User reviews

My son turned 12 in August. We purchased this movie at a drugstore while on vacation because I remembered watching it a loving it when I was younger. My son has a love of mysteries and "spies", so I thought that this would be a good movie for him to enjoy. He watched it twice the first day and has seen it several times over the last couple of weeks. It really appeals to younger mystery fans, even though it is rated PG-13, for violence. I would recommend any parent see this movie before they let their kids see it. Some of the violence is hallucinatory, and therefore quite "scary". I think the way it begins Holmes's and Watson's friendship is fun and creative. I think the script and characterizations are well done (especially in light of more current movies, which are just to draw viewers to the theater and have no substance.) The casting was inspired, and I don't see how they could have improved upon it. The cinematography was great and the special effects very good for the time of this movie. Some people might find Holmes's character a bit smug, but that is accurate to the stories by Sir Arthur Conan Doyle. I recommend this movie to mystery fans, fans of Sherlock Holmes (but NOT "perfectionist" fans), and anyone who enjoys a young fellow showing up his elders.

The Temple of Doom-flavoured UK title for this Steven Spielberg-produced adventure—Young Sherlock Holmes and the Pyramid of Fear—gives a pretty good idea of what can be expected: Sherlock Holmes hasn't got a whip to crack, and a deerstalker replaces the Fedora, but underneath all of the film's Conan Doyle trappings, this is essentially another in a long line of Indiana Jones-inspired movies, complete with a Thuggee-style Egyptian cult murdering people with hallucinogenic blow-darts and performing human sacrifices in their underground pyramid.

As such, Holmes' sleuthing abilities are more than matched by his derring-do, the young detective (ably played by Nicholas Rowe) swashbuckling his way through the film, accompanied by trusty sidekick Watson (Alan Cox) and love interest Elizabeth (Sophie Ward). This being a Spielberg production, Young Sherlock Holmes benefits from great production design (snowy Victorian London looks wonderful) and is heavy on the special effects, with impressive hallucinatory set-pieces involving stop-motion animation, animatronics, and even an early example of CGI (albeit very brief).

If you're a fan of both Sherlock Homes and Indiana Jones, this 'Indiana Holmes' adventure should provide more than enough escapist fun for the duration. 7/10.

Am a huge fan of Sherlock Holmes and get a lot of enjoyment out of Arthur Conan Doyle's stories. Also love Basil Rathbone's and especially Jeremy Brett's interpretations to death. So would naturally see any Sherlock Holmes adaptation that comes my way, regardless of its reception.

Moreover, interest in seeing early films based on Conan Doyle's Sherlock Holmes stories and wanting to see as many adaptations of any Sherlock Holmes stories as possible sparked my interest in seeing 'Young Sherlock Holmes'. Thought that with such great talent on board in front of and behind the camera that it couldn't fail.

Fail 'Young Sherlock Holmes' does not. It is not perfect and is not quite great, but it is hugely entertaining and hard to dislike. It is not one of the all-time Holmes adaptations or one of the worst (nothing's worse than Peter Cook's/Dudley Moore's 'The Hound of the Baskervilles'), and of the Sherlock Holmes films seen recently it is along with 'The Private Life of Sherlock Holmes' the best. It may not be Conan Doyle, and how Holmes and Watson meet here is contradictory to 'A Study in Scarlet', but as a standalone it delivers on the entertainment value.

'Young Sherlock Holmes' can get pretty silly at times, with the last act being over-the-top nonsense and in a way that is not in keeping with the rest of the story, which took a fun and light-hearted approach often but never to extremes. There are times where it does feel like it was trying to do too much.

Also found a few cast members to be on the hammy side, Freddie Jones goes overboard a bit.

Otherwise there is not an awful lot to dislike about 'Young Sherlock Holmes'. It still holds up as a great looking film, it is beautifully and atmospherically shot but the stars are the set design for Baker Street and the imaginative special effects (the knight is a standout). The direction is efficient and at ease with the material on the most part.

Bruce Broughton's music score is like a character of its own and adds so much character to the film. The writing is playful and witty while also intelligent and thought-provoking. The story throughout goes at a lively pace and is so much fun to watch, with a mystery that intrigues hugely. There are even some wonderfully strange moments, Watson's hallucination is one of the most bizarre on film but it's great fun to watch and imaginatively handled.

Nicholas Rowe displays much charisma as Holmes, with even in youth shades of the detective's iconic character traits. Alan Cox is a loyal and amusing Watson and the chemistry between them is charming. Sophie Ward exudes charm and class and Anthony Higgins has a whale of a time.

