Anguish

This movie reminded me of many others at some points but at the same time seemed original. It was fun to watch and even though there was a lot of gore, I could stand it since I was so puzzled by the exact plot and motives. The movie inside of a movie plot worked wonders here and the appearances of Zelda Rubinstein made me want to give this an 8, since they made the characters seem as though twirling their hair would take too much intelligence.

I was surprised to see some of the reviews of Anguish (Angustia). I had the opportunity of playing an L.A. cop in the film - it must have been 100 years and 25 pounds ago! As the film seems to have elicited some interest, I'll volunteer some background information.

The film was mostly shot in.... Barcelona, on an obviously shoestring budget. I was initially "signed on" as an ambulance attendant, but either my "delivery" or size turned me into a cop with a couple of lines, learned the same day as the shoot.

The exteriors for the "new movie" sequences were shot on a street created in a large parking lot in the "Zona Franca" of Barcelona. Apparently a stock background depicting Culver City Ca. was shipped to Spain, and a good portion of Barcelona's American cars were used to create the traffic background.

Did I mention the shoestring budget? Most of the scenes I participated in were shot at least twice - from different angles - because only one camera was used.

I don't say this as a criticism - if anything it is a tribute to Bigas Luna, who was able to create a piece of America on the Mediterranean, and to make a number of non-actors seem credible even with speaking roles (including yours truly).

Before the film even begins, a message is displayed on screen warning you about the possibility of hypnosis and dizziness etc. In my opinion, that's a great way to hype someone up. And with hype, disappointment usually follows. But not with Anguish, this was a really cool little flick.

The flick actually is pretty much two movies in one. I'll only describe the first story, since if I tell you about the second, it's kinda ruining it for you. The initial story follows a son who is being hypnotized and forced into murder by his mother, played by Zelda Rubinstein, the tiny lil paranormal investigator in Poltergeist. It's a pretty simple premise at first, but once the other story kicks in, the movie's tension and entertainment value is severely upped.

The direction and atmosphere is all fantastic, the only minor problems is the acting, it's pretty amateur to a degree. But there are also strong performances as well, the son/murderer did a really good job. And it's killing me trying to recall what I remember him from! And at under 90 minutes, the movie doesn't last too long. Poifect!

It's a rare lil horror flick that should definitely have more of a following. With a cool idea leading the way Anguish is one flick any fan of horror or of our beloved lil Zelda should without a doubt check out.

Undoubtably one of the scariest and under-raved horror films of all time. Zelda Rubinstein is unforgettable, and if u liked her in the Poltergeist films she is even more stellar here. Known to horror buffs as the all-time movie within a movie... but its psychological mind-warp scene is as tense as it gets. The under-tones of the snails and doves contribute highly to the paranoia. A re-release definitely should be in order; this film deserves a second look by all. Anyone who has extreme phobia of "anything" to do with harm to the eyes- beware! Unfortunate that most mark this off as a "gore-fest" when its anything but. It is a brilliant study of the mind, and will blow you away with its oddity.

This creepy motion picture ingeniously realized exploring the hypnotic effects of cinema talks about a timid eye clinic intern (Michael Lerner, Omen 4) under the sway of his psychic and authoritarian mother (Zelda Rubinstein, Poltergeister). Hypnotized by swirling spirals and screechy bursts of gleaming wails, the ominous son packs up his surgical tool set and goes out a rampage . Our hapless soon-to-be victims arrive for a view a horror flick only to watch the gore unfold in the audience as well as on screen in which are showing the silent film titled ¨The lost world¨ and ¨ The mummy¨ . As a group of viewers are killed in the form of a screening of a horror movie that brings naturalism to life. As the terror picture shown to the audience gets more and more violent. The spectators (Talia Paul, Clara Pastor) see Lerner carving eyes on screen while a psycho-killer (Angel Jove) obsessed with the movie unleashes his own criminal spree on the unsuspecting spectators and he attacks anyone who crosses her way and soon the place is filled with people killed. The survivors trapped in the theater must fend off attacks of the murderers. At the ending the remaining public start the desperate battle for their lives and eventually, the theatre turns a walled-in trap. Soon it becomes clear that the parallel arguments gather together in deadly synchronization.

The picture is full of suspense,thrills, mystery, and lots of blood and gore .This slick gore-feast is a triumph of style over movie logic. It's packed with overwhelming body count, excessive gore, grotesque killing, and rivers of red blood. This is one of the most original utilization of the movie-within-a-movie with terror argument, such as formerly made Lambert Bava in ¨Demons¨(1985). The picture is smartly designed ,stylishly photographed filming in Barcelona by Civit and with a suspenseful musical score by Pagan . Bigas Luna delivers the terror movie goods with sense of style. He's an expert on murky atmosphere such as proved in ¨Caniche¨, ¨Bilbao¨ and ¨Reborn¨. The picture will appeal to horror buffs and Bigas Luna fans.