Follows the lives of three young males living in the Crenshaw ghetto of Los Angeles, dissecting questions of race, relationships, violence, and future prospects.Follows the lives of three young males living in the Crenshaw ghetto of Los Angeles, dissecting questions of race, relationships, violence, and future prospects.Follows the lives of three young males living in the Crenshaw ghetto of Los Angeles, dissecting questions of race, relationships, violence, and future prospects.
- Nominated for 2 Oscars
- 12 wins & 28 nominations total
Laurence Fishburne
- Furious Styles
- (as Larry Fishburne)
Miya McGhee
- Female Club Member
- (as Mia Bell)
John Cothran
- Lewis Crump
- (as John Cothran Jr.)
Na'Blonka Durden
- Trina
- (as Na' Blonka Durden)
Jessie Lawrence Ferguson
- Officer Coffey
- (as Jesse Ferguson)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Tough and unflinching
A movie that takes place in South Central Los Angeles in 1991. I don't know about now but, at that time, that area was crime ridden with drug deals and murders happening almost daily. Father Jason Styles (Larry Fishburne) tries to bring up his son Tre (Cuba Gooding Jr.) correctly despite all the violence around them. It also deals with two friends of Tre--Darin (Ice Cube) an angry young black man and his brother Ricky (Morris Chestnut) who wants to go to college. It all leads up to a truly harrowing ending.
Director John Singleton's first movie is incredibly powerful and still his best movie (so far). From what I've heard he captured exactly what it was like to grow up in that area. It's a little dated though--the guy sucking on the pacifier confuses some people but that was a big fad back in 1991. It's just unbelievable that kids grew up in an area like that and survived. The story itself is a little too simplistic (the good and bad brothers) and it's basically just the story of a teenager coming of age--but it still works. Singleton wisely doesn't accuse anyone of how the situation is and offers no solutions. He just presents it in a matter of fact way which makes this all the more powerful.
The acting is just great. Fishburne and Gooding play a father and son perfectly. Fishburne is just incredible--Gooding falters a few times (and it's obvious that he's no teenager) but he's still very good. Ice Cube is a little one note in his character (always angry and sullen) but it fits. Chestnut is just great.
People should be warned--there's tons of profanity (but that is how kids talk) and the ending gets very bloody and disturbing. I still remember people crying out loud in the audience back in 1991. A powerful film and well worth seeing.
Director John Singleton's first movie is incredibly powerful and still his best movie (so far). From what I've heard he captured exactly what it was like to grow up in that area. It's a little dated though--the guy sucking on the pacifier confuses some people but that was a big fad back in 1991. It's just unbelievable that kids grew up in an area like that and survived. The story itself is a little too simplistic (the good and bad brothers) and it's basically just the story of a teenager coming of age--but it still works. Singleton wisely doesn't accuse anyone of how the situation is and offers no solutions. He just presents it in a matter of fact way which makes this all the more powerful.
The acting is just great. Fishburne and Gooding play a father and son perfectly. Fishburne is just incredible--Gooding falters a few times (and it's obvious that he's no teenager) but he's still very good. Ice Cube is a little one note in his character (always angry and sullen) but it fits. Chestnut is just great.
People should be warned--there's tons of profanity (but that is how kids talk) and the ending gets very bloody and disturbing. I still remember people crying out loud in the audience back in 1991. A powerful film and well worth seeing.
Remarkable Film From First-Time Director
An exemplary directorial debut from John Singleton, who managed to create an American classic with his first effort.
As we follow Tre Styles from childhood toward becoming a young adult (as played effectively by Cuba Gooding, Jr.), and attempting to dodge, with the cautious guidance of his parents, the many dangers and risks associated with growing up in inner-city America, the sense of ever-present danger and, often, hopelessness associated with attempting to avoid falling into the cracks of society is abundantly clear.
In the role of Tre's troubled friend Dough Boy, Ice Cube is something of a revelation, and his balanced performance, alongside Singleton's excellent script, prevent him from becoming merely another gangster caricature. Lawrence Fishburne and Morris Chestnut add further depth to a strong cast.
All in all a very real, gritty depiction of the challenges faced at every turn by African American men and women in modern America. The building anger bristling beneath the surface in so many scenes is particularly resonant given the outburst of violence in the Rodney King Riots that took place in the very same city of the story just one year later.
The film spawned several 'urban gang flick' imitations in subsequent years, but most glorified violence and placed an emphasis on a loud soundtrack and sexual explicitness at the expense of strong plot-line, good character development and a serious social message.
All three are to be found in Boyz N the Hood.
As we follow Tre Styles from childhood toward becoming a young adult (as played effectively by Cuba Gooding, Jr.), and attempting to dodge, with the cautious guidance of his parents, the many dangers and risks associated with growing up in inner-city America, the sense of ever-present danger and, often, hopelessness associated with attempting to avoid falling into the cracks of society is abundantly clear.
In the role of Tre's troubled friend Dough Boy, Ice Cube is something of a revelation, and his balanced performance, alongside Singleton's excellent script, prevent him from becoming merely another gangster caricature. Lawrence Fishburne and Morris Chestnut add further depth to a strong cast.
