Hands of Steel

Sergio Martino's next futuristic film after his classic AFTER THE FALL OF NEW YORK, is unfortunately not apocalyptic, instead deciding to go more after the "bleak future" feel from BLADE RUNNER. Borrowing quite a bit from BLADE RUNNER and THE TERMINATOR, the movie stars Greene (a muscle-bound carbon copy of Mel Gibson for all practical purposes) as a cyborg who gets in a whole lot of trouble and has to find a way to get his old personality back.

The action scenes are wonderfully lame and cheaply done, the cast was outrageously tiny (and packed full of no-names in pivotal roles, many of whom aren't even credited), and the special effects often cheap and uninteresting. Poor production design, poor costumes, bad writing, but the general silly but meaning-to-be-serious atmosphere work well. This is thanks in large part to Claudio Simonetti's wonderfully cheesy downbeat synth score which has a way of staying with you long after seeing the film.

The colorful supporting cast of veteran Italian performers also nearly made up for these flaws. The late Claudio Cassinelli is great in his final role as a crazed bounty hunter, as is George Eastman as a vengeful Mexican arm wrestler. Donald O'Brian is sadly wasted in a nothing role as a mad scientist. Strangely enough, recognizable veteran stuntman Sergio Testori gets an unusually large part as John Saxon's top henchman (and even gets a couple lines in as well). Saxon is underused until the last act where he gets to run around with a laser gun bigger than he is!

Unfortunately large chunks of this film are rather dull and uneventful, and sure takes its time to get going. The last 20 minutes or so are pretty fast paced and feature some cool and out-of-place Sergio Stivalleti gore FX. A likable enough cheapo Italian cheapo action adventure, just very disappointing if you consider Martino's other work. Stay tuned for the ending freeze-frame and quote, which are thoroughly amusing.

Oh, man. If you haven't seen HANDS OF STEEL, you are doing yourself a great disservice. This movie is amazing. You'll laugh. You'll scratch your head in confusion. You'll laugh some more. It's a science fiction/action film from director Sergio Martino, released in 1986. I'm assuming it was straight-to-video but I would totally pay to watch it on a big screen with an audience. This movie starts off nuts and only gets crazier from there. Our hero in this near future is Paco Queruak (Daniel Greene), a cybernetic assassin with a heart of gold. We meet him at the start of the film as he's about to complete an assignment; he's been ordered to murder an old, blind politician/environmentalist. Paco appears to complete his mission and goes on the run. Why go rogue? Because he had a change of heart and left the old man alive, and now Paco is the target of both the authorities and the organization who hired him. He leaves town, braving the acid rain (because it's the future and the environment, while appearing absolutely normal at a glance, has fallen on hard times) to hide out in the Arizona desert. He finds shelter with innkeeper Linda (Janet Agren) at her little highway outpost, a quiet place with the exception of the constant prostitute traffic and nightly truck driver arm-wrestling competitions. Paco seems hopeful to start a new, nonviolent life in the desert, but if the organization he betrayed doesn't get to him his new arm-wrestling nemesis Raul Morales (George Eastman) will.

HANDS OF STEEL has everything you could want: cyborgs, future stuff, strippers, violence, unintentional comedy, and loads of arm wrestling. Still not convinced you need to watch it? How about this: at one point, Paco karate chops the head off a snake. If you're not the least bit curious yet, you've got less humanity than Paco's forearms. Paco Queruak is an unsung hero of the action-packed '80s. HANDS OF STEEL is a faded jewel buried beneath a decade of low-budget genre films just waiting to be discovered. What are Paco's intentions? Who is this mysterious (and obviously well-funded) organization behind his enhancements and what did they have against the old, blind environmentalist? Why does Raul insist on tormenting a man who has proved he could twist him into a man-pretzel without breaking a sweat? Does anyone else think that one guy chasing Paco throughout the movie with the sunglasses looked like the butler from "The Nanny" with a beard? To the point of distraction? Prepare for none of these questions to be answered. They keep the premise simple. Paco was supposed to kill a man. He didn't. He's gone off the grid and the organization needs to kill him before the government gets ahold of him and realizes they've created a cybernetic assassin. Then Linda enters the picture and shows Paco friendship or love or something and gives him a reason to fight. Also arm wrestling. This movie has an obsession with arm wrestling.

