IMDb RATING
6.4/10
7.3K
YOUR RATING
A young executive starts an affair with his boss's wife which escalates into a nightmare after he lies to the police in order to protect her.A young executive starts an affair with his boss's wife which escalates into a nightmare after he lies to the police in order to protect her.A young executive starts an affair with his boss's wife which escalates into a nightmare after he lies to the police in order to protect her.
Sydney Conrad Shapiro
- First Victim
- (as Sydney Conrad)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to Steve Guttenberg's autobiography, "The Guttenberg Bible", the original camera crew was fired during the first week and replaced by Producer Dino De Laurentiis with crew members who only spoke Italian. Soon afterwards, Curtis Hanson insisted on hiring Gilbert Taylor to replace the Italian cinematographer.
- GoofsAfter Terry (Steve Guttenberg) loses Chris (Brad Greenquist) after following him to a bar, he hides in his car in a side alley near Chris' home, waiting for him. When Chris arrives home, Terry drives slowly out from the side alley; a crew member wearing a red jacket and blue jeans can be seen through the rear window, behind Terry's car.
- Quotes
Carl Henderson: [his only line in the movie] You?
- ConnectionsReferences Sabotage (1936)
- SoundtracksBeautiful Thief
Performed by Ava Cherry
Written by Raun & Jon Butcher
Produced by Spencer Proffer for Pasha
Courtesy of Capitol Records, Inc.
Published by The Grand Pasha Publisher
Featured review
This is the kind of thriller you'd expect Alfred Hitchcock to do with someone like James Stewart or Cary Grant as everyman.
Here we have STEVE GUTTENBERG as the man in big trouble after witnessing a murder from his lover's bedroom window. He's having an affair with the boss' wife and nobly tells her that he'll give details of the assailant (which she saw) to keep their affair hidden from her husband. So far, so good. The story is stylishly photographed with the appropriate menacing mood and atmosphere.
But he soon becomes the man suspected of the crime and it's from that point on that the plot contrivances become just a little too implausible, straining credibility until the very suspenseful ending. Too bad. Otherwise, it's a tricky piece of entertainment and well worth watching.
ISABELLE HUPPERT has a little trouble getting her lines across with her French accent being quite a handicap but she's beautiful to look at. ELIZABETH McGOVERN does a nice job as Guttenberg's partner in finding the real killer.
It moves quickly under writer/director CURTIS HANSON's direction. While many consider it "counterfeit Hitchcock", it's still worth a look.
Here we have STEVE GUTTENBERG as the man in big trouble after witnessing a murder from his lover's bedroom window. He's having an affair with the boss' wife and nobly tells her that he'll give details of the assailant (which she saw) to keep their affair hidden from her husband. So far, so good. The story is stylishly photographed with the appropriate menacing mood and atmosphere.
But he soon becomes the man suspected of the crime and it's from that point on that the plot contrivances become just a little too implausible, straining credibility until the very suspenseful ending. Too bad. Otherwise, it's a tricky piece of entertainment and well worth watching.
ISABELLE HUPPERT has a little trouble getting her lines across with her French accent being quite a handicap but she's beautiful to look at. ELIZABETH McGOVERN does a nice job as Guttenberg's partner in finding the real killer.
It moves quickly under writer/director CURTIS HANSON's direction. While many consider it "counterfeit Hitchcock", it's still worth a look.
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Details
Box office
- Budget
- $8,300,000 (estimated)
- Gross US & Canada
- $12,640,385
- Opening weekend US & Canada
- $2,919,657
- Jan 18, 1987
- Gross worldwide
- $12,640,385
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