Ghoulies II

Larry (Damon Martin) and Uncle Ned (Royal Dano) are driving a truck to an amusement park with their attraction Satan's Den. They have to stop in a repair shop and four demons sneak and hide in the truck. They arrive at the carnival and hide inside the Satan's Den. The arrogant owner of the carnival P. Hardin (J. Downing) threatens to fire the employees if their attractions are not profitable and assigns the dwarf Sir Nigel Penneyweight (Phil Fondacaro) to work with Larry and Ned in the Satan's Den. He also hits on Larry's girlfriend Nicole (Kerry Remsen). When the audience sees the demons in the Satan's Den, they believe that they are part of the attractions and the entertainment becomes a sensation. But when people are attacked by the demons, there is panic in the carnival. Now Larry, Nigel and Nicole try to use an incantation to get rid of the creatures.

"Ghoulies II" is a funny and cheesy franchise similar to "Critters" and other "evil toys" in the late 80's and early 90's. The plot is silly with one dimensional characters and gruesome scenes, but entertains and is cult. My vote is six.

Title (Brazil): Not Available

I was very young when I saw this the first time and it really gave me the creeps then. Now a few years later I saw it again and I think it´s cool. The little monsters are pretty funny and scary actually. I especially like the "toilette" scene. Ghoulies II is a 5/10

This is the rare case where a sequel is actually better than the original. Considering that original is the cheap and nasty Ghoulies, it's really not much of an accomplishment. Anyway the plot here is that the Ghoulies make their way to a carnival where business is poor. Their presence manages to help business pick up but of course they do what Ghoulies are meant to do and start killing people.

What makes this a better movie than the first? Well for starters the carnival setting is more interesting. The special effects for the Ghoulies is improved over the first. The cast is better, helped in large part by veteran Royal Dano and "little person" Phil Fondacaro. But ultimately it's the camp humor that this movie has that elevates it above the previous movie.

All this being said about how it's an improvement over the first Ghoulies, it's still not a very good movie. It's watchable enough for a movie of its kind. But let's not get carried away and say it's anything better than that. So, better than the first Ghoulies but still not very good.

This time the focus is much more on the ghoulies themselves. And they're all ready to have some fun at the carnival!

There's lots of fun to be had here. You get to see ghoulies eat off a clowns arm (hoorah!)and my favorite scene features a ghoulie running over a man with a bumper car. Priceless.

Oh yeah, one of the more subtle moments I had to rewind a couple of times was when the mummy pops up and the kid kicks it back and you can hear the mummy say 'ow!'

Sure these films can be laughed at, but I have a feeling the movies are laughing with you. It's all very tongue in cheek and not to be taken too seriously. The only moment I think that was to be taken seriously was the terrible moment where the girl is talking about an incident that happened when she was younger; ala Pheobe Cates in Gremlins.

Still, that moment passes quickly and is completely forgettable.

I find these 'Ghoulies' films to be completely charming. If you're into Gremlins and Critters and Munchies and the like, check'em out.

My review was written in August 1988 after watching the movie on Vestron video cassette.

Assembly line filmmaking (in this case, Charles Band's former stomping ground Empire Studios in Rome) is the curse of "Ghoulies II", a lame followup belatedly debuting this fall in video stores.

First pic, a shameless "Gremlins" imitation that emerged as Empire Pictures' top box office attraction, was a west coast-lensed horror comedy spotlighting cutesy John Buecher hand puppets. Sequel features a few more puppets and is set in the Carolinas, but lensed on gaudy sets in Rome with a nondescript cast.

A priest (British thesp Anthony Dawson) tries to destroy the little title demon, but they escape, holing up in a failing carnival show run by Royal Dano and his nephew Damon Martinl Presence of the supernatural critters perks up attendance, staving off the foreclousr efforts of meanie J. Downing, but the ghoulies start killing people, a no-no even for a Grand Guignol attraction.

Preposterous climax has the good guys conjuring up an oversize monster (it doesn't look much better than its pintsized ghoulies) to knock off the beasties.

Albert Band (father of defunct Empire's majordomo Charles) directs with apparent disinterest, just cranking out another title in a production slate. These doll-like figures just aren't scary and the attempted black humor falls flat. The inherent contradiction of producing fantasy films without imagination is evident in bold relief.

Technical team, largely Italian, delivers competence within a creative vacuum. Dwarf actor Phil Fondacaro sticks out as way too talented for this material.