The Story of Qiu Ju

This is a small thing, but ripe, all about learning to naturally go out among life.

This is is first in the story. A wife demands to know why her husband was kicked "where it hurts" by a local official. Why did he do it? She ventures out in the village, then down in the city in search of answers. The tip of the thread that humorously guides us through different faces so that altogether we get a snapshot of Chinese life.

A constable arbites and gives his verdict, which seems perfectly reasonable, the accused will cover medical expenses and both parties are made aware that they were both wrong. But the wife is not pleased, she wants a more significant justice, and will go through the state apparatus looking for it.

This has led some viewers to think that we're meant to be seeing an individual being caught in the gears of an absurd and uncaring bureaucracy; that seems to be a handy interpretation we have in the West ever since Kafka. But that's not the point being made here.

Party officials, whenever encountered, are always benevolent and trying to be fair, quietly exasperated by the antics of the people in their charge. A higherup is kind enough to drive her back to the hotel on his car, another one stoically returns someone's stray animal. You can see why this among Zhang's early work was not banned over there.

But every new verdict from higher offices remains the same however, which is to say, the world is just so, maybe not ideal. Why make a fuss about why we do things, why stand so rigidly? There's no deeper reason sometimes and we're better off mending ourselves by moving forward, going along unconstrained by "right" and "wrong". This is often hard to translate to someone in the West because we have made ourselves stupid by arguing from principle instead of seeing what the specific thing in front of us calls for now.

And the notion of contrived uncontrivance extends in everything else. Zhang is aiming for a snapshot of life whereby we just mingle with things, what they used to call "neorealism" back in the day. The view it ventures to offer will be precious, a heartland generally closed to us.

More pertinently for me, it evokes a view of life, a warmth and sense of community I like. Lovingly obstinate in trying to fathom its tempests, pettiness without malice, quiet perseverance in simple things. Zhang lets all of this envelop in a natural way, as impulse that climbs up through the soles of the feet.

Gong Li is perfectly in tune with this, sublime in erasing any trace of an actor's face behind the shawl, making herself like a stump of uncontrived urges. We're meant to see that though a kind person, she's also a little dull in her fixation to an apology. And look how naturally she comes forth from her body, then watch her as the nervous empress in Golden Flower. What a range in which she moves freely.

When her husband insults a neighbor and is nearly 'emasculated', a peasant woman goes to great lengths to secure justice. Many people in the West may not understand why this woman is so determined to right such a 'minor' wrong. In Chinese culture, an assault on another man's "honor" is not viewed as a 'minor' thing; having children is very important and carries a greater social significance than it does in the West. It is expected of every man, and having a son, especially, to work in the fields for the good of the family and carry on the family name, has been worshipped as a Confucian ethic for centuries. China is still very much a paternalistic society (despite Communist reform),and the 'one child' policy has only reinforced the old Chinese adage that "if you bear a girl,bear a beautiful one, if you bear a son, bear an intelligent one." So understandably,from the viewpoint of Qiu Ju,not only does her husband suffer but her entire family name and honor suffers too, when the man is attacked in a 'sacred place', his gonads. The village chief, the fellow who delivered the disabling kick,has also been dishonored by the husband's insult about "having hens" and not boys. By kicking the offending man in the balls, the village chief wanted to save his face, hence the stalemate. But for Qiu Ju, and certainly in Chinese eyes, the greater wrong is the assault on her husband's reproductive organs. A delightful movie, so well acted with quite a few funny moments surrounding a serious issue. Zhang Yimou is one fine director.

Most Chinese movies are about victims of the culture or political system or how beautiful you men and women are kept apart or forced together by forces outside their control. This movie is completely different. It is a simple story about the ordinary Chinese people you can meet on the street and in their homes today and their ordinary lives. It is an amazingly accurate portrayal, unlike anything I have seen before. I only spent 3 weeks in China, but this movie brought back the feel of China, its people, and organizations.