All in all a very real, gritty depiction of the challenges faced at every turn by African American men and women in modern America. The building anger bristling beneath the surface in so many scenes is particularly resonant given the outburst of violence in the Rodney King Riots that took place in the very same city of the story just one year later.
The film spawned several 'urban gang flick' imitations in subsequent years, but most glorified violence and placed an emphasis on a loud soundtrack and sexual explicitness at the expense of strong plot-line, good character development and a serious social message.
All three are to be found in Boyz N the Hood.
Years later, this still packs a punch
"Boyz n the Hood" seems to pride itself as a morality play, but it's the characters that had me glued to the screen. Laurence Fishburne is magnetic, and I couldn't get enough of his sermonizing as a single father defiantly raising his kid in a hopeless world. And even though it's Cuba Gooding Jr.'s soul at stake throughout all of this, it's Ice Cube I really felt sympathy for in the end. At that point, for a rapper-cum-fledgling actor, he really brought out the sadness in his thug character.
Subtlety isn't the movie's strong suit, and that feeling of dread knots itself in your stomach right on cue. But Singleton does a great job saying that this isn't just a depressed (and violent) neighborhood - there are real people living here. And it says a lot that every time you see a low angle shot of palms, rundown street, plane flying overhead, you conjure this particular movie; even after all the imitators. A standard was set, certainly.
7/10.
Subtlety isn't the movie's strong suit, and that feeling of dread knots itself in your stomach right on cue. But Singleton does a great job saying that this isn't just a depressed (and violent) neighborhood - there are real people living here. And it says a lot that every time you see a low angle shot of palms, rundown street, plane flying overhead, you conjure this particular movie; even after all the imitators. A standard was set, certainly.
7/10.
A Powerful Drama That Has not Aged
In South Central Los Angeles, the boy Tre Styles lives with his divorced mother Reva Styles (Angela Bassett). When Tre is suspended for three days at school, Reva decides to send him to live in Crenshaw with his father, the businessman Furious Styles (Larry Fishburne), "to become a man". Tre befriends his neighbors, the half-brothers Doughboy and Ricky Baker, and soon they become best friends. Seven years later, Tre (Cuba Gooding Jr.) is an educated teenager preparing to join the university; Ricky (Morris Chestnut) is an athlete, expecting to join the university with scholarship since he is a great football player; and Doughboy (Ice Cube) is a small time criminal that has been arrested several times. But they live in a dangerous neighborhood where dreams are shattered by bullets.
"Boyz n the Hood" is a powerful drama by John Singleton that has not aged after twenty-five years. The social problem in American ghettos is shown in South Central Los Angeles. Youths are forced to live with violence and shootings since their parents cannot afford to move to a better neighborhood and even those that try to prepare for a better future, may be involved with the environment. The fate of Ricky and his family is heartbreaking. My vote is eight.
Title (Brazil): "Boyz n the Hood - Os Donos da Rua" ("Boyz n the Hood – The Owners of the Street")
"Boyz n the Hood" is a powerful drama by John Singleton that has not aged after twenty-five years. The social problem in American ghettos is shown in South Central Los Angeles. Youths are forced to live with violence and shootings since their parents cannot afford to move to a better neighborhood and even those that try to prepare for a better future, may be involved with the environment. The fate of Ricky and his family is heartbreaking. My vote is eight.
Title (Brazil): "Boyz n the Hood - Os Donos da Rua" ("Boyz n the Hood – The Owners of the Street")
A profound ghetto film
John Singleton with his debut film cleared easily any opposition in the ghetto life genre. These are real characters facing real problems. Singleton goes one step beyond Spike Lee, analyzing and not only describing, proposing and not only denouncing. The film gets even more absorbing by the terrific camera work and the top notch acting.
Did you know
- TriviaTo maintain a sense of realism, writer and director John Singleton never warned the actors and actresses about when shots would be fired. Their reactions were real.
- GoofsWhen Ricky is shot, both of the shots exit from the right barrel of his double-barrel shotgun.
- Quotes
Furious Styles: Any fool with a dick can make a baby, but only a real man can raise his children.
- Crazy creditsAfter the epilogue of what happens to Doughboy and Tre, the words "Boyz n the Hood: Increase the Peace" appears onscreen.
- Alternate versionsThe Criterion Collection laserdisc features two scenes deleted from the theatrical version. They are as follows: Tre and his mother have a telephone conversation about his future with Brandi and college. Doughboy has a confrontation with Furious after Ricky gets shot.
- ConnectionsEdited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
- How long is Boyz n the Hood?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Los dueños de la calle
- Filming locations
- 5918 Cimarron Street, Los Angeles, California, USA(Furious Styles' house)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $6,500,000 (estimated)
- Gross US & Canada
- $57,504,069
- Opening weekend US & Canada
- $10,023,462
- Jul 14, 1991
- Gross worldwide
- $57,532,703
- Runtime
- 1h 52m(112 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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