976-Evil II

This sequel has the survivor from the first tracking down a serial killer who is apparently using the 976-evil line to gain demonic powers. The thing is with this story is he isn't really becoming demonic as the character in the first film was. Yeah he shows signs of it but it isn't the same kind of way. More or less he uses astral projection. Almost a different story with the 976-Evil name on it. For straight to video it isn't bad really. Its true claim to fame for horror fans is one scene that steals the movie.That being one of the characters is zapped into the TV and is put into a situation that begins as Its a Wonderful Life and turns into Night of the Living Dead. Such a clever combination and it works so well. Its an idea that's good and executed well but belongs in a better movie. Other than that you have a few car explosions and people being ran over and a few death scenes. Also has a fairly interesting ending which especially at that time you didn't see a lot. Acting wise its your standard low budget actors and nobody is really "phoning " it in. There are also a couple of cameos and a sign to a play that most horror fans will get and understand. So its not great but its not bad either. The wonder life/living dead scene is a show stealer but the movie is average at best.

976-EVIL II (1991)

* 1/2 (out of 4)

This direct-to-video sequel picks up shortly after the original film as the Dean of a local school has been arrested for murder. It turns out that he got involved in the notorious hotline and soon he was possessed and doing the Devil's work. Before long a woman (Debbie James) is trying to destroy him and the evil powers that he possesses.

I wasn't much of a fan of the original movie and this sequel is certainly far from being "good" itself but at the same time there's no question that it makes for a more entertaining movie. If you're familiar with the work of Jim Wynorski then you already know that he's a master at making low-budget movies and throwing enough in them to make them worth sitting through.

976-EVIL II has a storyline that is pretty much a copy of the original, although this one here adds an even more comic spin to it. The highlight of the film are its use of the public domain films NIGHT OF THE LIVING DEAD and IT'S A WONDERFUL LIFE. Clips from both of those films are shown here and then we get some funny jokes about them and a re-enactment, which is downright funny and I must say it was quite creative.

I'd also argue that Wynorski knows what the people renting this film would have wanted and that's nudity and gore. It takes one-minute for us to reach our first nude sequence and about four more for the first gore scene. The original film seemed to have director Robert Englund not knowing what horror fans would want but that's not the case here. I thought James was fun in her role and I thought Rene Assa was a real benefit as well.

With all of that said, the film is still pretty hard to sit through as there's plenty of action and exploitation but none of the characters are overly interesting and I'd argue that there's really nothing here that keeps you glued into the story. If you're a fan of these types of "B" movies then you might want to check it out but others should probably stay clear.

The possessing 976-EVIL phone line is back. This time, murderer Teacher must finish what he started.. whatever it is.

With visions, astral projection, a helpful out-of-town biker "romance" and more.. or less.

Sadly, this isn't gory or interesting enough to be something worth recommending. There's basically no plot aside from the crazy teacher killing people and being weirdly in love with the main actress. But nothing he does or happens further his agenda in that direction. So it feels very underwritten. Yet the ending wasn't at all what I expected, which was a nice surprise.

Debbie James is quite a charming actress, and it has more than a few very interesting visual effects and ideas. So it is not a total loss.

Slightly better sequel finds that evil telephone line still in business. It seduces a teacher at first and then turns him into a full blooded killer. Lots of grisly memorable death scenes and a wicked twist of an ending are what make this entry better. Sure it is rather poorly done, but this film is a lot of fun and moves along at a nice pace. Rated R.

Horror sequels are a curious breed. Often, they struggle to capture the essence of what made their predecessors successful, or they amplify the wrong elements in a misguided attempt to outdo the original. "976-Evil II" (1991) is one such film-a movie that exists in the shadow of its predecessor but ends up being a fascinatingly chaotic and campy ride. Directed by Jim Wynorski, a prolific filmmaker known for his exploitation films, this sequel dials into a horror subgenre that revels in its own absurdity, delivering a mixed bag of supernatural thrills, low-budget effects, and unintentional comedy.

