Boyz n the Hood

A movie that takes place in South Central Los Angeles in 1991. I don't know about now but, at that time, that area was crime ridden with drug deals and murders happening almost daily. Father Jason Styles (Larry Fishburne) tries to bring up his son Tre (Cuba Gooding Jr.) correctly despite all the violence around them. It also deals with two friends of Tre--Darin (Ice Cube) an angry young black man and his brother Ricky (Morris Chestnut) who wants to go to college. It all leads up to a truly harrowing ending.

Director John Singleton's first movie is incredibly powerful and still his best movie (so far). From what I've heard he captured exactly what it was like to grow up in that area. It's a little dated though--the guy sucking on the pacifier confuses some people but that was a big fad back in 1991. It's just unbelievable that kids grew up in an area like that and survived. The story itself is a little too simplistic (the good and bad brothers) and it's basically just the story of a teenager coming of age--but it still works. Singleton wisely doesn't accuse anyone of how the situation is and offers no solutions. He just presents it in a matter of fact way which makes this all the more powerful.

The acting is just great. Fishburne and Gooding play a father and son perfectly. Fishburne is just incredible--Gooding falters a few times (and it's obvious that he's no teenager) but he's still very good. Ice Cube is a little one note in his character (always angry and sullen) but it fits. Chestnut is just great.

People should be warned--there's tons of profanity (but that is how kids talk) and the ending gets very bloody and disturbing. I still remember people crying out loud in the audience back in 1991. A powerful film and well worth seeing.

John Singleton with his debut film cleared easily any opposition in the ghetto life genre. These are real characters facing real problems. Singleton goes one step beyond Spike Lee, analyzing and not only describing, proposing and not only denouncing. The film gets even more absorbing by the terrific camera work and the top notch acting.

Most movies about life in the hoods of LosAngeles, New York City, and other urban areas of the U.S. are discounted as novelty entertainment for audiences seeking sex and violence. Out of an era of gangster rap came a nationwide exposure of the issues within the Black and Latino communities, and directors like John Singleton and the Hughes Brothers follow in the footsteps of the great Spike Lee. The film Boyz n the Hood is an intricate examination of the archetypes and stereotypes of the hood, as well as an introduction to the survivors, both trapped in the violence and escaping the cycle. The film concentrates on a Black community without the interactions between communities shown in Do the Right Thing, another epic race commentary. The direction of the film is fluid and natural, the acting heartfelt and strong, the affect extraordinary. The message of the movie is deeper than White or Italian based gangland movies, because the human aspect and the characters are more solid and approachable, and rooted in highly intellectual and applicable theories on race and violence. This film is a showcase of the radical and moderate themes expressed by Black activists, with Laurence Fishburne's character as the leader and role model of the film. A careful examination of the film reveals a strong message and a strong film. Don't underestimate the power of this film.

John Singleton's Boyz n the Hood remains one of the best fictionalized and most poignant summaries of some of America's toughest internal problems - racism, violence, poverty, and drug abuse. This is not a hip-hop film, nor a detached and dehumanized story about "gang violence" (the great over-simplified scapegoat of the issues treated in this film), its a story about growing up fatherless or motherless in a war zone with a faceless enemy, where people do not value each other's lives at all and value their own lives only slightly more.

Laurence Fishburn leads one of the best casts of the early 1990s, in his memorable portrayal of Furious Styles, a father trying to raise his son (Cuba Gooding Jr) well in an environment where murder and substance abuse are day-to-day realities - South Central L.A. The film follows his son, Tre, and his friends, from the hardships of childhood in an irrelevant educational system and a neighborhood which doesn't allow kids to be kids, through to the realities of making decisions about the value of life and the development of responsibility and hope as young adults.

The cast disappears into their characters and brings each one to life in a unique and powerful way. losing the identities of big personalities like Fishburne and Ice Cube is no mean feat. Many of the performances recorded here are award-worthy - Fishburne, Bassett, Chesnutt, Gooding, and Ice Cube are especially memorable. For me personally, this is the film that convinced me that Ice Cube was destined to become a major personality in American cinema. While I had enjoyed some of his music prior to this film, it was here that I was first exposed to his versatility and intelligence as an actor.

While some may see some of the film's messages as heavy-handed, and others might have issues with the fact that the film deals with so many of the problems of inner-city life in a very 'in-your-face' almost archetypal manner, I find these criticisms impossible to justify.

This is a great film about real issues, sensitively portrayed and thoughtfully examined. Every American who cares about the vast untapped potential of our people ought to take a long, hard look at this one. These are not 'black problems', they are everybody's problems, and their solutions will require everybody's understanding. I could think of far worse places to begin developing that understanding than Boyz n the Hood.

Well-done movie by John Singleton, and very well-acted. Well-developed characters, and people you come to really care about. What's especially sad is we actually have areas of this country where the brutality and senselessness portrayed here is all too real. Cuba Gooding, Jr. is exceptional as a bright young man deperately trying to not get sucked into the endless rage and revenge life of his boyhood pals. Laurence Fishburne is tremendous as a father trying to steer his son through this minefield of a life, and on to better things.

One complaint, his "Don't trust the white man" speech has gotten ridiculously old. This attitude serves absolutely no one, and makes all of us, white and black, worse off because of it. It's time this ceased to be portrayed in movies.