IMDb RATING
5.6/10
4.6K
YOUR RATING
A New York policewoman probes a murder in the Hasidic district.A New York policewoman probes a murder in the Hasidic district.A New York policewoman probes a murder in the Hasidic district.
- Awards
- 1 win & 3 nominations total
Edward Rogers III
- Detective Tedford
- (as Ed Rogers III)
Christopher Collins
- Chris Baldessari
- (as Chris Collins)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
5.64.5K
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Featured reviews
Can't understand comments
Most comments refer to this as some kind of Witness rip-off. Sorry - just don't agree. Going 'undercover' in another culture was not patented by Witness. The parallels are just not there - so who was the 'Witness, in SAU? That's just one question. Then again if one has only 5 pigeon holes (or less) to file films into - then go ahead.
MG was just fine in the film - her voice is always going to be with her - and she's made it through 100 roles already with it.
The portrayal of the Hassidim was surely an education for many.
The 'background filming' was good - even as a born New Yorker - got to see some new 'shots'
The plot was there - but jumpy - I doubt very many predicted the killers - but did wonder why accomplices not revealed.
Sure there were inconsistencies and illogical stuff - but not any more than the bloody Crichton films which most of the time require you have to forget you have a brain - yet take themselves VERY seriously. SAU was not written as a documentary - it's overall flow was there - AND very much enjoyable.
MG was just fine in the film - her voice is always going to be with her - and she's made it through 100 roles already with it.
The portrayal of the Hassidim was surely an education for many.
The 'background filming' was good - even as a born New Yorker - got to see some new 'shots'
The plot was there - but jumpy - I doubt very many predicted the killers - but did wonder why accomplices not revealed.
Sure there were inconsistencies and illogical stuff - but not any more than the bloody Crichton films which most of the time require you have to forget you have a brain - yet take themselves VERY seriously. SAU was not written as a documentary - it's overall flow was there - AND very much enjoyable.
Melanie vented.
When watching it, it was kinda sus, ngl.
No cap, i believe i saw one of the characters vented, and when the emergency meeting was called, there was only one stranger among us.
No cap, i believe i saw one of the characters vented, and when the emergency meeting was called, there was only one stranger among us.
A Look Into a Different World
I truly enjoyed this movie, despite bad reviews and comments about Melanie Griffith's role being not suited to her. It takes a cynical worldly woman cop (Griffith) into the strange world of Orthodox Jews when she goes undercover to investigate a murder. Her gradual acceptance into that world and growing respect for their customs and traditions was very moving to me. The warmth in the family meals and celebrations can be felt by the viewer and lets you understand how this cloistered world with rules for everything starts to look good to a woman who is so jaded and cynical in her outlook on life. The attraction between her and a Talmudic student provides sexual tension to the storyline, and the concept of finding the one person in all the world who was meant for you was so romantic.
Interesting Look At Hassidic Way Of Life
Here's a very low-key movie that centers around Hassidic Jews and their lifestyles, similar to what "Witness" was with the Amish people. I found it to be interesting look at the Hassidic way of life.
The first half of the film is much better than the second half, or this would rated higher. It has two big things going for it: wonderful golden-hued cinematography and not much gratuitous sex and profanity. It's probably too low-key, at least in that second half which needed more suspense and action to be a better-liked and known film.
Despite being difficult believing the soft-spoken Melanie Griffith as a tough NYC cop, she still does an excellent job in the lead role and Eric Thai, ditto, as the romantic interest. There are a few disappointments in the last part of the film but the very ending is good and surprised me.
The first half of the film is much better than the second half, or this would rated higher. It has two big things going for it: wonderful golden-hued cinematography and not much gratuitous sex and profanity. It's probably too low-key, at least in that second half which needed more suspense and action to be a better-liked and known film.
Despite being difficult believing the soft-spoken Melanie Griffith as a tough NYC cop, she still does an excellent job in the lead role and Eric Thai, ditto, as the romantic interest. There are a few disappointments in the last part of the film but the very ending is good and surprised me.
In a Different World
In New York, Detective Emily Eden (Melanie Griffith) is a tough detective and daughter of a former cop. When her partner Nick (Jamey Sheridan) is stabbed during an arrest of two drug dealers, Emily is assigned to a case of missing person, Yaakov Klausman, in a Hasidic community. However she discovers that Yaakov, who worked cutting diamonds, was murdered. Emily concludes that Yaakov knew the killer and asks the rebbe (Lee Richardson) permission to work undercover in the community. The rebbe brings Emily to his home and his stepdaughter Leah (Mia Sara) and his stepson Ariel (Eric Thal) help her to know people in the community and understand their habits and rules. Emily works in a department store with Leah, Ariel and Yaakov's fiancée Mara (Tracy Pollan), who was former drug addicted embraced by Yaakov and the rebbe, and her partner Levine (John Pankow) gives support to her. Meanwhile Emily falls in unrequited love with Ariel. When the gangsters Tony Baldessari (James Gandolfini) and Chris Baldessari (Chris Collins) threaten the group to sell protection to them, Emily believes she has resolved the case. But soon she has a discussion with Ariel and she concludes that the killer is another person from the community.
"A Stranger Among Us" is an underrated movie that entwined crime, drama and romance. The story is well constructed, disclosing a totally different society in the Twentieth Century in New York City. Most of the bad reviews of the critics are based on the similarities of this movie with 1985 "Witness", but anyway "A Stranger Among Us" is an engaging film. The first time I saw this movie in the 90's, I did not understand how and independent woman like Emily Eden could fall in love with Ariel, but this time I have understood her need of fraternal love. This movie is basically the debut of James Gandolfini. My vote is seven.
Title (Brazil): "Uma Estranha Entre Nós" ("A Stranger Among Us")
"A Stranger Among Us" is an underrated movie that entwined crime, drama and romance. The story is well constructed, disclosing a totally different society in the Twentieth Century in New York City. Most of the bad reviews of the critics are based on the similarities of this movie with 1985 "Witness", but anyway "A Stranger Among Us" is an engaging film. The first time I saw this movie in the 90's, I did not understand how and independent woman like Emily Eden could fall in love with Ariel, but this time I have understood her need of fraternal love. This movie is basically the debut of James Gandolfini. My vote is seven.
Title (Brazil): "Uma Estranha Entre Nós" ("A Stranger Among Us")
Did you know
- TriviaJames Gandolfini's film/television debut.
- GoofsThe Ariel character has a neatly trimmed and partially shaved beard, while explaining payes (side curls). Ultra-Orthodox Jews do not shave any part of their beard or neck.
- Quotes
Emily Eden: With due respect, sir, inside every honest man, there's a thief trying to get out...
- Alternate versionsOriginally rated "R", film was edited to receive a "PG-13" rating.
- SoundtracksChange Partners
by Irving Berlin
- How long is A Stranger Among Us?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Kẻ xa lạ giữa chúng ta
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $12,282,994
- Opening weekend US & Canada
- $2,886,082
- Jul 19, 1992
- Gross worldwide
- $12,282,994
- Runtime
- 1h 50m(110 min)
- Color
- Aspect ratio
- 1.85 : 1
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