You see, Linda's inn has competitions between the local truck drivers every night where they compete for who has the strongest forearms. The reigning champion is a beast named Anatolo Blanco but that doesn't stop Raul from running his mouth because he's second-best. He's loud, obnoxious, and a little too handsy with Linda for Paco's tastes. So there's some animosity between the two men right away and Raul, lacking the sense of self-preservation shared by everyone else in the bar, makes it his life mission to harass Paco. There is a fantastic sequence in the second half of the film where Raul organizes a trap that involves a bunch of locals, a car, a tape recorder, and feigned child endangerment to lure Paco out into the open. Dude, Raul is a drunken halfwit. Where did he find the competence to put this scheme together? Neither HANDS OF STEEL nor I know or care. You question every miraculous judgment call that leads to plot advancement and you'll miss out on all the fun. And a lot of the fun is in the details. I love how this movie is set in a near distant future where it's advanced nature manifests as a (single) futuristic car, a laser cannon, and a pair of cyborgs while literally everything else is so very '80s. I love how the baddies have shotguns that double as rocket launchers; seriously, you just shove the mini- rocket into the end of the barrel and pull the trigger (future magic!). I loved the fight between Paco and Suzie, the even cooler cyborg assassin disguised as a prostitute. I love Daniel Greene's wooden performance as Paco set against George Eastman's manic Raul.

But what I love most of all is that HANDS OF STEEL, like many Z-grade action films I've watched, set itself up for a sequel. At the very end right before the end credits roll, we get a final title card that warns us the movie served as the start of the cyborg era. That's right, Paco was only the first. And we'll never know how it went down from there. But at least we have HANDS OF STEEL, the tale of Paco Queruak and his battle against that jerk at the truck stop in which he karate chops the head off a snake.

Not only is this Italian flick a ripoff of THE TERMINATOR, but it predated the arm wrestling cinema classic OVER THE TOP. In an undisclosed future, cyborg Paco (David Steele) is sent to assassinate a blind environmentalist (whose slogan is "You have no future!"). But he doesn't finish the job when a bit of his human heart takes over. Paco heads to the Nevada desert to hide out and, while at a cheapo motel, becomes the region's champion arm wrestler. Because we all know arm wrestling is the sport of the future. I laughed out loud when they showed their wall of arm wrestling champs that included wrestlers Bruno Sammartino, Hillbilly Jim, Magnum TA and Dory Funk, Jr. Lead Greene looked so familiar but I couldn't place him. Checking here at the IMDb, he played the Dad in KINGPIN and the meathead in ELVIRA, MISTRESS OF THE DARK. So there is life after Sergio Martino movies. Janet Agren, John Saxon, George Eastman and Donald O'Brien show up for support and are all fine. Sadly, I also read here that Italian character actor Claudio Cassinelli, who plays Saxon's hired hit-man, was killed in a helicopter crash while filming that. I guess that is why Saxon's men off him quickly at the end and you just see him lying face down. That is really too bad.

Developed by an evil organisation, cyborg Paco Queruak (Daniel Greene) is sent to assassinate a political activist but resists his programming at the last moment. On the run from both the FBI and those who created him, Paco finds employment with Linda (Janet Agren), the beautiful owner of a remote roadside bar and motel. His solitude is short-lived, however, when he comes to blows with local arm-wrestler Raul Morales (George Eastman) who isn't best pleased about Linda's handsome new lodger and who will do whatever it takes to be rid of him.

Unlikely to appeal to most casual movie viewers, Hands of Steel should prove to be of most interest to those with a particular fondness for cheap European sci-fi/action nonsense from the 80s, featuring as it does many a familiar name from the genre. In addition to exploitation legend Eastman (Anthropophagus) and Fulci star Agren (City of the Living Dead), Hands of Steel's cast includes Euro-cinema regulars Claudio Cassinelli (who sadly died during production), Donald O'Brien and John Saxon, all of whom have starred in more than their fair share of Italian schlock.

