IMDb RATING
7.3/10
4.1K
YOUR RATING
A collection of vignettes highlighting different aspects of the life, work, and character of the acclaimed Canadian classical pianist.A collection of vignettes highlighting different aspects of the life, work, and character of the acclaimed Canadian classical pianist.A collection of vignettes highlighting different aspects of the life, work, and character of the acclaimed Canadian classical pianist.
- Awards
- 7 wins & 4 nominations total
Sean Vertigo
- Young Glenn Age 12
- (as Sean Ryan)
Carlo Rota
- C.B.S. Producer
- (as Carlo D. Rota)
Featured reviews
Glenn Gould may have been a weird bird but he was also a great pianist. These pieces reflect many aspects of his character form his joy of music ( dancing in the recording studio) to his daily pill regime. Colin Feore is convincing as the tormented Gould. I also like the fact that people who knew Gould were interviewed. Computer graphics make several pieces stimulating and the story of how he played the stock market to his advantage is fascinating. Rent it for the music and find a complex man who made Bach's music talk to me on a personal level.
As a moviegoer with not much expertise on classical music, or interest in film without a coherent narrative, Thirty Two Short Films About Glenn Gould is a bit of a challenge. Certainly I was aware of Gould's reputation; this film also incorporates animation by Norman McLaren, another Canadian legend.
A curious hybrid of fictionalized biography and documentary, the film is indeed slightly fractured, but not as much as the comically inept Leonard Maltin whined about. Its pieces come together to tell more of running story than you'd think. It's true someone thirsting for more action and events may come away disappointed, but there is drama and humour here. Above all, what links the story together is the passionate and energetic piano playing of Glenn Gould himself, enough to inspire even a person without much of an ear for classic music.
A curious hybrid of fictionalized biography and documentary, the film is indeed slightly fractured, but not as much as the comically inept Leonard Maltin whined about. Its pieces come together to tell more of running story than you'd think. It's true someone thirsting for more action and events may come away disappointed, but there is drama and humour here. Above all, what links the story together is the passionate and energetic piano playing of Glenn Gould himself, enough to inspire even a person without much of an ear for classic music.
I saw this on DVD and enjoyed it thoroughly. The means of portraying a person - through short and disconnected vignettes - was surprisingly natural. When you think about it, this is often how we learn about people: a collection of stories, incidents, things their friends say about them, memories from childhood. Not only that, but it nicely parallels some of the music, such as the short pieces in Bach's Well-Tempered Klavier. Each has a different mood, but together they paint a complete picture. This movie is a lot of fun for anyone who is fond of classical music and willing to experiment a little bit with film.
I have never really been taken in by classical music. When I first saw this film, I thought, oh! THAT'S why people like it. So I went and bought a few Gould CD's, listened to them a few times, and went back to jazz and punk shortly thereafter.
This film is an exceptional piece. The music is certainly the most important aspect of the film, but it so strongly highlights the character of Gould (who was one wacky Canuck), and the cinematography, that as a package, I found it a moving experience that superceded the music.
Basically a series of vignettes, with no coherent plot, but rather snippets of docu-drama, interviews, and a couple of animated sequences (one quite good, the other detracts entirely from the whole), this is a film meant probably not for fans of classical, but an introduction to the possibilities and drama of the virtuoso for media-children.
Although primarily another "crazy genius" film, it is truly a stunning piece overall. I strongly recommend this for any collection, no matter one's musical inclinations.
Although primarily another "crazy genious" film, it is truly a stunning piece overall. I strongly recommend this for any collection, no matter ones musical inclinations.
This film is an exceptional piece. The music is certainly the most important aspect of the film, but it so strongly highlights the character of Gould (who was one wacky Canuck), and the cinematography, that as a package, I found it a moving experience that superceded the music.
Basically a series of vignettes, with no coherent plot, but rather snippets of docu-drama, interviews, and a couple of animated sequences (one quite good, the other detracts entirely from the whole), this is a film meant probably not for fans of classical, but an introduction to the possibilities and drama of the virtuoso for media-children.
Although primarily another "crazy genius" film, it is truly a stunning piece overall. I strongly recommend this for any collection, no matter one's musical inclinations.
Although primarily another "crazy genious" film, it is truly a stunning piece overall. I strongly recommend this for any collection, no matter ones musical inclinations.
The eccentric behavior of rock and pop icons usually take center stage in the media, but here's a classical musician and virtuoso performer that literally steals the show, both in achievements and lifestyle.
Glenn Gould popped pills, gave up performing live concerts because not everyone in the audience could hear the music the same way, created radio documentaries that mirrored symphonies and played the stock market like an expert. Glenn Gould was a typical hermit who only called people to talk when he was bored, he wanted to visit the arctic in the dark of winter and he donated his estate to charity.
He died from a stroke at age 50, but recordings of his music have been sent into space. Glenn Gould lives on in the hearts of classical music fans and those who have seen 32 Short Films About Glenn Gould.
Glenn Gould popped pills, gave up performing live concerts because not everyone in the audience could hear the music the same way, created radio documentaries that mirrored symphonies and played the stock market like an expert. Glenn Gould was a typical hermit who only called people to talk when he was bored, he wanted to visit the arctic in the dark of winter and he donated his estate to charity.
He died from a stroke at age 50, but recordings of his music have been sent into space. Glenn Gould lives on in the hearts of classical music fans and those who have seen 32 Short Films About Glenn Gould.
Did you know
- TriviaThe structure of the film is based on the structure of the piece that Glenn Gould is most famous for playing, Johann Sebastian Bach's "Goldberg Variations", which are 32 short pieces of music that are usually played together.
- Quotes
Glenn Gould: I don't know what the effective ratio would be but I've always had a sort of intuition that for every hour you spend with other human beings, you need X number of hours alone. Now what that X represents, I don't really know, whether it be 2 and 7/8ths or 7 and 2/8ths, but it's a substantial ratio.
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Sinfonía en soledad: un retrato de Glenn Gould
- Filming locations
- Toronto City Hall, 100 Queen St W., Toronto, Ontario, Canada(Opening scene of section titled Questions With No Answers)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,319,521
- Gross worldwide
- $1,319,521
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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