IMDb RATING
5.9/10
4.2K
YOUR RATING
In a dystopian future Australia, a health nut and his tag-along girlfriend become trapped in a drive-in cinema that has become a concentration camp for delinquent youths and refugees.In a dystopian future Australia, a health nut and his tag-along girlfriend become trapped in a drive-in cinema that has become a concentration camp for delinquent youths and refugees.In a dystopian future Australia, a health nut and his tag-along girlfriend become trapped in a drive-in cinema that has become a concentration camp for delinquent youths and refugees.
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- 1 nomination total
Desirée Smith
- Tracey
- (as Desiree Smith)
- Director
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Australia makes some zany films in the 80s; from what I've seen they're often full of rebel punks who wear crazy things & go wild brawling. They're colourful & you can tell everyone is having fun making the film.
This is one of those highly stylized films, full of painted up cars & 80s hair & clothes. It's grungy & hyper pigmented.
There were scenes that I enjoyed the visuals for & the kick back to an 80s soundtrack, but the plot of a young teen or/20something? couple who get stranded at a drive-in that becomes a wasteland of cars is a bit of a limiting plot that literally doesn't go anywhere fast.
I can see this being a cult classic for some, but aside from appreciating visual stills or clips, I'm personally not persuaded by it's particular taste of cheese.
This is one of those highly stylized films, full of painted up cars & 80s hair & clothes. It's grungy & hyper pigmented.
There were scenes that I enjoyed the visuals for & the kick back to an 80s soundtrack, but the plot of a young teen or/20something? couple who get stranded at a drive-in that becomes a wasteland of cars is a bit of a limiting plot that literally doesn't go anywhere fast.
I can see this being a cult classic for some, but aside from appreciating visual stills or clips, I'm personally not persuaded by it's particular taste of cheese.
The opening of 'Dead-End Drive In' quickly sets out its world. There's been a series of disasters that have led to society struggling to survive. A food crisis, a financial crisis, and then an unemployment crisis. And Australia is suffering with the rest of them. Gangs of punks are fighting authority and crashing cars. As an Aussie movie, there's shades of 'Mad Max' to this, but it's given a more populated feel. Instead of empty streets, there's a bunch of people in 'Dead-End Drive In'. Despite the lack of budget for the movie, Brian Trenchard-Smith gives a real sense of lots of people suffering from the consequences of economic failure.
The movie follows Crabs and his girlfriend Carmen, who end up stranded in an almost post-apocalyptic drive-in cinema after their tires are stolen by the police. The drive-in cinema has nearly 200 people in a similar situation, lighting fires and glaring at each other. The stranded are given food vouchers to eat takeaway from the on-site greasy restaurant.
Crabs is a very engaging character. He wants to become a tough guy, but no matter how much he works out, runs and eats, Crabs is still regarded as a "scrawny b*****d". Yet, as soon as he's stranded in the drive-in, he wants to get away. He wants this so badly, he irritates his girlfriend and also incurs the wrath of people spray painting "Crabs can't get it up" on his car. Carmen, incidentally, is so attractive I spent the movie slightly slack jawed.
For a supposedly trashy movie, it's actually very cleverly done. The car crashes are spectacularly choreographed. Don't expect a special-effects laden movie - it's not that - but when effects are used they're used well. Sparks fly up as cars speed through large fires. Bullets ping off the walls and cars with some canny squib effects.
Above all, there are some great undercurrents to the movie. The way the drive-in deals with the unemployed seems to ring very true with the concept of ghettos. The controller of the drive-in cinema even provides them with drugs. Crabs becomes even more likable because - like us - he sees the drive-in as a huge prison infested with unfair racial divisions.
'Dead-End Drive In' is, naturally, a little rough around the edges. But by limiting the movie to the confines of a drive-in cinema, it creates a well realised world. It's also great to see everyone throwing their all into a movie. Maybe by focusing more on characters and a basic story of "me versus them" it simply doesn't overstretch. It's an enjoyable - and sometimes thought provoking - way to spend 92 minutes of your life.
The movie follows Crabs and his girlfriend Carmen, who end up stranded in an almost post-apocalyptic drive-in cinema after their tires are stolen by the police. The drive-in cinema has nearly 200 people in a similar situation, lighting fires and glaring at each other. The stranded are given food vouchers to eat takeaway from the on-site greasy restaurant.
Crabs is a very engaging character. He wants to become a tough guy, but no matter how much he works out, runs and eats, Crabs is still regarded as a "scrawny b*****d". Yet, as soon as he's stranded in the drive-in, he wants to get away. He wants this so badly, he irritates his girlfriend and also incurs the wrath of people spray painting "Crabs can't get it up" on his car. Carmen, incidentally, is so attractive I spent the movie slightly slack jawed.
For a supposedly trashy movie, it's actually very cleverly done. The car crashes are spectacularly choreographed. Don't expect a special-effects laden movie - it's not that - but when effects are used they're used well. Sparks fly up as cars speed through large fires. Bullets ping off the walls and cars with some canny squib effects.
Above all, there are some great undercurrents to the movie. The way the drive-in deals with the unemployed seems to ring very true with the concept of ghettos. The controller of the drive-in cinema even provides them with drugs. Crabs becomes even more likable because - like us - he sees the drive-in as a huge prison infested with unfair racial divisions.
'Dead-End Drive In' is, naturally, a little rough around the edges. But by limiting the movie to the confines of a drive-in cinema, it creates a well realised world. It's also great to see everyone throwing their all into a movie. Maybe by focusing more on characters and a basic story of "me versus them" it simply doesn't overstretch. It's an enjoyable - and sometimes thought provoking - way to spend 92 minutes of your life.