Seasoned writer/director Sergio Martino approach lacks finesse and style but is still reasonably fun, the cheap and cheerful nonsense on offer including a perilous drive through an acid rain storm, a hilarious arm-wrestling bout involving rattlesnakes, an unforgettable smack-down against a female cyborg wearing a nappy and a plastic skirt, a ridiculous action packed finalé in which Paco is hunted by John Saxon armed with a massive laser cannon, and a mind-numbingly dumb 'surprise' ending. Also adding to the fun: a reasonable rip off of the self-surgery scene from The Terminator by Italian FX man Sergio Stivaletti and a nifty synth score from Claudio Simonetti (of Goblin fame).

The year 1997 : the guardian of the future is much more than a human being... There an evil international industrialist , the arrogant Francis Turner (John Saxon) is determined to terminate the interference of a world-leading ecological scientist (Franco Fantasia) , so he assigns the ace hit killer-cyborg Paco Queruak (Daniel Greene) to murder him . However, things go wrong . As Paco is 30% human, 70% robot, 100% lethal , but then the human side takes over and he refuses to execute his mission. Paco flees to Arizona where he has to take on his opponents ; and ultimately choose between his humanity and robotic natures .

Thrilling , stirring and exciting Cyborg movie with unstopped action , snappy pace , top-rate fights , shootouts , fierce combats and breathtakingly spectacular scenes . It contains traditional and abundant FX perfectly adapted to the noisy action , adding appropriate make-up by specialist Sergio Stivaletti . Vendetta dal futuro (1986) is derivative and rip-offs other American film as Terminator and Over The Top , these were Sergio Martino's influences for the film. Expert filmmaker Sergio Martino relates the uneven , but attractive story at a quick pace by staging compellingly some rousing set pieces , showing breathtaking Arizona desert locations , and he maintains intrigue and surprises throughout, resulting in a dynamic and twisted final . There's a charming cast of familiar Italian B-pic veterans and packing a good support that helps a lot : as a passable acting by the beefy American Daniel Greene as the resourceful cyborg who has been programmed to eliminate the leader of an ecological faction that stands in the way of the dystopian country in which the story is set. Along with the tall George Eastman or Luigi Montefiori in smoothly nasty form excels as an obnoxious wrestling trucker , the lovely Janet Agren as likable motel owner Linda, Donald O'Brien has a swift bit as bitter crippled scientist and unfortunately co-star Claudio Cassinelli died in a helicopter crash on July 12, 1985, during shooting in Arizona .

It displays colorful and adequate cinematography by the good professional cameraman Giancarlo Ferrando , shot on location in Arcosanti , Navajo Generating Station, Page, Lake Powell, Vermilion Cliffs National Monument, Arizona, The Domes, Casa Grande,Arizona, USA and studios from Incir De Paolis Studios, Rome, Lazio, Italy . Moving and moody score by Claudio Simonetti in his habitual funky style, including ordinary leit motif , composed by means of synthesizer . The motion picture was professionally directed by Sergio Martino who delivers the goods with skillness and aplomb enough . Competently directed by the prolific filmmaker Sergio Martino who usually uses pseudonym as Martin Dolman . Talented and versatile writer/director Sergio Martino has made a vast array of often solid and entertaining films in all kind of genres as horror , Giallo , comedy , Western , and science fiction in a career that spans over 40 years . He was especially expert on Western as proved in ¨Mannaja¨ and this ¨Arizona returns¨ , Giallo such as ¨The case of scorpion's tail ¨ , ¨Torso¨ ,¨the scorpion with two tails¨ , ¨The strange vice of Mrs Ward¨ , Cannibal movies such as "Mountain of the Cannibal God", Italian crime thrillers as "Violent Professionals" and ¨Sci-Fi as ¨Destroyer¨ , "2019: After the Fall of New York" . Rating: 6/10 , acceptable and passable , this is a great Sci-Fi Ravioli in which the camera stalks in adequate style throughout a story with decent visual skills . This is a bewildering story , enjoyable as well as violent , and it will appeal to Italian hardcore fans . A hugely amusing flick.