Laws of Gravity

It's not a Means Streets rip-off. It's a decent, low budget movie with some fine acting, and some realistic dialogue. These characters are not brain surgeons, they are rough, inarticulate people who live a hard life. Any predictability comes from the fact that only the inevitable can happen to people such as these. The film captures the feel of a Brooklyn neighborhood well. What appears to be Williamsburg before it became trendy. This movie made me feel I was watching what happens when a bunch of good, no-frills actors spend time together producing a very realistic and gritty ensemble piece. Check it out for yourselves.

One of the things that bugs me about indie film-making is that the wrong people make it to step two. Nick Gomez surely should have been able to do more work than "Illtown" and "New Jersey Drive" after finishing this well-crafted, if choppy, urban tale. I liked "New Jersey Drive" a lot, so I guess Nick's getting his recognition through "The Sopranos" at the moment. And why is Mr. Green still only playing psychos and tiny little bit parts, apart from his brilliant work in "Clean Shaven"? At least Adam Trese went on to "Palookaville"!

Ok, so that's more of a rant than a review, and I'll cut to the chase:

If you liked "Bottle Rocket", "Palookaville", or "A Bronx Tale", see this film.

It's an old story, but I'll tell it again:

Guys from bad neighborhoods, against whom the deck is pretty well stacked, get some better-than-usual goods to sell. And sell them they must, under less than ideal circumstances, leading to all sorts of fun and frolic, in a very non-comedic sense. Greene, Trese, Falco, and Schulze stand out. Saul Stein is quite creepy as the face of the "new mob".

This sort of film appeals to me more in its American genre than the current British versions of this story ("London Kills Me", "Lock, Stock", "Twin Town", and "Trainspotting") as the Scots/Welsh/Home Counties vision of petty crime has a heavily injected fantasy slant absent in four American flix cited in my discussion.

Also, these petty-street-crime films are probably (with the exception of John Sayles) one of the few windows into American poverty available in US film right now. The scene in "Laws of Gravity" between minor criminal Frankie and Greene's screen spouse Denise (Edie Falco) on the nature of life and work is brilliant.

lordwhorfin says, go ye forth and rent.

You can't tell where the film crew is or their equipment, because the whole thing is so close to reality that you can't even call this a real movie. Its more than a movie, its like you're there. You're hanging out with these egregious people, on the street, in their apartments, in the bars they hang out in..its really amazing.

Not one of the actors makes one false move and you can't say that about very many movies. But like I said, they didn't appear to even BE actors in the first place. I wonder if there was a lot of improv between the actors, everything they said was so real.

You can't say a lot really happens, either, but that's exactly like real life, too!

From what I just read, this was made for the amount of money Julia Roberts makes for filming one or two scenes. Whoever said life was fair?

Back when "Independent" movies were exploding in the early 90s this little gem came out. Full disclosure, I'm a born, raised & still here native NYC boy & I knew these kinds of people. People in other reviews wonder about where these characters are from? They're from everywhere & this was the real deal back in early 90s. This is before Williamsburg & Greenpoint areas of Bklyn exploded & became gentrified 'beautiful' neighborhoods. Nick Gomez created this movie that kinda spans just a few days, that are probably like many other days in these characters' lives. Edie Falco, Paul Schultze, Peter Greene all before their big roles in the Sopranos, Nurse Jackie & Pulp Fiction for P. Greene ("Bring out the Gimp...Zed's dead baby, Zed's dead.)

Back in the early 90s, Falco & Schultze were working as waiters & bartender at my friend's bar (for real, though not for much longer obviously). Indie movie world was bursting and Nick Gomez was the hot young new director after this movie. I found it totally by chance on some cable system in NJ & showed it to my 20 yr old son. Not sure he appreciated & liked it as much as I did, but I loved the Scorsese/Cassavettes style of exploring the low gritty lives of struggling characters banging their heads against the 'mean streets' of their environment. There's not a load of action in this movie but as other reviewers noted, it feels like your a fly on the wall in these characters' lives for a few days. And for someone who's from this neighborhood, everything feels real, legit & authentic, warts & all. I totally recommend it this to anyone curious about the Indie movie world of early 90s & gritty pre-gentrified Bklyn. Just be warned it's not an action movie but it's xclnt, in my humble opinion...Enjoy.

If you like "Laws of Gravity" you will definitely like "A year in the life of crime (1989)" from HBO. It followed a group of real losers around Jersey City for a year. A must see One of the best documentaries I've ever seen.

I would love to see a follow up to the original HBO version of this movie. It's been about 16 years and I would love to see if any of the original guys from the documentary are alive.

HBO needs to re-release "A year in the life of crime" or do the follow up. I'm sure this has been mentioned a million times in relation to this film so I will end my post here...

Brett