In summary, not great or perfect but a huge amount of fun. 7/10 Bethany Cox

What if Sir Arthur Conan Doyle created a story where Sherlock Holmes and Dr. John Watson met as adolescents? What if he made it a very suspenseful mystery that explanied may of the great sleuth's character traits and stylistic characterisics? What if...well, he did not, but screenwriter Chris Columbus, director Barry Levinson, and producer Steven Spielberg do bring us a fine film that does these things called Young Sherlock Holmes. Young Sherlock Holmes is the meeting of fantasy film and classic literature, and it is a meeting that coexists very nicely. The great detective meets his future colleague and friend Dr. Watson in a London prep school amidst the mystery of what six men did many years ago in Egypt. Several of the men begin to die in horrible, inexplicable ways, and the young Holmes suspects mischief. The film is a veritable treasure trove of Sherlock Holmes allusions. The film is fast-paced, fun, fantastical, and creates insights into why Holmes developed emotionally the way he did. Nicholas Rowe does a superb job playing Holmes, bringing to the role intelligence as well as compassion. Alan Cox does an equally good job playing his young sidekick and doctor to be. The special effects are first-rate, yet in no way detract from the Victorian world of Doyle and Holmes and Watson. Start watching and it will not be long before you'll be saying, "The game is afoot!"

In the mid 80s, audiences were hungry for heroes in the mould of Indiana Jones. Films featuring Sherlock Holmes were quite out-of-fashion. People expected a hero with a bit of dash and a penchant for action; not a meticulous, stuffy, ultra-intelligent sleuth. Young Sherlock Holmes and the Pyramid of Fear is an unusual hybrid, because it takes the period trappings of a Holmes mystery and dresses them up with Indy-style action and mysticism.

The story has young student doctor John Watson arriving at a boarding school in Victorian London. He meets, for the very first time, a brilliant young student named Sherlock Holmes and they rapidly become friends. At the same time, a series of bizarre murders have been going on close to the school. In each case, people have had terrible hallucinations and in desperate states of panic have inadvertently killed themselves. Holmes and Watson investigate, and uncover an ancient cult which is responsible for the killings.

The film has its share of problems. For one thing, purists will know that the very first meeting of Holmes and Watson was described at the start of the book A Study in Scarlet, and didn't take place in a school. Some of the performances are overly hammy, particularly Freddie Jones in yet another of his wild-eyed characterisations. The idea of a huge pyramid being ingeniously concealed beneath a London warehouse is hard to swallow (surely someone would have noticed them building a construction of this size in such a tightly-packed city). However, the problems can be forgiven because the film moves at a lively pace and is invested with lots of clever dialogue and stirring action. There's even a touch of humour (something lacking from the original Conan Doyle novels). One scene in particular is most amusing, when young Watson is shot with an hallucinatory dart and imagines an army of living cream buns jumping into his mouth! The climactic duel on the ice is very excitingly staged too. There's also a surprisingly downbeat event at the end which thankfully strips the film of the typical 80s sentimentality. This is agreeable and entertaining stuff.

Three teenagers, two boys and a girl, based at a fusty old English boarding school in the dead of winter, solve mysteries and fight supernatural forces. The leader of the three has a keen intelligence as well as a native ingenuity to get him and his pals out of the tightest of tight spots and even has a snotty rival in class, determined to bring him down. Their real protagonist though is one of the school masters while elsewhere there's a proliferation of eccentric older characters who interact with the youngsters. Sound familiar...?

But Holy Hogwarts, this isn't the long-lost prequel to the Harry Potter blockbuster series, or maybe it is...

What it is instead, is an imagined first adventure of the young Holmes and Watson, who we see meeting as schoolmates at Brompton Public School where Holmes's credentials as a young smart-aleck and Watson as his plodding but not always dumb sidekick are established.almost immediately. Add in the pretty young female niece of an eccentric old science teacher who sidelines by creating flying contraptions, mix in some murders caused by a hallucinogenic drug administered by the blow-dart of a cloaked female figure, top off with a ritualistic sect determined to sacrifice the young girl and you have an enjoyable and exciting boys-own family-entertainment sumptuously created by Spielberg's Amblin Productions, as written by Christopher Columbus and directed by Barry Levinson.

Cleverly inserting most of the familiar tropes we associate with the adult Holmes and Watson, including sayings, clothing and mannerisms, it's a rollicking ride from start to finish notably including an early example of the potential of Pixar productions in one of the animated sequences. There are cinematic nods to great uncle Steven with scenes highly reminiscent of "E. T" and "Raiders Of The Lost Ark".