Plot Overview

"976-Evil II" follows the cursed phone line concept from the original film but takes it in an entirely different, and somewhat nonsensical, direction. The story centers around Robin (Debbie James), a college student who starts experiencing terrifying visions after answering a call from the demonic hotline. Enter Grubeck (Rene Assa), a sadistic college dean who gains the ability to astral project and commit murders thanks to the satanic power of the 976-evil hotline. As Robin teams up with Spike (Patrick O'Bryan), a returning character from the first film, they must confront Grubeck's ghostly rampage before he completes his sinister plans.

Aesthetics and Direction: Wynorski's direction is a testament to the "more is more" philosophy that dominated low-budget horror in the early 90s. The film is a hodgepodge of horror tropes, from possession and slasher elements to outlandish supernatural occurrences. The effects are a particular highlight (or lowlight, depending on your perspective)-with Grubeck's ability to astral project leading to a series of bizarre death scenes that feel more like a fever dream than a cohesive narrative.

One particularly memorable scene involves a victim being trapped inside a television, forced to live through a warped version of "It's a Wonderful Life" that ends in her brutal demise. It's moments like these where the film's absurdity reaches a peak, offering a glimpse into the kind of surreal horror that can only come from a director unafraid to push the boundaries of good taste.

Visually, "976-Evil II" is drenched in neon lighting, fog machines, and quick cuts, creating a disorienting atmosphere that mirrors the disjointed nature of the plot.

**Performances:** The acting in "976-Evil II" is a mixed bag, with some performances adding to the film's campy charm while others fall flat. Rene Assa as Grubeck chews the scenery with relish, delivering lines with a menacing glee that makes his character's descent into madness all the more entertaining. His performance is one of the film's saving graces, providing a villain who is both ridiculous and genuinely unsettling.

Debbie James, as the film's final girl, brings a certain vulnerability to Robin, though her character is often overshadowed by the over-the-top events surrounding her. Patrick O'Bryan reprises his role as Spike, but his character feels more like a plot device than a fully fleshed-out protagonist. He's the link to the original film, yet he spends most of the movie reacting to the insanity around him rather than driving the plot forward.

The tone is where the movie truly sets itself apart from its predecessor. While the original "976-Evil" (1988), directed by Robert Englund of Freddy Krueger fame, had a darker and more serious approach to its horror, the sequel veers into outright camp. This shift in tone makes "976-Evil II" feel less like a continuation and more like a parody of the original. The film's blend of horror and humor doesn't always work, leading to moments that are more confusing than scary. However, for fans of B-movies, this tonal inconsistency can be part of the film's appeal.

Cultural Impact and Legacy: In the grand scheme of horror cinema, "976-Evil II" is a footnote-an oddity that's more likely to be found in a midnight movie marathon than in any serious discussion of the genre. Yet, it's precisely this obscurity that gives the film its cult status. Like many low-budget horror sequels of its time, "976-Evil II" appeals to a niche audience who revel in its absurdity, its flaws, and its unapologetic embrace of the ridiculous.

The film also serves as a reminder of the creative risks taken by directors like Wynorski, who were willing to push the boundaries of what horror could be, even if the results were often more laughable than terrifying. In a way, "976-Evil II" is a celebration of the excesses of early 90s horror, a time when filmmakers were experimenting with new ideas, technologies, and ways to shock audiences-no matter how bizarre the outcome.

Conclusion: "976-Evil II" is not a good film by traditional standards. It's poorly paced, questionably acted, and the plot is a disjointed mess. But that's exactly what makes it such a fascinating watch. For fans of schlocky, so-bad-it's-good cinema, this sequel offers a treasure trove of outrageous moments and unintentional comedy that's hard to find in today's more polished horror fare.

If you're looking for a coherent, genuinely scary movie, "976-Evil II" will disappoint. But if you're in the mood for a surreal, campy trip through the wild world of early 90s horror, this film might just be your perfect midnight dial-in. Whether you love it or hate it, "976-Evil II" is a film that demands to be seen-if only to be believed.