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Anthony Hopkins, Helena Bonham Carter, Emma Thompson, and Samuel West in Howards End (1992)

Metacritic reviews

Howards End

88

Metascore

11 reviews · Provided by Metacritic.com
  • 100
    Chicago Sun-TimesRoger Ebert
    Chicago Sun-TimesRoger Ebert
    The splendid cast embodies the characters so fully that the events actually seem to be happening to them, instead of unfolding from a screenplay.
  • 100
    The New York TimesVincent Canby
    The New York TimesVincent Canby
    Merchant, Ivory and Jhabvala triumph again with their entertaining, richly textured film. [13 March 1992]
  • 100
    Washington PostRita Kempley
    Washington PostRita Kempley
    Merchant and Ivory have regathered many of the cast and crew from their earlier films to work on this reproduction to exquisite effect.
  • 100
    Los Angeles TimesKenneth Turan
    Los Angeles TimesKenneth Turan
    Because it is confident of its story and its powers, “Howards End” takes the time to establish itself, to allow its characters the space to demonstrate subtlety and complexity.
  • 90
    Variety
    Variety
    Perhaps the best film made during the 30-year partnership of Ismail Merchant and James Ivory.
  • 90
    Rolling StonePeter Travers
    Rolling StonePeter Travers
    Incisively witty, provocative and acted to perfection, this sublime entertainment is a career peak for producer Ismail Merchant, director James Ivory and screenwriter Ruth Prawer Jhabvala.
  • 90
    The New Yorker
    The New Yorker
    A handsome and intelligent piece of work: a faithful, well-paced, and carefully crafted dramatization of a very good story.
  • 78
    Austin ChronicleMarjorie Baumgarten
    Austin ChronicleMarjorie Baumgarten
    The performances in this costume drama are wonderful.
  • 70
    TV Guide Magazine
    TV Guide Magazine
    The filmmakers have allowed themselves an overlong 140 minutes in order to preserve as much of the plot as possible, but they have bypassed many of the novel's key ideas and ironies.
  • 60
    Chicago ReaderJonathan Rosenbaum
    Chicago ReaderJonathan Rosenbaum
    This is the apotheosis of Classics Illustrated filmmaking, aiming at nothing more than tasteful reduction, and the fact that it's done so well here doesn't mean that it's necessarily worth doing.
  • See all 11 reviews on Metacritic.com
  • See all external reviews for Howards End

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