Born American

The movie was directed by Renny Harlin who has never done anything good and it's a wonder why people keep letting him make films... such as: Deep Blue Sea (1999), Long Kiss Goodnight, The (1996), Cutthroat Island (1995), Cliffhanger (1993), Adventures of Ford Fairlane, The (1990), and Die Hard 2 (1990).

This is the only movie I've ever walked out on. Basically three red-blooded American boys are deer hunting in Finland. They ignore HUGE signs in English warning them not to wily nilly cross over the border into the USSR. They happen on a town where there's been a murder. Borrowing from most Doctor Who plots, it's assumed the new comers committed the murder. With their shotguns they proceed to level the town and slaughter most of the paratrooper garrison stationed there.

In one classic scene, as the characters discuss the virtues of America and why it has won them the battle this day, a flaming man casually runs by.

Alas their brave fight is in vain for they're captured and promptly handed over to the KGB. For reasons not explained, their release is negotiated by a British diplomat. Ostensibly the USSR and the USA do not have diplomatic relations so the Brits are asked to help. This Brit is as evil as the KGB. Over vodka and comely sex slaves recruited from a nearby Gulag, the boys' fate is decided. They're to disappear... this little matter of 3 American boys wiping out a regiment of the USSR's finest troops would be an embarrassment to all concerned.

After having their nipples wired to car batteries and some torture, they're thrown into the Gulag.

We're now forced to endure scene after dreary scene of them cold, damp, sick, and suffering in a recycled set from Hogan's Heroes.

For more reasons not explained, there exists a labyrinth under this gulag where guards force prisoners to play a form of living chess. Prisoners battle each other to the death with crude knives, maces, and trash can lids for shields.

So what is the truth about 'Born American' (or Arctic Heat)? The full truth is, that it is a debut movie of an action director who has done couple of hits and a couple of misses. And despite of its childish and almost propaganda like portrayal of the soviets, it does have a couple of interesting scenes in it.

It's easy to say, and see, that BA is an product of its era. Cold war was on and Soviet Union was seen as a huge menace. It's not only action film painting this kind of images about the soviet union, but maybe it is one with the most over the top approach, as almost all the Russians are shown as dirty and almost barbaric lunatics.

The plot is quite simple: three Americans are exploring Finland and they decide to cross the border to Soviet Union. The silly sods venture deeper into the Russia and are soon caught, which leads into an action scene, where almost everything explodes or burns down. Later, when the yanks are taken into the prison/labor camp the movie turns towards so unrealistic direction, that you don't know to laugh or to cry.

'Born American' isn't Harlins best movie, but surprisingly enough it ain't his worst either. It lacks the fluent movement of more experienced director, but over all as a debut movie it has some merits working for it. In 80's standards the action works pretty well and out of all brainless action movies made during that era it fits in pretty well with the rest of them.

Born American (GB title: Arctic Heat) is a bad, bad film and it's made worse by the fact that it portrays every level of Russian society in a very unflattering manner. I'm well aware that at the time of this film's release, relations between the US and the USSR were strained, but the offensive depiction of Russians in this film is enough to drive even an American viewer for the exits!

The story concerns three young Americans vacationing in the Arctic Circle region of Finland. Whilst deer hunting, they stray into Russia and in their efforts to escape they inadvertently decimate a small town and its army garrison. After all that, they are captured anyway, and find themselves thrown into a Siberian prison camp where they are to be forgotten forever, thus cancelling out any embarrassment or tension their actions might have caused between the two war-mongering nations.

The drab and freezing prison scenes are boring, but they at least convey Russian prison conditions effectively. The part of the film that displeases me most is the ludicrous, violent episode in which the three Americans try to shoot their way out of the Russian village. No disrespect, but if three men from any nation did that in another country (other than their own), surely it would be only right and proper for them to be thrown into jail for a very long time. This film asks us to sympathise with them, but in my opinion they deserved all the punishment they received..... and more! Don't bother with this film. It's xenophobic and offensive in the extreme.

I am a 60-year old Russian born in Estonia (a Baltic country annexed and occupied by Russia 1940-1991). I have travelled a lot by hitch-hike around the USSR and seen what the life was like there. I know the grim Russian reality first-hand.

That is why I disagree with a comment saying that Born American "is a bad, bad film and it's made worse by the fact that it portrays every level of Russian society in a very unflattering manner".

In fact, the film is realistic -- therefore its portrait of the Russian society is unflattering. The Finnish producer seems to know much more about the real life in Russia than many in the West. Later the film turns into an 'action'. But the general picture of the Soviet-time Russia is true.

Until the Soviet bloc collapsed this film could not be demonstrated here: it was banned. Moreover, Moscow made a protest to the Finnish government, even demanding that the film be banned from cinemas in Finland! Can there be a better proof that the film demonstrates the Soviet/Russian reality in a honest way?

Indeed, for a person in the West it may be hard to believe that such reality can exist. But may I tell you that an elderly Estonian exile once told of having cried watching a film about Russian slave labour camps, while other western audience laughed. People just couldn't believe it was possible -- but she knew, and she cried.

Valeri Kalabugin Tallinn, Estonia

This movie begins as one of those young-Americans-on-a-European-vacation affair. Then it shifts into an action-thriller as our three heroes, on a lark, sneak across the border into the USSR and are captured by Russian border-guards. At this point it becomes a grim prison drama laced with surrealistic touches. Then the final scene offers a hint of a boy-meets-girl romance.

While the movie doesn't quite succeed as a whole, individual parts worked well enough to propel Finnish director Renny Harlin all the way to Hollywood. Perhaps the best of these parts is the justly-famous torture scene in which a well-dressed interrogator who could pass as a college professor calmly, almost lovingly, attaches alligator clips to the nipples of Steve Durham in a series of screen-filling close-ups. These clips are attached by wires to a portable generator and soon Durham is jerking in pain from electrical shocks. However, the interrogator doesn't get the information he seeks so he concludes with a comment that he has all the time he needs in order to complete his task. (A better line might have included the thought that those alligator clips could be re-attached to other, even more sensitive parts of Durham's anatomy.)

Also worth noting are the scenes of a chess game played with prisoners instead of chess pieces, though not enough is made of this material.

Top-billed Mike Norris shows enough promise here that one wonders why his later film-career was so undistinguished. Albert Salmi and Thalmus Rasulala provide good support in small but pivotal roles. As for Steve Durham, he must be the only actor in the movies whose nipples are more recognizable than his face.