The Decline of the American Empire

This film, made in the mid-eighties about yuppies and their lives still holds up 15 years later. It was a contemporary movie then, it is now an impressive period piece. A drama/comedy about four man who are cooking, waiting for their wives who are at the gym and all 8 talk about sex, their lives, sex, fine wine, sex and living in the suburbs! The dialogue is witty and true and never the battle of the sexes has been fought so ferociously and with such verve! You will have a treat remembering how our lives were then. A perfect 10

Another outstanding work from Denys Arcand! You definitely have to have a taste for dialogue-driven stuff for this, but if you have the patience you will be rewarded. In the first 20 minutes I thought it might be just another analysis of the male-female relationship dynamic. But it surprised me with a few twists and of course some outstanding acting. I can't believe this is the same Remy Girard from the Les Boys movies. BTW, this film IS available on DVD, as are many other Quebec films featured on IMDB, but not listed as available on DVD. You can usually find them at www.archambault.ca or better yet, travel to Montreal and go to the store on St. Catherine and Berri.

If you do not like dialog driven movies, then you will not like this, since it consists primarily of talk about sex with some general philosophizing added. With "The Decline of the American Empire" I don't know if director Arcand has served up a sweet dessert with a core of bitter almonds or a drink of Angostura bitters sweetened with a sugar cube. I lean toward the latter.

I liked the leisurely pace of the opening credits which play over a long tracking shot moving down a long concourse terminating in our meeting two of the main characters - Dominique and Diane. Diane, a journalist for "Writers Today," is interviewing Dominique about her new book, "Changing Concepts of Happiness." Right up front we are introduced to the main thesis which is that a society is in decline when it becomes more concerned with individual happiness and instant gratification rather than with the general good. In such a society people resist sacrifice and marriages break down as people pursue personal happiness. What happens in the rest of the movie illustrates the point.

In short order we are introduced to two more women, Louise and Danielle, who are working out in a gym. They are joined by Diane and Dominique and, during their workouts, the women discuss in intimate detail some of their past sexual exploits.

Then we are introduced to four men (Remy, Pierre, Alain, Claude) who are preparing an elegant dinner for the four women we have already met. Remy, Pierre, Claude are faculty in the history department of a Quebec university and Alain is a student. Dominique is the chairman of the department, Diane is a teaching assistant there, Louise is the wife of Remy and Danielle is Pierre's partner and an undergraduate, so it's a pretty close-knit bunch of intellectuals. As the men prepare the meal they talk endlessly about their sexual exploits as well, but, as can be imagined, the tone of their conversation is a bit different from the women's. We are clearly well into the post sexual revolution era as much adultery is confessed and sexual fantasies revealed, and Claude's homosexuality is totally accepted. It is an ironic twist that the men are preparing dinner and the women are in the gym, *but* the women are in the gym so that they can be more sexually attractive to men.

I asked myself why I found the men's banter more entertaining than what I have overheard many times in men's locker rooms, and the answer is that it is witty and literate rather than crude and unimaginative. Perhaps more importantly all the actors seem to be having such fun and deliver their lines with such enthusiasm that it rubs off. Also, while "The Decline of the American Empire" is no "Big Night," the dinner preparations and ultimate product are not without interest. Unless you are a gourmet cook, you will learn, as I did, about "vesiga," "velouté," "coulibiac," and "mousseline."

And there are some special treats like when the four men act out a little dance about how they have to engage in that activity to please their women. While dancing they give voice to topics that they pretend interest in, for the same purpose. Their dance is clever, tightly choreographed, and hilarious.

The musical score is suitably highbrow, with a little help from Handel and Francois Dompierre.

So, why do I think that "The Decline of the American Empire" is ultimately depressing? Because it illustrates too well the destructive effects of the selfish pursuit of personal happiness, particularly with regard to sexual gratification. None of the relationships here is stable. And the philosophizing at the end espouses a cynical pessimism that intellectuals seem particularly good at. There is discussion to the effect that people should speak about what they know, and that's it. For example, "the Pope knows all about masturbation and prostate ailments. He can talk about that - and the CIA. Don't underestimate the Pope." The group goes on to skewer Marx, Freud, Jung, sociologists, psychologists, and even themselves. They quote Wittgenstein to justify some of their behavior: "Our only certainty is to act with our bodies." Academics, you gotta love 'em.

If you go on to see the sequel, "The Barbarian Invasions" (same actors, same characters, seventeen years later) you will see that Remy's life is a metaphor for the more general thesis expounded in "The Decline of the American Empire." Each movie stands alone, but each benefits from having seen the other.

For many years, this movie ranked in my all time top ten. Over time, my affection for it has dropped, but I still value it greatly. It is a wordy movie about sexual politics of all kinds and human relationships. I have always felt that most of the characters in this film feel a need to justify relationships that they should not be in.

The story is simple - a group of men prepare dinner for a group of women who are at a club working out. While in separate locations, they are free to talk about their sexual appetites, exploits and conquests. The female conversations are particularly funny. Eventually, the women arrive and dinner commences, an unexpected guest shows up and eventually, secrets are revealed.

Decline of the American Empire is Denys Arcand's best film, and at the time, the best ever to come out of Canada. (That crown now firmly belongs to Atom Egoyan's The Sweet Hereafter). It seems a little dated today, but if you can handle subtitles, and if you like movies with lots of dialogue about sex and human relationships, it is a worthy rental. ***1/2 out of ****.

Having lived and taught at a francophone public university in Montreal in the early 1970's, I found this movie (just recently available through Netflix) accurately reflecting the preoccupation with sexual liberation, sexual experimentation and gender equality among so many Quebecois. Starting in the 60's, and definitely continuing into the 70's, Quebecois totally overthrew centuries of social control exercised by a particularly conservative Catholic church. Except for the 17th century language with its unique pronunciation, and maybe "cabane-a-sucre" (maple syrup) parties in late winter, countless traditions and social hierarchies apparently were scrapped. I believe sexual exploration and questioning of authority went far deeper than in the US, at least among the many urban middle and working class young people I met in that period. Yes, "Decline ..." is wordy, but words have their own eroticism, and mind-body integration is a big part of the sexual liberation the characters were facing, for better or worse. If you like this movie don't miss the sequel, The Barbarian Invasions, which reexamines these characters from a (hopefully) more mature perspective, skillfully weaves death and desire, and is just a great movie.