Nicely acted by the no-doubt carefully cast youngsters, with good adult support too, backed by a suitably florid John Williams orchestral soundtrack, the whole film is easy on the eye and ear. I remember watching it on first release and being disappointed, then as now, that it wasn't successful enough at the box-office to generate the obviously anticipated and indeed epilogued sequel.

All it seems that was missing from the winning formula was a little magic...

This amusing movie set in a perfect Victorian atmosphere (1870, England) speculates about what might have happened if Sherlock Holmes (Nicholas Rowe) and Doctor Watson (Alex Cox) had met during their student times in London . Holmes falls in love with a beautiful youngster (Sophie Ward) , living with her uncle , a retired professor named Waxflatter (Nigel Stock) . Then , it happens several murders and Holmes helps Inspector Lestrade (Roger Ashton-Griffiths) to resolve it . Later on , young Sherlock performing feats of derring-do in London , including a spectacular flight and dangerous duels . Although Sir Arthur Conan Doyle did not write about the youthful years of Sherlock Holmes , as he established the initial meeting between Holmes and Watson as adults . This affectionate speculation on what might have happened has been made with respect and admiration , knowing references to Sherlock's later existence and in tribute to the author in his enduring Works .

This stirring , fast-paced film is packed with noisy action , adventures , thrills , tension and results to be quite entertaining . It's a genuine ripping yarn with much suspense , intrigue and outstanding surprises . Nicholas Rowe is nice as obstinate and intelligent young Holmes as well as Alex Cox as timid and easy frightened John Watson . Some images are very creepy and eerie and developed in ¨Indiana Jones and the temple of Doom¨ style , for that reason is rated PG-13 for violence and crude scenes . Spectacular special effects by Kit West and Pixar Animation Studios making 'the glass man sequence' and puppets by David Allen . Furthermore visual effects supervisor by Dennis Muren with some of the firsts , images made by means of computer generator . As this one is considered to be the first feature film to have a completely CGI (computer graphics image) character : the knight coming out of the stained glass window . And intervention by Industrial Light & Magic (company run by George Lucas) animated the scene , overseen by John Lasseter in a very early film credit for Pixar . As the "Stained Glass Knight" took Industrial Light & Magic artists 4 months to create . Atmospheric score fitting to action by Bruce Broughton and London symphonic Orchestra . Well written by Chris Columbus and lavishly produced by Steven Spielberg with his usual collaborators , Frank Marshall and Kathleen Kennedy . The picture was well directed by Barry Levinson . Youth and little boys are likely to enjoy this fun film.

I feel one of the true tests of a good movie is how it holds up over time. Can't believe it has been 18 years since I first viewed this little gem, and it was as good today as in 1985! Among other reasons, the Holmes and Watson characters were obviously cast for their youthful likeness to the characters in the old Basil Rathbone series of movies. Take a good look! This a wonderful penning of the proposed early days of the two and a very original concept. Probably only true Holmes officiandos will see some obvious references to the adult Rathbone character, and these add to the cleverness of this version. Make certain to stay 'til the end of the credits; Sherlock Holmes fans will receive an ingenious clue to the his "future".

A Young Sherlock Holmes is on the case when a series of men are killed after being pricked by a dart.

Made back in 1985, it's still an enjoyable action packed mystery. As a teenager I used to watch this movie over and over, but now into middle age, I'd say it's a film that still had a degree of appeal.

It's a very solid mystery, with some fine characters, great production values, and it moves by at a good pace. There have been so many versions of Sherlock Holmes, interesting that Spielberg chose to characterise Holmes as a schoolboy.

Nicholas Rowe makes for a fine young Sherlock Holmes, he's suitably smug and a bit of a know all, but it's easy to imagine him becoming The Great Detective.

Sophie Ward and Anthony Higgins are both pretty good, I have always loved Freddie Jones in it though, he's excellent.

It's a film the whole family can enjoy.

7/10.

Young Sherlock Holmes was one of the best movies I saw when I was a kid and it amazes me up to this day.London was pictured perfectly by Barry Levinson with the help of course of Stephen Goldblatt (the cinematographer). The spcial effect by ILM was brilliant and they were the milestone of the special effects of today.The music of Bruce Broughton is one of the best of the 80's. The acting is good for this kind of film, not bad but not brilliant either. The script written by Chris Colombus (director of Harry Potter Films) is very good and it keeps you guessing up until the end. Watch this movie and you won't be dissapointed. (Wait after the end credits roll to see one last scene...)

