Without You I'm Nothing

Sandra's kick*** one-woman, off-Broadway show is made into a poor man's art house film: the result is a wildly uneven ride that contains some hilarious bits and is still more than worth a look.

Her performance in Scorsese's The King of Comedy will always be her best and she's without peer when appearing in front of a live audience; yet the depressed blues singer who unleashes her anger about her narcissistic hairdresser boyfriend, the growing-up-with-my-parents and the 'I'm straight, man!' monologues, and the sexy, in-your-face ending are wonderful bits that equal those aforementioned examples of her talent and wit.

She's not everybody's cup of tea to be sure but those who appreciate her sharp edge and straightforward style will be grateful this film exists. Now if we can get it out on DVD!

This is one of those unfortunate films that suffered an even more sad, unfortunate death at the box office. I saw this film at a local art cinema,in revival form,shortly after it tanked in mainstream cinemas. It certainly deserves to be approached a second time (or even a third). Sandra B. takes it to the limit by doing spoken word & taking on some well known songs in this piece (her version of Hank William's 'I'm So Lonesome I Could Cry' could easily move you to tears). Maybe someday, audiences will be ready to take this film a bit more seriously (but not without some well placed laughs,too). The film moves at a brisk pace (thanks to some nice editing),so that some viewers will not find it stale & boring. Perhaps a revival is just down the pipeline.

Film version of Sandra Bernhard's one-woman off-Broadway show is gaspingly pretentious. Sandra spoofs lounge acts and superstars, but her sense of irony is only fitfully interesting, and fitfully funny. Her fans will say she's scathingly honest, and that may be true. But she's also shrill, with an unapologetic, in-your-face bravado that isn't well-suited to a film in this genre. She doesn't want to make nice--and she's certainly not out to make friends--and that's always going to rub a lot of people the wrong way. But even if you meet her halfway, her material here is seriously lacking. Filmmaker Nicolas Roeg served as executive producer and, though not directed by him, the film does have his chilly, detached signature style all over it. Bernhard co-wrote the show with director John Boskovich; their oddest touch was in having all of Sandra's in-house audiences looking completely bored--a feeling many real viewers will most likely share. *1/2 from ****

Here's a movie version of Sandra Berhard's off-Broadway show.

Miss Bernhard is a talented and creative performer who has learned George Burns' advice: "Sincerity: if you can fake that, you've got it made". Miss Bernhard's show is a 90-minute testimony to show-biz insincerity, with its lightning mood changes, its self-absorption, and its striving to remain relevant by constantly associating with better-known individuals. Once you've cracked that particular attitude, this quickly becomes tiresome, despite the variety of songs and costumes,the brilliant studio cinematography by Joseph Yacoe (supervised, I strongly suspect, by executive producer Nicholas Roeg). All this is done in indictment, but even so, I grew weary soon enough. An hour would have been more than enough.

It's the movie debut of Djimon Hounsou.

Well, this might be one of the funniest movies of all time, and Sandy gives a tour-de-force performance! Alas, her career never quite took off, but - at last - she will always be remembered for her three first-rate pictures: "The King Of Comedy", "Dallas Doll", and "Without You I'm Nothing". She dons into different personas from New York socialite to Diana Ross to create a biting and hilarious critique of popular culture in America. Sexy and fierce, tender and sensual, philosophical and melancholic, she convinces the audience in every scene, and she actually IS "really pretty". Watch this one (if you're not from Iowa), you'll certainly enjoy it!!