring and supporting acting is brilliant and, at times, even subtle, which contributes to more character development than usual for this kind of movie. The plot wavers about an hour in, becoming too silly for a time. During this same chunk the script includes some unfortunate '90s style stereotyping of native people and cultures, and what is actually quite a shocking and cavalier conclusion to this segment of the movie. The final 10 minutes recaptures the tone and sentiment from the first part of the movie and brings the story to a fitting conclusion and simultaneously doing justice to the characters.
An Under-appreciated Delight
For many people, the fact that I love this movie will throw the integrity of everything else I write about into doubt. "Joe" has unfairly become an industry joke, shorthand for the depths to which Tom Hanks sank before redeeming himself with Academy Awards. This fate is horribly undeserved. "Joe" is an imaginative and gloriously life-affirming movie, a hysterically funny fantasy nearly on a par with the best of Terry Gilliam with a "carpe diem" moral that comes across with a lot more honesty and a lot less preachiness than some other movies I could mention. Every Tom Hanks performance is virtually flawless and this one ranks near the top. Meg Ryan's performances are warm and hilarious. Usually it's men who play more than one role in a movie and then it's more often for ego's sake than art's. Ryan pulls off her multiple characters with remarkable grace. More amazingly, it makes perfect sense for her to play three characters. For the sake of argument, I am willing to concede that there are those who just aren't going to enjoy this movie's unique mixture of whimsy and genuine emotion. But for me, it's a classic, easily one of my favorite movies of the decade.
Surprisingly Good, Unfortunately overlooked
Tom Hanks has made many movies, most of which are very funny, emotional, and heartwarming. This movies is different from all his other movies: it is a work of art. Every scene has its own idiosyncrasies. Ordinary characters and settings have subtle emotional undertones that tug at the heartstrings. Dan Hedaya and Sam Waterstone's performances, though humorous, have a tone that is more than the sum of its parts. Color and scenery also have a hidden beauty, such as in the scene with Joe's glowing warm in his cold, blue office, or the scene with the dog and child as he exits the doctor's office, or the scene with him all alone at his table at the hotel. I first saw the movie when I was 11 years old, even then, its beauty struck me. That beauty was well capped off by the montage during the end credits. Apparently, John Patrick Shanley, or someone, put alot of work in an otherwise ordinary movie. Imagine if Stanley Kuprick had directed "You've Got mail." I'm surprised that the movie is not better known, especially that it is a big turning point in Tom Hanks career. Admittedly, his screen presence compensates for Meg Ryan's lackluster acting at times. She was best as a brunette and redhead than acting as herself. Nevertheless, a good movie, one to own and not just rent.
My All Time Favorite
Like many others who have commented, this movie speaks to me on many different levels. Whenever my life gets out of control, this is the movie I plug in. Joe is a character we can all identify with, and everyone has a bit of DeeDee, Anjelica and Patricia in them as well. I just wish Warner Bros. would release this on DVD (and the soundtrack, while they're at it). By far the best Tom Hanks/Meg Ryan movie. I just can't believe the low "grade" of this movie on IMD after reading mostly positive comments. And the few who hate it should give it another chance, and pay no attention to the silly previews that exist on some older videotapes.
Did you know
- GoofsWhen DeDe walks into Joe's apartment at the end of their date, she places her handbag on the floor a few steps across from the door. When she comes back in to get the bag because she forgot it after she leaves, she reaches for the bag just inside the door.
- Alternate versionsThe movie was re-shot to change the ending, which was unpopular with test audiences. In the original ending, after Joe and Patricia are expelled by the volcano, they are rescued by the Tweedle Dum (the sister of the yacht that was sunk, the Tweedle Dee.) On board are the rescued crew of the Dee, as well as Graynamore and "Dr. Ellison", who turns out to be Graynamore's tax accountant (and hatchet man) by the name of Kenneth Hindmick. Graynamore reveals he had Hindmick pose as a doctor to make Joe think he had a fatal disease. Hindmick pulls a gun on Joe to protect Graynamore from Joe's anger, and to allow Graynamore to keep the yacht. Joe, having stared into the mouth of a volcano, calmly swipes the gun from Hindmick, then announces to Graynamore that he and Patricia had gotten married by the Chief. They both banish Graynamore and Hindmick to the boat's dinghy in the middle of the ocean. Graynamore tells Hindmick that he likes Joe, and admits being banished in a small dinghy in the middle of the ocean is his price for being too greedy, and tells Hindmick to help him row home. Back at the Tweedle Dum, Joe and Patricia see the four steamer trunks popping to the surface, with the Chief riding the last one, brandishing his Tobi, happily telling them he didn't lose his soul after all. Joe replies he didn't lose his either. The only remnant from the original ending is that in the end credits, you see an artist's rendition of the Tweedle Dum sailing off into the distance.
- SoundtracksSixteen Tons
Written by Merle Travis
Produced by Val Garay
Executive Producer Artie Ripp
Performed by Eric Burdon
- How long is Joe Versus the Volcano?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Joe contra el volcán
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $39,404,261
- Opening weekend US & Canada
- $9,252,232
- Mar 11, 1990
- Gross worldwide
- $39,404,261
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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