DEAD END DRIVE IN is set in a sort of post-apocalyptic 1990. That's a bad thing, to date your movie like that. They should've known better, they're from Down Under, for god sakes. This is the land THE ROAD WARRIOR came from! So if you're going to take a chance on this film, try not to think of it as 1990. Also try not to think about the mid-80's synth soundtrack. There's nothing futuristic about it either. You really have to suspend your disbelief on this one.
After you've done that, DRIVE IN moves along a nice pace, getting in some required nudity, violence and car crashes. Crabs and his girl go to the Star Drive-In for some hanky-panky and realize they can't leave. It's a government program that traps the youth inside and shows them exploitation films and feeds them junk food. No reason why, guess it keeps part of the population off the streets. After awhile, social significance starts creeping in with allusions to welfare states and institutional racism. This is where it begins to falter. It's too heavy handed and frankly, quite embarrassing. Trenchard-Smith is a decent B-movie vet, and he should know better to pile it on like this. A great car jump saves the day though and takes you home, and you realize that even though you could've lived without DEAD END DRIVE IN, you really enjoyed the heck out of it. Look for the director's own ESCAPE 2000/TURKEY SHOOT playing on the drive-in screen during the film. If you enjoyed this, you'll dig that too.
After you've done that, DRIVE IN moves along a nice pace, getting in some required nudity, violence and car crashes. Crabs and his girl go to the Star Drive-In for some hanky-panky and realize they can't leave. It's a government program that traps the youth inside and shows them exploitation films and feeds them junk food. No reason why, guess it keeps part of the population off the streets. After awhile, social significance starts creeping in with allusions to welfare states and institutional racism. This is where it begins to falter. It's too heavy handed and frankly, quite embarrassing. Trenchard-Smith is a decent B-movie vet, and he should know better to pile it on like this. A great car jump saves the day though and takes you home, and you realize that even though you could've lived without DEAD END DRIVE IN, you really enjoyed the heck out of it. Look for the director's own ESCAPE 2000/TURKEY SHOOT playing on the drive-in screen during the film. If you enjoyed this, you'll dig that too.
I really enjoyed Dead End Drive In. This is a sci-fi film with great looking sets, decent acting and an illogical story line. Put it all together and add a few explosions and you have a fantastic ride.
The film tells the story of Crabs a young man who borrows his brother's car and goes to the drive in with a date. Then the government steals his tires and he is forced to live at the Drive In with about a hundred other teens who are also stuck there. It is never clearly explained WHY the government wants them to stay there (or even which government). Director Brian Trenchard-Smith makes the most of the story and pulls off some rather clever camera work. An aside from a racism subplot that is never really resolved, the story never drags. The sets are very extravagant and include some very funny touches (a poster for Rambo 8 hangs in one scene). Overall, the film is fun and is really good for anyone who likes futuristic, tongue in cheek sci-fi flicks.
The film tells the story of Crabs a young man who borrows his brother's car and goes to the drive in with a date. Then the government steals his tires and he is forced to live at the Drive In with about a hundred other teens who are also stuck there. It is never clearly explained WHY the government wants them to stay there (or even which government). Director Brian Trenchard-Smith makes the most of the story and pulls off some rather clever camera work. An aside from a racism subplot that is never really resolved, the story never drags. The sets are very extravagant and include some very funny touches (a poster for Rambo 8 hangs in one scene). Overall, the film is fun and is really good for anyone who likes futuristic, tongue in cheek sci-fi flicks.
This one has it all.There's violence,sex,car chases,explosions,cheezy '80s music,a '56 Chevy,and most importantly a drive-in! In a futuristic 1990 the government is keeping the unemployed youth locked up in a drive-in and giving them snack bar food,drugs,beer,and all night movies for free.Where do I sign up? Yes it's a bit silly at times,and the premise is unbelievable,but after all it's a "B" film.You just can't expect perfection in films like these,and I (for one) wouldn't have it any other way.There's nothing like stepping back to a simpler time and place.This fine little independent film from Down Under is just like taking a mini vacation in the way back machine.Pop this one in the DVD break out the popcorn and a cold Fosters and enjoy this blast from the past....8)
8/10 on the Drive-in-Freak-O-Meter...ya just gotta check this out!
8/10 on the Drive-in-Freak-O-Meter...ya just gotta check this out!
Did you know
- TriviaThe drive-in location seen in this film had closed down when the movie was filmed in 1985. The drive-in has now been demolished and no longer exists.
- Crazy creditsThe road from the point of view of the car as it is travelling after Crab's escape from the Star Drive In is shown during almost all the end credits.
- Alternate versionsThe original Australian theatrical version's runtime is 92 minutes. For international release, New World Pictures removed approximately five minutes of scenes for a new runtime of 87 minutes. The removed scenes are as follows: First is an extended scene of Thompson and Crabs talking about daily activities like cricket and mini-golf. Second is a scene of a discussion about sex performed upside down. Third is a scene of the guys taking Crabs, tying him to a merry-go-round and spinning him while spraying beer on him against his will, plus a scene with Carmen talking to the girls about Crabs. Fourth shows Crabs going through the Asian section of the drive-in. Finally there is an extended scene at the group meeting with the whites, wanting to stir up racial tension between the Asian groups.
- ConnectionsFeatured in Svengoolie: Dead-End Drive In (1997)
- How long is Dead End Drive-In?Powered by Alexa
Details
Box office
- Budget
- A$2,300,000 (estimated)
- Gross worldwide
- $1,259
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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