Bopha!

Incredible tension from a fevered conflict of races, generations, and police-and-citizens. Morgan Freeman proves himself a great director: the acting from the cast is flawless and strong, and some of the camera set-ups are indelible. There's a short shot where an armored car is roaring toward a phone pole, behind which Alfre Woodward is crouching in terror, that is truly magnificent! Hollywood often ignores superb directorial talent: Charles Laughton only directed one film, Orson Welles had a hell of a time. Yet there are so many mediocre films which lose money! Somebody please jam a good script into Mr. Freeman's hand and stick him behind a camera!

Morgan Freeman directs a wonderful landscape of struggle, oppression and revolt in this film. Danny Glover and the rest of the cast bring this vivid era in South Africa to life. There is no ambiguity here. Nor is there an easy resolution that comes to mind. Watching a film like this from a middle class couch in North America, I am filled not only with awe but a significant discomfort. One knows that time and sacrifice are about the only options available. This isn't simply hindsight. It's the message of the film. Bravo!

BOPHA! you SUCKA! I wasn't really sure if I'd like the movie -- and I certainly did not. A film that knocks you out just after watching it. Not for the squeamish. Whatever you may have seen in your life or even whatever you will see in the future, I can predict that no movie will ever give you the same feeling as this. The screenplay is intelligent, focused and clever. I much enjoyed this film, mostly because of the convincing characters, especially the man with "man manners." I'll be honest, I have never been courageous enough to watch a movie like this. It's worth seeing for some inventive uses of sound and the actors. Final rating equals 7/10.

It is 1980 South Africa. Micah Mangena (Danny Glover) is a black police officer. He is honest and dutiful. He trains the younger black cops. His wife Rosie (Alfre Woodard) is maid in a white household. His son Zweli (Maynard Eziashi) is losing faith in his father as politcal pressure builds and revolts mount. Van Tonder (Marius Weyers) is his friendly white superior officer. As conflicts rise, secret police De Villiers (Malcolm McDowell) leads a brutal crackdown.

Directed by Morgan Freeman, this is a solid film about living under apartheid. Nelson Mandela was released in 1990. An election would be held a year after this movie. In a way, this may have caught the public at the wrong time as the world was looking forward. Nevertheless, this is a well made film with solid performances.

This is an absolute must-see movie for anyone who is interested in the apartheid era in South Africa. The story is seen largely through the eyes of Micah (Danny Glover), a black police sargeant whose job is to keep order in a black township. Micah is proud of his police work. It has fed his family and given them a standard of living higher than anyone else's in the area. It has also made him a traitor in the eyes of his own people, and we see him eventually coming into conflict with the younger generation of blacks in particular, who don't see his job as anything noble. To them he is a "Judas" - betraying his own people. Increasing defiance of the apartheid laws by the young people eventually brings in special forces officers from Pretoria (Malcolm McDowell is excellent in this role) whose ruthless tactics eventually have even Micah questioning his role in enforcing the laws.

Glover was superb in this movie, excellently portraying the confusion building inside Micah as everything he has built his life on up to this point begins to crumble. Alfre Woodard also put on a strong performance as Micah's wife Rosie, who finds herself ostracized from the community because of her husband's job.

The evils of apartheid are clearly shown in this movie, and having seen it, one marvels at the fact that in the end apartheid was so quickly set aside and a modern and democratic South Africa under majority rule was so easily established. Be warned that the South African accents used in the film can be at times a little difficult to follow, but that's a small price to pay for one of the best movies I've seen in a long time.

9/10