Link

I was about 8-9 years old in the late 80s and I remember having a huge crush on Elisabeth Shue… She starred in one of my favorite childhood movies called "Adventures in Babysitting" (a.k.a. "A Night on the Town") and I remember being crazy in love and simultaneously jealous because the babysitters that I had those days nearly weren't as cool as she was. Anyways, back then I didn't know that Miss Shue previously already starred in a horror movie that I wasn't allowed to watch yet. With a bit of crazy imagination, "Adventures in Babysitting" is actually similar to "Link", since in both movies Elisabeth Sue gets into serious trouble whilst babysitting, only in "Link" she's babysitting a rather different type of animal species.

"Link" is an entertaining and unpretentious '80s horror creature-feature, well-written by the Aussie genre veteran Everett De Roche ("Long Weekend", "Razorback") and well-directed by the Aussie genre director Richard Franklin ("Patrick", "Psycho II"). After attending just one lecture, the ambitious American zoology student Jane Chase eagerly accepts the rather eccentric Professor Steven Philip's proposal to come and work for him in his spooky old mansion somewhere high up on the cliffs in the middle of Scottish nowhere. Jane gets welcomed by Link, a clever orangutan in a butler's outfit, and Prof. Philip also has two other apes running around: the chimpanzees Imp and Voodoo. Both Link and Voodoo are getting a bit too old and difficult to work with, so Dr. Philip arranges for a sleazy animal trader to come take them away. Soon after he mysteriously vanishes and Jane remains trapped at the estate with the apes. She discovers that Link knew what fate Philip had in store for him and suddenly it's no more Mr. Nice Orangutan… Richard Franklin built his entire career around the fact that he's a massive Alfred Hitchcock fanatic and he once again demonstrates it in this movie as well. Apart from a couple of 'Hitchcockian' plot aspects, Franklin also copies a lot of stylistic and visual trademarks of The Master of Suspense. Jerry Goldsmith's catchy score also reminded me quite a bit to the legendary music used in "Psycho". All the action and suspense takes place during the last half hour, or even less, but Franklin cannot be rushed and patiently takes his time to build up towards a dazzling climax. Of course, the crew member who deserves the most praise remains Ray Berwick, as he was the animal trainer and thus responsible for the impressive stunts that Imp and Link perform.

The cast,featuring a young Elisabeth Shue and Terence Stamp,was appealing.But,as for the latter,he does his stint,then collects his money quickly ,as if he wanted to get out of this drivel as soon as possible.Anyway,he was miscast:Stamp needs excessiveness,he cannot do anything with a straight character.The "cultural" intro is de rigueur in these "experiment" movies,here Stamp bestows on us a whole lecture ,complete with pay-attention-I'll-ask-you-some-questions-next-week.

It seems that the humans are very strange and that everybody's got something to hide except for Elisabeth and her monkeys.The humans leave the stage for a while,and the beautiful girl is on her own ,on her planet of the apes.The movie is then crawling along at 20 and it becomes boring.The Kinks' "Apeman" signals the boys' arrival and the slow-moving "psychological" suspense becomes a ape-like "Friday the thirteen".Best avoid.

To me, this film feels very mysterious in many ways. But that's what made this film fun to watch.

A young girl in uni is a scientist and she moves over to an old, run down house with a Doctor called Dr. Phillip. He is studying the races of the Chimpanzees. He lives with two of them called Imp & Voodoo and he has a butler Orangatanga named Link. One morning though he goes missing and Voodoo is dead. The girl (which I forgot her name) then tries to locate the professor/doctor and then there is a sense of anger in Link.

The plot takes on very well from what I have said. I watched this film at the start of the year, wondering what I would get out of it. I chose to watch this film for two reasons. 1. There where Monkeys and I think monkeys are great in any sorts of films what so ever, and 2. I just like horror. So with these combinations this is why I watched it.

I love the suspense that this film gives off once the doctor has gone missing. When this occurs your mind starts to have any vision about what could have happened to him.

Besides the fantastic plot, I think that chimps did a job well done, it must have taken hours for them to be trained! I also like all the music from the great music composer, Jerry Goldsmith. He was able to blend in the music really well.

Even if the deaths aren't as what you expect (Bloody, gory, which none of us like anyway), you will get a shocking kick out of this film.

I believe that this film deserves an 8.3/10, not a 5.6/10.

Richard Franklin is a self-proclaimed Hitchcock fan (he made "Psycho II", after all), and you've got to hand it to him, "Link" is more artfully directed than the average mid-80s horror film, with some nice camera movements and some even nicer transition shots. It moves slowly, though, and some characters seem to be introduced only to pump up the body count. Elizabeth Shue, in only her second role, is admirable in the way she holds her own against the naturally scene-stealing chimpanzees. (**1/2)

This movie started off very well, and I was beginning to think that I had stumbled across a pleasant surprise. Unfortunately, things weren't nearly as interesting in the second half, and so I can't quite recommend this one. The best scenes are when the chimps are displaying their remarkable talents. In fact, the pleasure of watching the chimpanzees is almost enough to make up for the otherwise mediocre story. The novelty does wear off, though, and the film suffers badly as a result. Shue and Stamp are both effective, but the script simply runs out of steam in the second half. Watch only if you love chimps.