There are probably more Sherlock Holmes stories not written by Conan Doyle than were written by him. Some are quite bad but every now and then a good one comes along. "Young Sherlock Holmes"is one of the better ones and works on the premise that Holmes and Watson did not meet as adults in "A Study In Scarlett" but in boarding school. Of course they are in London where the young Holmes detects a link between a series of bizarre murders (depicted in some lively and imaginative special effects). The game is afoot and along the way (with a slight tongue in cheek) we learn where Holmes picked up some of his more famous trademarks and most infamous nemesis. A well written script, fine cast of actors and a physical production that recreates late 19th century London in grand fashion. A film to sit back and enjoy.

For film buffs, there is only one reason to see Young Sherlock Holmes it has the first photo realistic CGI creature in film. A hallucinating priest sees a stained glass knight jump out of a church window and march towards him, sword raised and ready to swing. The knight only has about ten seconds of screen time but he is a major step forward in visual effects. I am certain that films geeks will appreciate this. For those who are not film geeks, Young Sherlock Holmes has some entertainment to offer, but not enough to make it a good movie.

The first 30 minutes of Young Sherlock Holmes are fine. It gives us a charming and pleasant introduction to a teenage Holmes and how he meets John Watson. We are also introduced to Elisabeth, Holmes' love interest. There are some laughs to be and some shocks which are generated by an array fun-disgusting special effects. During this part of the movie, the filmmakers take time to set up the premise of the mystery that Holmes and his buddies must solve. When the journey gets underway however, Young Sherlock Holmes takes a nosedive. The story becomes silly and unrealistic, and it resort to clichés and badly choreographed action sequences. Holmes loses most of his charm and wit and he gets rather tiring. Watson ends up doing more complaining than he does thinking, and Elisabeth becomes almost literally brain dead. The climax is weak, and the ending is even weaker.

A secondary problem with the movie, is how inaccurate its portrayal of Victorian England is. For the majority of people, this will probably go unnoticed, but for historians, Young Sherlock Holmes will be a pain to watch.

The movie has a clever premise, as well as some quirky and charming moments, but it misses the mark in it's attempt to be what it tries to be, a enjoyable little adventure for a general audience. The only thing in Young Sherlock Holmes that cannot be found in any other movie is the knight.

Intriguing story, not based on a Doyle idea, about the meeting of Sherlock Holmes and his good friend Watson. Even as youngsters, they unravel mysteries together and find themselves in constant mayhem and peril. Rowe is an outstanding young Sherlock, while Cox is an exceptional younger Watson. Barry Levinson directed this fun look at the master detective in his younger years.

The '80s did this thing where they had age regression on a lot of established characters in lit and film...this is one of those and thank God they weren't babies.

But otherwise...

Movies like this were awesome...huge from the Golden Age of the Silver Screen into the '90s when they started to peter out until, well, until they vanished leaving us with nothing but Super Hero films to fill the void...

...I have nothing against Super Hero films, but I love adventure films too.

I can see where folks would not like it, especially the people that take themselves too seriously. It is stuck in a genera that is at once extremely pulp and kind of serialized. Even if it's not a sequel, you know the story.

The Goonies, Nate and Hayes, Jake Speed, Firewalker, Vibes, Big Trouble in Little China, Romancing the Stone...and of course the crown, the king, the Indiana Jones movies.

They are all close enough to one another to really fit into the same mold. The characters change, the concepts stay the same and....we love it.

Enter the Roguish hero and the damsel in distress in an exotic location to find X marking the MacGuffin, but first they have to work their way through obstacles both natural and man made in the form of a nasty antagonist and a couple of henchmen. Throw in a semi-bumbling sidekick and you have what I like to call "High Adventure." "Young Sherlock Holmes" follows that outline and if you are the kind of individual that is still young enough at heart to love adventure films...you will inevitably like this movie.

If you are the kind of man or woman that takes everything extremely seriously and refuses to play at all, not matter what it is. If you are the type that would use the word "compete" instead of "play" or "game" than you are going to hate this movie.

John Watson is the new kid in London's Brompton Academy. He befriends brilliant student Sherlock Holmes. Elizabeth Hardy is Holmes' girlfriend. Her uncle Rupert T. Waxflatter is the retired schoolmaster and a quirky inventor with a flying machine. Professor Rathe is Holmes' mentor. Dudley is Holmes' rival. Holmes suspects a connection between a couple of mysterious suicides from the newspapers but police Sgt. Lestrade dismisses the teens. The series of murders lead to hallucinogenic blow darts and an Egyptian cult in the middle of London.

