Siskel & Ebert

Why, Gene, why?!? You were the only critic with taste! You gotta love a guy who puts Kingpin on his top 10 list. Now, we have Roeper who makes this show funny because he hates just about everything. Then there's a hilariously funny argument between the two whenever there's a split decision. I make sure to tape it every week. Funny stuff.

What can I say? I've known this show all my life. First, it was Ebert and Siskel. I'll also remember how it was when Siskel was in the hosptial and he talked, like, over the phone I think, and tell his reviews of movies like "Godzilla". It seemed to have such an empty hole in the show when it was just Ebert, with his thumbs up or down. I mean, one person's opinion? What fun is that? Then, they had a different guest star every week. Finally, it was all down to just one critic on the show with Ebert: Roeper. Basically, I have no problem with him. Just the simple concept of two critics having reviews of movies is entertaining. The same formula has not worked for shows like "Hot Ticket". I've read Leonard Maltin's reviews and there are a lot of times when I have to disagree with him. He's definitley not my favorite critic. I should start getting some of Ebert review books, but they don't explore as many movies as the Leonard Maltin books.

The one episode where Ebert was reflecting on his reviews with Siskel was probably the most memorable. Sure, I disagree with them, sometimes, but it's cool to know critics that agree with most of what you think. I liked to give a tribute to Gene Siskel for rating "Babe: Pig In The City" as the #1 movie of 1998! I totally agree with him! Anyway, I'll be sure to watch this whenever I can! A 9/10.

The loss of Gene Siskel put to end one of greatest TV relationships. That being Siskel along with Roger Ebert. These two movie critics who worked for rival newspapers in Chicago (Siskel worked at the Tribune, and Ebert work for the Sun-Times) were put together to see if they could work together. Indeed they worked very well. So well they had to switch producers/distributors TWICE, and by the time they did they show for Disney their "Two Thumbs Up" became the standard in movie industry.

Now Richard Roeper has taken on Gene Siskel role, with the power of the "Thumb" along with it. Roeper is not Siskel and nor should he be. Unlike Siskel, Roeper also works at the Sun-Times along with Ebert, and because of this someone might ask can Roeper think for himself? Indeed Roeper can and quite frequently these two critics can give a split vote on movies. Roeper also gives the audience that is someone younger to interact with an elder critic. Roeper was in his teens when Siskel and Ebert started their TV friendship

The show itself is done at a faster pace and their Thumb up/down is shown during the review as well as at recap of the show. The set is now a hybrid of an average TV Set and a Movie theater balcony. Who would put video monitors in the back of a movie theater anyway LOL.

Ebert and Roeper will never be a `Siskel & Ebert' but it does show the movie review program still has some gas in the tank left. How much? I don't know, just enjoy the ride. Even I think their are both nuts at times. Most movie critics are.

Thumbs Up or Thumbs Down, Gene Siskel and Roger Ebert had their Thumbs Trade Marked. And Although They Didn't Always Agree, Siskel and Ebert were Still Friends Sharing the Balcony until The End. Rest in Peace Guys, and Thanks for Teaching Me how to do a Review. This gets My TM S for Satisfactory.

It feels kind of strange to critique the critics, but I'll do it anyway. What can I say? The show's funny, entertaining, and knowledgeable. If anyone loves movies, they will definitely be an inspiration. Thumbs Up.