IMDb RATING
7.4/10
2.7K
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A well-to-do, shut-in thirty-something faces city life, family secrets and his own quirks when he is finally thrown out by his parents.A well-to-do, shut-in thirty-something faces city life, family secrets and his own quirks when he is finally thrown out by his parents.A well-to-do, shut-in thirty-something faces city life, family secrets and his own quirks when he is finally thrown out by his parents.
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- 3 wins & 3 nominations total
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Featured reviews
Wonderful surreal comedy of Dutch (bad) manners, with superb playing through the entire cast of eccentrics, misfits and lunatics. Olga Zuiderhoek is excellent as the implacably doting mother Duif, obsessed with fertility and sabotaging all her husband's schemes to get their son Abel to lead a "normal" life. But the film is made by Henri Garcin as (the possibly ironically named) husband Victor, whose descent into madness is delightfully reminiscent of Herbert Lom's Inspector Dreyfus.
Only Annet Malherbe's Zus lets the side down, passive and accepting of her place on her admirers' pedestals, more cipher than Circe. Maybe her line that "all women like to be watched" seemed profound thirty years ago; not so much now.
Only Annet Malherbe's Zus lets the side down, passive and accepting of her place on her admirers' pedestals, more cipher than Circe. Maybe her line that "all women like to be watched" seemed profound thirty years ago; not so much now.
Abel is a little bit absurdistic, strange and unreal. But other parts a very recognizable. The film smells like Fellini and sounds like Monty Python, but it is a very dutch product. You won't see any tulips or windmills, but when you have a dutch background you will understand most of the jokes and events. I suggest you just sit back and enjoy it. The story is amusing and the development of the characters is interesting untill the end. The art-direction, the whole atmosphere of the movie is very nice and also reminds me of Fellini. A Dutch classic.
9mhrl
This movie is one of the best dutch movies of all times. Not a storyline with a hero, lots of action and beautiful women in it, but a sort of anti-hero who lives with his parents and does not know who to behave in the mature world. When you see the parents, you will understand why.
You have to understand dutch absurd humor, but I really do not know anyone who did not like the movie, most of the people I know love it, except maybe for my late grandparents. See it and you will love it! Also the fact that this Van Warmerdam's first movie, should give him all the respect he deserves.
You have to understand dutch absurd humor, but I really do not know anyone who did not like the movie, most of the people I know love it, except maybe for my late grandparents. See it and you will love it! Also the fact that this Van Warmerdam's first movie, should give him all the respect he deserves.
Actor/director Alex van Warmerdam made a weird movie, maybe not to everyone's taste, but I certainty enjoyed watching it. Abel or Voyeur (why do they always have to change the title of a foreign movie?) is easy to watch, even if it's in Dutch, but it's definitely a weird movie. The sometimes almost surrealistic scenes gave it that little extra weird touch. And then you had some good funny moments, so you didn't take the story too seriously. For a Dutch speaking person it was an entertaining movie but my wife speaks only English and she enjoyed it as well. The cast is small but they're all good actors. It aged pretty well I thought.
Although the last commentator found the movie a bit too weird, I'm delighted that people in far-away Virginia have the possibility to enjoy such an obscure Dutch art-house movie. Long live globalization. As for the film, I heard it's a classic among cinéphiles in France and other countries, but I completely understand those who find it a bit too weird, like our friend from Virginia. Different places, different sorts of humour. But if you like Bunuel, it's worth the try.
Cheers, Arnoud (Amsterdam)
Cheers, Arnoud (Amsterdam)
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- ConnectionsFeatured in Allemaal film: Tussen kunst en kassa (2007)
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