Malcolm X

I think the major success of Alex Haley with this movie is that he tells the story of a dynamic person known as 'Malcolm X' with such a skill that no man from any part of any society get his feelings hurt. I think it is a commendable effort from Alex Haley, Spike Lee and Danzel Washington that they made a hero out of Malcolm X. I think he deserved it because he was the man who was not after money or popularity......he changed his statements, his way of life , even his faith as he knew that those were true. The theme of the movie is very clear that Malcolm X was not a hardliner rather he was always open for truth. Secondly, it also emphasized though in the end that negotiations and reforms is a better way than the violence. But yet it also gave the message that the ruling races reap the violence which they breed themselves; sometimes in the hegemony of their power or sometimes due the wrong interpretation of their religious verdicts. I think it was right to hit at the ' Black organization known as nation of Islam' and Elijah Muhammad. Muslim community is itself greatly indebted to this movie because Elijah Muhammad's teaching were very far from Islam. The real Islam practiced worldwide does not believe in the continuance of prophet-hood after Muhammad (P.B.U.H)and the Black supremacy by Elijah Muhammad was a ridiculous idea as Islam does not believe in Nationalism. Any Muslim anywhere in the world whether black or white are equal in Islam's teachings. It was great to see the scenes of pilgrimage to Makkah ....... these were not unnecessary ......because they helped us to understand the sudden change in the teachings of Malcolm X. Denzel's acting is really superb and also that of Al Freeman Jr. I think this movie is an invaluable resource for the people who want to take an insight into the Malcolm X's life.

With Malcolm X, director/co-screenwriter Spike Lee has produced a true-to-life biopic on the title character who was first a strident advocate for the American Nation of Islam during the 1950's and early 60's, later becoming an extremely high profile human rights activist during the civil rights movement, before his assassination in 1965.

The film dramatises key events in Malcolm X's life with the main thread beginning with his post war criminal career and later conversion to Islam whilst in jail, which directly led to his assumption of the identity of Malcolm X . Defining childhood incidents, including his father's death, his mother's mental illness, and his experiences with racism are dramatised in (ironically) brief flashbacks, considering the elephantine length of the rest of the film.

From my understanding of the life of Malcolm X, Lee has stuck closely to the facts in constructing his biography. I believe there is only a limited amount of fictionalisation for artistic and dramatic licence. For that, I guess many will be grateful. Lee has also recreated the roughly two decades the film's story covers, extremely authentically. The sets and costuming are first class, with occasional pieces of newsreel footage and still photos supplementing that of his own filming. The performances are uniformly outstanding. Denzal Washington must have been desperately unlucky to miss out on the 1992 Academy Award for his powerful, central portrayal of the conspicuously, hard-nosed and divisive X.

For me though at 202 long minutes, this film is too dragged out and warranted tighter editing. The first act focusing on his early life of crime in Harlem and later Boston is for instance, needlessly protracted with interesting, but ultimately quite unimportant night club dancing and musical interludes. Could it possibly be that its prolonged appearance is due to Spike Lee himself, appearing in this section as a supporting character?

Malcolm X is a technically well-made, obvious labour of love for Lee, but I think it may have reached wider audiences if edited to a more manageable, less indulgent length.

A great movie if overlong and slightly unfocused.

Washington carried the film with a great performance worthy of an Oscar nomination if not a win which might have been guaranteed had the director managed to focus.

Spike Lee did a good job as director which is saying a lot, given the historical scope, danger of offense, and controversy of the project. His one weak area in this film was editing. There is no reason this movie couldn't have been half an hour shorter. Right off the bat, there were unnecessarily lingering camera shots and scenes that could have omitted. Off the top of my head, I'm thinking of Spike himself sliding under a woman's skirt and mugging the camera. That scene not only failed to further the story but instead made the audience stand up and say, "Hey, that's Spike looking at us!" Lee's biggest editing mistake was based on his desire to tell the story of Malcolm X AND tell the story of the African-American experience. That's more than enough for several movies so why cram it all under one title? After a clear scene illustrating X's life, Lee would move to a large dance hall to illustrate the richness of the African-American experience. A quick shot of the dance hall would have been sufficient. Instead the far away shots were maintained for too long and when the focus moved back to specific characters it moved to the character played by Lee himself. Why? I don't know. It certainly didn't help us to understand X any better. The ending with children saying "I am Malcolm X" also went on too long and should have been part of a separate feature. The cameos were distracting. The movie could have been tighter, shorter, and better except that Spike Lee wanted to put everything, including the kitchen sink, into it.

That being said, it is a great movie and I'm glad I invested the three and a half hours to watch it.

As I watched MALCOLM X, I was surprised how much I liked the film and how interesting it was. So interesting, in fact, that I soon was inspired to read "The Autobiography of Malcolm X" that was compiled and written by Alex Haley. Then, I read a rather interesting (warts and all) account of Malcolm X's mentor, Elijah Mohammad.

From what I have since learned from these and other sources, I was quite impressed at the movie--it seemed to try very hard to get the story right. Malcolm X's life was neither over-glorified nor was he portrayed the opposite--the story seemed to be quite balanced and without a serious ax to grind. It would have been easy to make the movie just an attack on the Nation of Islam or an attempt to make the title character some sort of saint.

As for the acting, it was super. The script, excellent. The direction, first-rate. An excellent film that everyone should see--it is fascinating from start to finish.

This film was absolutely brilliant. Spike Lee is a genius. We're studying him in my film class and a lot of his works are controversial, but I think they're necessary. Malcolm X was beautifully acted by Denzel. He took Malcolm's mannerisms and passion into himself and carved this wonderful character. The film traced him from a young kid to his Nat'list days to his death. His beliefs were different, but he never compromised himself. Considering where he came from and the time he grew up in, no one can really yell and scream about why he was the way he was. So many want to glorify King as the only leader of the time, but X was a leader in his own right. His ideas weren't that different from King's. His approach was honest and a response to the times. Denzel shows every emotion in his face that seemed to formulate in his mind. I seriously thought of him as Malcolm. He really had to earn people's respect from the background he came from and I liked that. Nothing was glossed over and no stone left unturned. Malcolm X is a great film and worth the watch!