Stay Tuned

I stumbled upon this movie while channel flipping, ironically enough. I thought that the film was very well done, with just enough cheesy humor to keep me groaning and laughing. The jewels of the film were found in it's references and TV jokes. Some humor at actor Ritter's expense gives the impression that movie is making fun of itself. Jeffery Jones plays an excellent role, further showing off the actor's versatility. What the film lacked in plot, it made up for in originality. The highlight of the film is a cartoon segment done by the legendary Chuck Jones, parodying the Tom and Jerry clichés we all grew up with. All in all, a funny if not cheesy film, definitely worth watching.

Roy Knable (John Ritter) loves watching television so much that his marriage is falling apart because of it. When a door-to-door salesman shows him a high-tech remote control, Ritter listens to his pitch, and buys into it when he discovers that it's for a new television and satellite system that offers 666 channels of programming--much of which is not available anywhere else. However, the salesman may not have been what he seemed to be, and Knable soon discovers that he may have agreed to a contract that obligated him to give up more than money.

Oh, how I loved this film! Director Peter Hyams and the writing crew of Tom S. Parker, Jim Jennewein and Richard Siegel definitely had my number on this one. Stay Tuned is a very clever horror comedy that is extremely underrated and perhaps was a bit mismarketed. Although I'm a huge horror fan, and love horror comedies, I'd never heard of this one before (however, later I did find references to it in a couple horror sources, so it seems it wasn't completely overlooked by the industry and fans). But the horror aspect of the film doesn't appear to be advertised anywhere. I watched this on HBO's Family Channel. Even though Knable's son is important to the plot and there are strong fantasy aspects, this is not really a family film. Not that kids might not like the film, but they'd have to be kids who like horror (comedies) and whose parents let them watch horror (comedies). Enjoyment of the film is also helped by having a familiarity with the material that is being spoofed, and the references are broad enough that it would take years of experience to acquire that familiarity.

Why spoofed? Well, on one level, Stay Tuned is just a long series of crafty takes on film and television programs and genres, giving many well-known classics a more immediate horror twist--immediate because they all put our heroes, Knable and his wife Helen (Pam Dawber), in peril in some way. There are many more subtle jokes, as well, and the film even pokes fun at film students/film geeks. The spoofs range from silly to poignant, and can be as quick as a title or as long as ten minutes or so. One of the best is a classic Warner Brothers-styled animated segment. The style and the quality should not be surprising, as Chuck Jones designed and supervised the animation.

Under different hands, maybe this material wouldn't be quite as good as it is. Hyams' direction is spot-on throughout the film, the script (including the dialogue) is very intelligent, and in addition to Ritter and Dawber being as good as I've seen them, Stay Tuned also features Jeffrey Jones (one of my favorite character actors) and Eugene Levy. Both are fantastic.

Stay Tuned deserves much wider recognition. It is funny, suspenseful and seems to draw from a well of endless inventiveness. It's as good as any other horror comedy I've seen. There is also a surface message of turning off the television and living your life, which is a worthwhile sentiment, but perhaps a harder sell when it is packaged in a film as excellent as this.

A 10 out of 10 from me.

I've read a few bad-type reviews on this, but that just shows what I know. i think Stay Tuned is one of the funnier movies to roll along in a while. Yeah, it's filled with TV rejects like Ritter, Dawber, and Levy, but they're still kinda funny. The funniest thing are the TV parodies (yes, they're funny, dammit), and the whole parody of the modern entertainment industry. Plus you've got a great Chuck Jones cartoon set right in the middle. Moves along just fast enough to keep your interest, and the characters are just tolerable enough you don't want to turn off on it. As was noted, it grows on you.

"Stay Tuned" introduces us to the depressing world of Roy Knable, a man whom lives for television. When his wife Helen tosses a bowling trophy through the TV set in a desperate attempt to gain her husband's attention, he finds himself in the market for a replacement set... and thats where "Spike" comes in. Spike seems to be simply a pushy cable tv salesman, until we see that Spike works for the Devil himself!

Soon Roy and Helen find themselves sucked into the world of bad cable tv, filled with bizarre spoofs of Wayne's World, Driving Miss Daisy, MTV, 1940's black and white mystery movies, stereotypical westerns, and so on. The catch? They must stay alive for 24 hours, at which point they are allowed to come back to Earth. If they die in that time frame, their souls are doomed to hell forever.

As Roy and Helen, John Ritter and Paw Dawber are the perfect real-life sitcom graduates to play the suffering couple. Along the way, they deal with Spike (played by Jeffrey Jones - best known as Principal Rooney in "Ferris Bueller's Day Off") dogging their every move, and they make friends with Eugene Levy, as a demon executive cast off into the TV dimension by a threatened Spike.

Although the TV parodies skirt the line between wildly funny and clever, and dull and uninspired, the performances from the excellent cast make this better than it probably should be. The Underworld Wrestling Foundation sequence seems like it could have inspired MTV's current pop-culture parody, "Celebrity Deathmatch". And be sure to pay close attention to the animated "Robocat" sequence, directed by cartoon legend Chuck Jones, and featuring styles and motifs borrowed from Warner Bros classics, and Tom & Jerry shorts.

"Stay Tuned" is a funny film that although somewhat dated now, still manages to provide a wild ride.

Oh yeah, there IS a quick scene involving the sitcom that John Ritter is best known for, and it's one of the funniest moments in the film. Don't blink, or you may miss it! :^)

The things that Ritter's character found 'hellish' back in '92 are now common fare - e.g. stabbing each other in the back (figuratively) in 'The Apprentice', 'Survivor', etc.; paternity tests on 'Maury'; revealing the adultery of spouses (and nude wrestling) on 'Springer'; not to mention Jackass, Southpark or Borat.

I think the word is prescient.

I have often thought over the years about how this movie was so outrageously impossible when it was made, but how, within a few years how mainstream much of the portrayed content had become.

I think this is a movie - although a low budget comedy (dare I use the descriptor "B"?) - that should be recognized for its historical significance, and perhaps studied in sociology courses about the effect of media on society (or more exactly - the effect of media on media).

The significance of this movie has been overlooked.