I like the kids playing the iconic roles. I like the young Sherlock solving little mystery around the school. I love the search for the trophy. It's a fun time. It goes overboard with a wild action adventure. It doesn't feel very Sherlock-like, especially for young Sherlock. It reminds me of Spielberg's Indiana Jones and the Temple of Doom. It's fine but the big, wild story overwhelms the story in the school. It would have been more interesting to solve a mystery inside the school.

This is a great fun, adventurous, mystery movie, with also supernatural elements in it, which focuses on a very young Sherlock Holmes, solving his very first crime.

It never has been a big secret that director Barry Levison is a Steven Spielberg admirer. Spielberg's hand as a producer is definitely notable in this movie. It features the same adventurous elements and humor, that were also always featured in his earlier movies. For instance some of the sequences and moments in this movie really reminded me mostly of the first two Indiana Jones movies, which he already had made before this movie. I also liked the use of shadows within the movie, most likely also touch from Spielberg, who is a Michael Curtiz fan. Some of the sequences within this movie are an obvious reference to the work of Curtiz. Also quite fun to notice that the touch of writer Chris Colombus was notable. Some elements show some remarkable similarities to the earliest Harry Potter movies, on which Colombus worked as a director.

But I also have to admit that the movie its story, written by Chris Columbus, was rather simplistic. It doesn't take away the fact that this is still a fun movie to watch, but it at the same time also prevents the movie from being a truly great one. As the movie progresses it's pretty obvious to where the movie is heading. So there are no real surprises and it's pretty clear from the beginning on who are the true good and bad guys of the movie. It's also true that in the end the movie is just a bit too supernatural, which goes at the expenses of the credibility of the movie and story.

The movie is good looking, with a nice pleasant and historic atmosphere all over it and good looking sets and costumes. The movie further more also features the very first to have a completely CGI character. How is that for movie history? The effects were already great looking, which also goes for most of the other effects in this movie.

The musical score by Bruce Broughton is truly great! It's amazing how this guy has never gotten more big projects. He's even an one time Oscar-nominee after all! His last big 'project' was the movie "Lost in Space", from 1998.

The acting of the movie isn't much special. No wonder non of the young actors ever quite made it in the movie world. There are some good and interesting secondary characters, but those get mostly pushed toward the background. So, the movie is perhaps focusing a bit too much on just the main character, which is also understandable, considering the icon that Sherlock Holmes is.

It's a great fun, simplistic little movie to watch, as long as your expectations for it aren't too big.

7/10

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Young Sherlock Holmes is surprisingly a very good film, Nicholas Rowe does a good job as the lead (interestingly he's also in the 2015 film Mr Holmes which stars Ian McKellen).

Directed by Barry Levinson (Rain Man) and produced by Steven Spielberg the film has good direction, a level of authenticity and great looking set designs which help the mood, the film's also notable for the first ever fully CGI character in a film (a knight if interested). Okay, the actual plot is a bit iffy and perhaps the villain could have been a bit more intimidating and witty in places but he's still a good character and fits the theme of the film very well, it's not as serious as other Sherlock Holmes films and is obviously aimed more towards children with its complexity but it's a refreshing change from all the other countless Sherlock Holmes films we have.

8/10: Enjoyable and a good reimagining of the Sherlock Holmes story

Young Sherlock (Nicholas Rowe) and young Watson (Alan Cox) meet as young schoolmates in "Young Sherlock Holmes," from 1985. Both of them immediately get into trouble.

Holmes becomes intrigued as well as angry when several people die of apparent suicide or hysteria, including someone with whom he was very close, Professor Waxflatter. Waxflatter keeps repeating a word over and over before he dies, and Holmes decides to investigate. While doing so, he discovers a hallucinatory drug that is blown into the victim, causing them to see things that aren't there. He also discovers an Egyptian-type religious cult called Rametep, who make use of this drug.

After observing one of the cult's rituals, Holmes, Watson, and another school friend, Elizabeth, are spotted and hit with the drug, each suffering horrific hallucinations.