Qxi Ju wants an apology from the Chief of the commune for kicking her husband in the groin. This is a story about her travels from the commune to the big city to try to get action from various bureaucracies. Although she is treated kindly and with much respect by the bureaucrats, she never gets exactly what she wants. It is fun to watch naive country girl Qxi Ju quickly learn about master doing things in the big city.

For me, the plot in this movie is secondary. It is each of the simple scenes that make this movie wonderful: The doctor's office is heated by a wood stove and the doctor chops the wood and feeds the fire. Qxi Ju's sister gives here a ride to town on the back of her bicycle on a snow covered unpaved road. They use dried chili peppers to trade for money to get a ride to the next town. Qxi Ju negotiates for the price of each thing she buys. The scenes all seem so realistic and beautifully photographed.

Yimou Zhang also made "Raise the Red Lantern" which gets higher praise, but that movie is about a world that is harder for me to relate to. This movie is like real life and real people and China today.

Probably my least favorite Zhang Yimou film. Oh, it's not bad. It's pretty good, to tell the truth. But it's the kind of film where you get the point right away and you have to spend 100 minutes watching the filmmaker stumble toward the foregone conclusion. Gong Li plays the title character, a hugely pregnant woman. Her husband just got kicked in the nuts by their farming community's chief, and Qiu Ju wants an apology. Unfortunately, none of the officials she takes the case to can actually force the guy to apologize. They can make him dole out monetary compensation, but that's not good enough for Qiu Ju. Every time she doesn't get the results she wants, she attempts to go to a higher level of authority. It's an amusing situation, but the film kind of plods along slowly. I won't demand Zhang Yimou stick to his wonderful visual talents, but it is disappointing how mundane this film looks and feels. The worst crime perhaps is that Gong Li isn't given much acting to do. I love the final look on her face when the film ends, but I think pretty much anyone could have played Qiu Ju. I know, it sounds like I hated it, but I didn't. I just wasn't overly impressed with it, despite its obvious qualities.

The movie is a comedy, and a comedy only. Should the content go a bit deeper, it will surely be banned. In the communist system (under which I was raised), the "face" (reputation), not the truth, is supremely important. If the ruling government (or person) is portrayed by a story in any unfavorable light, the movie will simply not meet any audience except the censor review board.

In this movie, only a village cadre is selected as the bad guy, who kicked someone's private part. Then Qiu Ju, the victim's wife, went on a pilgrimage to seek justice for her husband. What if this bad guy is the mayor of a major City or higher? In that case, Qiu Ju may very likely get murdered and disappear into thin air. One person's life in China is not viewed precious like in the West. Power-play removes anyone in the way: even LIU Shao-qi, the 2nd-man in power before the Cultural Revolution of 1966, was gotten rid of because he endangered Mao's position (like to see a movie on that story, but it's guaranteed banned material in China).

Qiu Ju is admirable because she is earnest and persistent. Getting to one level without seeing justice done, she moves on. For the majority of the people in China, they would have given up. If this spirit gets into everybody in China, we will see a revolution. The student's movement in Beijing (1989) was one of such, and the result: blood shedding. Whole country learned from the incident to shut up. Where is Qiu Ju's persistence then? When will the freedom of speech (like what we enjoy at this forum) be granted in China? When will the Internet be truly open to the average Qiu Ju in China?

So to get this movie approved and circulated, the bad guy in this movie got what he deserved: put in prison, though Qiu Ju only demanded an apology from the Village-head. She would hate to find the village-head tortured in prison (Qiu Ju may not know it, but oh yes, there is severe torture in China's prisons all over the country) or even sent to labor camp where one would wither away. The truth behind this movie is: China's bureaucrats never listen to people's voice. And why would they? They are appointed at high levels, not elected. If you cannot have free speech publicly, how can you do anything according to conscience publicly?

Enjoy Qiu Ju's story and its colorful and rich portrayal of life in China, but don't follow her spirit if you are in China: you could get... (oh… help... help me... someone is pulling my plug... !!!)