Big Bad Mama II

Evicted from their homestead in a bloody shootout, Wilma McClatchie (Angie Dickinson) and her daughters, Polly and Billie Jean (Julie McCullough and Danielle Brisebois) must fall back on their penchant for armed robbery to survive.

Let the fun begin!

Basically, one big gun battle after another, interrupted by nudity, BIG BAD MAMA 2 is Director Jim Wynorski's cheeeze-filled sequel to Roger Corman's cult classic. This time, Robert Culp is along for the frivolous festivities.

As with the first film, Ms. Dickinson is what saves it from being a total abomination. Without her, this wouldn't be just schlock, it would be far more burdensome schlock! While nowhere near as good as the original, it does have a certain charm, usually involving the McClatchie sisters!

Actually, what hurts BBM2 the most is the fact that the first movie was shot in the 1970's, and had that aesthetic going for it. This movie was made in the late 1980's, and definitely has that decade's low-budget clunk-i-tude going on!

The final conflict is especially amazing, as the apparently-immortal McClatchies take on the entire police force!

Sooo, STEP ONE: Remove your brain and put it in your pocket. STEP TWO: Pray for the best, but expect the worst. STEP THREE: Enjoy...

Big Bad Mama II (1987)

*** (out of 4)

This "sequel" to the 1974 cult classic is more of a remake since the events in the first film are overlooked and the characters are pretty much starting from scratch. This time out after her husband is murdered, Wilma McClatchie (Dickinson) takes her daughters Billie Jean (Danielle Brisebois) and Polly (Julie McCullough) on a crime spree so that they won't have to go to bed hungry at night. Mama decides to get even with a crooked politician (Bruce Glover) by kidnapping his son (Jeff Yagher) but things don't go as planned. BIG BAD MAMA II was shot in about two weeks for an extremely small amount of money so one should keep that in mind. What's so funny is that director Wynorski knows that this isn't going to be an Oscar-winner so instead of trying something fancy he just keeps the film moving at a nice pace and throws in as much action as he can. The movie certainly isn't high quality and there's no question that it's not nearly as good as the first movie but I think the characters are so memorable and the cast do such a good job with them that you can't help but have fun as long as you don't mind this type of "B" film. Dickinson does a fine job in her role as she has no problem playing tough and she's still quite believable in the part. Robert Culp plays a reporter/love interest and he too does a fine job. I've read some reviews that said he looked embarrassed but I don't agree at all as it seems he's having a wonderful time and he has some nice chemistry with Dickinson. Brisebois is fine playing the tough daughter while McCullough is awfully cute as the good girl. Even Yagher is enjoyable in his part and fans of HALLOWEEN will enjoy seeing Charles Cyphers in a quick bit. Glover really steals the film as the sleazy bad guy as you can't help but get a real kick because he's certainly a no-good snake that you love to hate. The director keeps the film moving at an incredibly fast pace and we're treated to all sorts of action with non-stop bullets going around and we even get several explosions. In true Roger Corman fashion we even get a sequence where some new footage is mixed in with mostly scenes from the original movie. The nudity on display, especially that of McCullough, just adds to the fun. One strange thing is that in 1987 just about anything could go in the direct to video market (this did hit a few theaters) but this film is actually a lot tamer than the original with much of the sleaze cut out.

The first Big Bad Mama was a quickie Bonnie and Clyde wannabe on a much lower budget and a much shorter shooting schedule. Angie looked good and seemed to be enjoying herself in a rare bad girl role, and there were enough car chases and shoot-outs to keep the viewer from falling asleep.

Big Bad Mama II is more (and less) of the same. Mostly less, since writer- director Jim Wynorski aims for camp, but can't manage to get laughs with anything. (This was a career-long failing for him.) Angie is back, but she's now over 50, and the Depression gangster genre has put on a few years too. With nothing new in the way of story ideas or screen visuals, there seems to be no point too having made a sequel beyond cashing in on the original for its video notoriety. More car chases, more guns, but little point. The sequel is only for die hard Angie fans. Collectors of celebrity nude will be disappointed that Angie's nude scenes were doubled (by former Penthouse model Monique Gabrielle).

Roger Corman does it again! I had a wonderful time watching Big Bad Mama II. It's not exactly a work of art, but it is a fun flick! It's great to see Angie back as Big Bad Mama. She's a hell of a lot of fun! Robert Culp brings plenty of panache to his role too. Danielle Brisebois and Julie McCullough are both charming, funny, and sexy. Bruce Glover makes a terrific despicable villain who is fun to hate. Both Big Bad Mama movies are great cheesy flicks to enjoy when you just need some fun escapism. Don't expect an artistic masterpiece. Just pop plenty of corn, settle back in your favorite comfy chair, and enjoy 'em with your favorite beverage.

You watch this film because of the attractive women, not because you expect The Godfather', 'Bonnie and Clyde', or even 'Scarface.' Angie looks great (although she may be body doubled during her sex scene with Culp), and McCullough and Brisbois are barely clothed throughout, thank you very much. Otherwise, this is a clumsily written, directed and acted pile of junk. The action scenes are some of the worst staged for the screen, with Glover, Culp and others standing around, unconcerned, as explosions go off and bullets fly around them. Cops fire endless rounds at Angie and her girls in their jalopy and neither the car or the girls are ever scratched. Plotwise, we've got Dickinson and her girls shooting up cops and blasting their way out of banks then racing off... but the cops never follow. In fact, nobody seems to be after these brazen criminals except Culp, the reporter. The cops are apparently stumped, but Culp finds them without any effort, time and time again. It's all so obviously stupid, and the leads know it. Culp and Dickinson treat the film like a 'Smokey & The Bandit' lark with barely suppressed laughter in many of their scenes. But, once again, you're here for the feminine pulchritude.