Laws of Gravity

One of the things that bugs me about indie film-making is that the wrong people make it to step two. Nick Gomez surely should have been able to do more work than "Illtown" and "New Jersey Drive" after finishing this well-crafted, if choppy, urban tale. I liked "New Jersey Drive" a lot, so I guess Nick's getting his recognition through "The Sopranos" at the moment. And why is Mr. Green still only playing psychos and tiny little bit parts, apart from his brilliant work in "Clean Shaven"? At least Adam Trese went on to "Palookaville"!

Ok, so that's more of a rant than a review, and I'll cut to the chase:

If you liked "Bottle Rocket", "Palookaville", or "A Bronx Tale", see this film.

It's an old story, but I'll tell it again:

Guys from bad neighborhoods, against whom the deck is pretty well stacked, get some better-than-usual goods to sell. And sell them they must, under less than ideal circumstances, leading to all sorts of fun and frolic, in a very non-comedic sense. Greene, Trese, Falco, and Schulze stand out. Saul Stein is quite creepy as the face of the "new mob".

This sort of film appeals to me more in its American genre than the current British versions of this story ("London Kills Me", "Lock, Stock", "Twin Town", and "Trainspotting") as the Scots/Welsh/Home Counties vision of petty crime has a heavily injected fantasy slant absent in four American flix cited in my discussion.

Also, these petty-street-crime films are probably (with the exception of John Sayles) one of the few windows into American poverty available in US film right now. The scene in "Laws of Gravity" between minor criminal Frankie and Greene's screen spouse Denise (Edie Falco) on the nature of life and work is brilliant.

lordwhorfin says, go ye forth and rent.

I'm not going to sit here and tell you this long drawn out synopsis about this masterpiece of a film. But, I'm not the one to leave people in the dark, so it'll be a brief synopsis.

Johnny, the main character gets canned in the slammer over some petty charge. His best friend , and the wiser, sells guns that belong to a hot-head named Frankie, this pays Johnny's bail. Frankie, Johnny's best friend (forgot character's name), and Johnny, were once this entrusting ghettoized circle of friends, now Frankie's peeved at the both of them for running guns and blowing the profits for Johnny's well-being. This begins a volatile pattern of street bravado, and someone will definitely find themselves in a unfortunate disposition.

Brilliant acting, you can't even call it acting, call it, hanging on the block with your crew. These guys are so natural and effortless. The realism and pace of this film is why cinema buffs find a reason to get up mornings.

You can't tell where the film crew is or their equipment, because the whole thing is so close to reality that you can't even call this a real movie. Its more than a movie, its like you're there. You're hanging out with these egregious people, on the street, in their apartments, in the bars they hang out in..its really amazing.

Not one of the actors makes one false move and you can't say that about very many movies. But like I said, they didn't appear to even BE actors in the first place. I wonder if there was a lot of improv between the actors, everything they said was so real.

You can't say a lot really happens, either, but that's exactly like real life, too!

From what I just read, this was made for the amount of money Julia Roberts makes for filming one or two scenes. Whoever said life was fair?

With so many movies copy-catting winning formulas,it is a shame, but no surprise, that "Laws of Gravity" is a little-seen, hardly ever-recalled movie. It got lost in the Chasing Amy/She's the One/Do the Right Thing indie over-load. And I'm not knocking those movies. But please give due credit to the "godfather" of indies,which combined a gutsy and raw, yet still highly intelligent script with near-flawless acting and, at that time, never-before-seen editing and cinematography. Can you tell I'm a fan? I too, like many other viewers, "stumbled" upon this movie while channel-surfing late at night. This will not be a review, being that I don't want to give away any key moments of the film. Rather, this is a plea to all movie lovers to beg, threaten, and/or intimidate the powers-that-be to release this film on video and DVD for, to my extreme shock, this film is nowhere to be found. (Save for the afore-mentioned "stumble".) And if you find it there, TAPE IT! This is definitely one for the personal library!

It's not a Means Streets rip-off. It's a decent, low budget movie with some fine acting, and some realistic dialogue. These characters are not brain surgeons, they are rough, inarticulate people who live a hard life. Any predictability comes from the fact that only the inevitable can happen to people such as these. The film captures the feel of a Brooklyn neighborhood well. What appears to be Williamsburg before it became trendy. This movie made me feel I was watching what happens when a bunch of good, no-frills actors spend time together producing a very realistic and gritty ensemble piece. Check it out for yourselves.