Holmes is unable to interest Inspector Lestrade in this case, and when a fellow student sets him up by forging test questions in his handwriting, Holmes is expelled. Though he's supposed to leave town, he stays in a room at Elizabeth's, helped by Elizabeth and Watson. He's found, and Watson is expelled as well. Can they solve the mystery, and can they get back into school? In the Conan Doyle stories, Holmes and Watson meet as adults, but it's stated up front that this is a speculative fiction. Those who know Holmes as an intellectual, probably asexual, with not much in the way of physical prowess, will see that here, he is an expert swordsman and also falls for Elizabeth. Watson here is a chubby young man (as stated in the script, though he really didn't look it), very bookish looking and not at all adventurous.

The plot is reminiscent of Raiders of the Lost Ark in that there is a lot of action and adventure, as well as exploration of the cult, which has its meetings in a cavernous place with a replica of a pyramid, where its members wear costumes and practice mummification. There are lots of special effects during the hallucination sequences as well as in other sections.

This is a marvelous film for kids, and I have to say as an adult, I enjoyed it as well. The final silhouette of Holmes is delightful, as we see the man he will become.

There have been so many films made about Sherlock Holmes that it is difficult to pick a definitive one, but this one is unique in that it attempts an approach only attempted two other times -- an early 80's British television show of the same name, and a much later TNT presentation with James D'Arcy as the hapless, young, and overly promiscuous Sherlock Holmes.

When Watson comes to the elite boarding school where many of his peers have been sent in the hopes of furthering their careers, he soon discovers that he is to room with the eccentric and brilliant young Sherlock Holmes (Rowe, whose performance is beyond brilliant). The two become fast friends but in-between school pranks (one of the local boys is determined to get Holmes expelled) they stumble upon a string of murders in the district that ultimately lead them to a cult, and form the foundation not only of their lingering friendship in much later years, but also hint at Holmes' notorious enemy, Professor Moriarty.

I am naturally less inclined to like versions of Holmes in which he has some attachment to a woman, but this one does it better than most in the presence of the sweetly innocent Elizabeth, who has captured the soon-to-be great detective's heart. Her involvement in the tale is what hints at Holmes' later insistence that he will never become emotionally involved with another woman. All in all, it is quite an imaginative feat by a decent set of writers, although the grotesque, nightmarish hallucination sequences leave much to be desired. I normally skip the first scene and go straight to the opening credits, so I am not forced to shake my head at the cooked turkey that comes to life, or the snake-like light fixtures that drive a man mad enough to throw himself out the nearest window.

Also, it must be admitted that Nicholas Rowe was one of my first crushes as a child. His lanky form and ideal Holmes-like features set a standard that peculiarly enough, have caused me to be drawn to similar physiques ever since. Who says that movies cannot change your life?

I loved this movie when I was a kid in the 80s. It's got it all. I just watched it again and it's like Indiana Jones and Harry Potter combined. Well acted from all the characters with a great story, I couldn't ask for more. Great for kids and adults alike.

A combination of writer Chris Columbus, director Barry Levinson and Executive Producer Steven Spielberg gives us Young Sherlock Holmes. A re-imagining of when Holmes and Watson met at boarding school.

Columbus who went on to direct the first Harry Potter film very much had in his mind an almost prototype Harry Potter feel years before JK Rowling wrote the books!

In dastardly Victorian London a young Watson arrives at boarding school and meets a brilliant student named Sherlock Holmes. However there are strange deaths going on near the school with people having frightening hallucinations before dying. Holmes sets about to investigate and uncovers a bizarre Egyptian cult and wrongdoings leading to the school itself.

The film was known for some state of the art digital effects such as the stained glass knight. The plot does feel like an American take on a Sherlock Holmes story complete with a young but still bumbling and slightly chubby Watson.

Its a light plot mixed with story lines from previous Spielberg films such as Indiana Jones The filmmakers want to have reverence to Conan Doyle but as the BBC series of the modern Sherlock has shown, it would had been possible to have a radical take of Young Sherlock Holmes if they had pushed the envelope a bit further and had gone for a slightly different and zippy characterisation of the two main characters.

Long before the "Harry Potter" books and movies arrived, this somewhat similar concoction from producer Steven Spielberg and director Barry Levinson came and went in theaters. The film, certainly full of imaginative talents, has the general core of a good idea, but the focus of the project apparently got away from Levinson--and everyone else with discernible judgment. It's an overcooked fantasy imagining a youthful friendship between a juvenile Sherlock Holmes and an equally green Dr. Watson. Effects-laden mess also echoes the "Indiana Jones" series, but without strong or charismatic performers and screen writing, the picture deflates rather early. The tag at the film's finish suggests there might have been a sequel had this installment been a hit--alas, it was not. *1/2 from ****