Grand Canyon

This is and will stay Hollywood's most criminally underrated movie about life... and how to live with it. No smart answers. No solutions. But every worth-while question gets its honest reflection.

Sometimes sentimental. Sometimes giving up on the unsolved future. Sometimes kissing the brow of the undeserving. Always scary and beautiful.

I know, not really a logical assessment, but if you saved yourself a fraction of your... well... 'innocense'..., a fraction of your desire for a solid horizon to look at, you will love this movie without a second consideration, and you'll need a LOT more time to explain that to yourself.

A very personal confession: The soundtrack makes me cry over what I've lost and gambled away for the prize of cynical safety. Nothing will come back. I am the child of black jokes. But 'Grand Canyon' reminds me of the ever-lasting loophole into hope.

This is the movie I will never be able to praise sensibly.

'Grand Canyon' will stay my guilty pleasure.

This is a truly beautiful movie. I had almost forgotten in my hard-boiled pride what that word means..., until I watched 'Grand Canyon'..., and had to watch it again... and again...



Schogger13

"Grand Canyon" is a lot of things at once, but I found all of it completely fascinating. The characters and situations were realistic and the cast is flawless. You might find yourself crying at the movie - I did. It's a shame there was no audience for this movie, because I think it has a lot to say on several levels.

Before there was Crash, there was this interesting film called Grand Canyon. Released about 14 years sooner than the former film, Grand Canyon was a movie about two people from different backgrounds who come together as friends over a lifetime. To me Crash was still a slightly better film, but Grand Canyon was no slouch either.

Taking place in Los Angeles, an upper-class lawyer named Mack (Kevin Kline) takes a shortcut through the seedier side of town only to have his car break down at the worst time. He calls for a tow truck, and has to wait for awhile, only to soon be threatened by a group of dangerous people who want his car. Soon the tow truck driver arrives at the perfect moment, and out steps Simon (Danny Glover) to take the truck away. Both men are threatened, but Simon manages to get himself, Mack, and the car out of dire straits. It is from here on out that a friendship develops between the two men over a lifetime with Mack helping out Simon just as Simon had helped him out of a dangerous situation earlier. You see Simon's sister Deborah (Tina Lifford) is living in a dangerous neighborhood with her two children, and fears for her oldest son who seems to be roaming the streets at night with some bad people. Mack offers them a better place to live as well as hooking Simon up with his secretary's friend Jane (Alfre Woodard).

This is the main plot of the film, but there are other smaller plots involving the same secretary mentioned above (Mary Louise Parker) as well as Mack's wife, (Mary McDonnel) who discovers an abandoned baby not long after their son Roberto (Jeremy Sisto in his first movie role) has gone to camp for the summer, and will likely be moving on with his own life soon. The details of all these plots are brought together into one complex movie which uses a police helicopter as a metaphor for life and as a bridge to entwine all the different scenes. This simple plot device works very well and helps greatly with the flow of the story.

The director Lawrence Kasdan, whose biggest movie to this date was The Big Chill, has created a splendid movie here. The cast is excellent, and most of the ideas are well thought out, but alas it falls short of greatness because some points, that would've made the film even stronger, are glossed over. The story involving the secretary is one, and the second involving Simon's nephew is the other. These scenes should've been more apart of the entire story, and then maybe Lawrence Kasdan's views of life between the upper and lower classes would've been more on a superior level instead of just very good. Still Grand Canyon exceeded expectations, and yes you will get to see a view of the canyon that this movie was named after. There is also a small role for Steve Martin as Davis, a producer of violent films, who offers his own views on life, and has a small part to play in this movie's ideas.

Lawrence Kasdan has always assembled fantastic casts to deliver his creative and thought-provoking screenplays about contemporary life in America. From the classic "Big Chill", to the more recently understated comedy "Mumford", it is plain to see that Kasdan is much, much more than just the screenwriter of two "Star Wars" movies. With "Grand Canyon" Kasdan shows us a frightening, realistic story laced with humor and humanity about finding small miracles within the lives that we lead, instead of looking for greater ones. Kevin Kline and Danny Glover notable performances in their careers. Steve Martin plays it dramatic effectively, but being Martin, must inject humor here and there. Mary McDonnell, Mary-Louise Parker, and Alfre Woodard give strong support as well. "Grand Canyon" is one of the finest films released in 1991, and though it received an Academy Award nomination for Original Screenplay, it seemed to be unjustly passed over. Though over two hours long and filled with only dialogue, "Grand Canyon" is a must-see motion picture, if you appreciate intelligent, provoking and metaphorical writing, proving points in subtle humanity instead of exploding effects.

I rarely review anything on the internet, but want to comment on this film. I think Grand Canyon is entirely under-rated, and is in fact one of the greatest American contemporary films. I have seen it many times, and am amazed at Kasden's directorial and writing skills. I think most reviewers don't understand it! I see very glib reviews about this film but seldom indepth comment.I believe this film is about synchronicity, life-purpose/meaning and the feeling of powerlessness and isolation of people in a fast-moving culture where youth passes rapidly,transition is constant, and big-brother is watching. Outstanding acting from all actors, indepth characterizations and real-life dilemnas. I love the way "Simon" who appears to be the "doubting Thomas" and only believes in "fate" without purpose begins to understand human interconnection towards the end of the film. Though I don't necessarily agree that "the problems of a few little people don't matter a hill of beans" in relation to the majesty of the Grand Canyon, I see Kasden's point that perspective on our lives is important!

I don't know much about Kasden but have tried to learn more. He seems to manage to insert his spiritual message in an entirely entertaining way in recent films: witness "French Kiss" and Mumford"...both of which deal cleverly with loss and reinventing ourselves. I suspect he wrote many of the Jedi and Yoda parts of the original Star Wars films --the Jedi philosophy seems consistent with his own. I am a student of Conscious Creation concepts and love films so am always happy to see how Mr. Kasden weaves his message into his latest films.

Thank you, Mr. Kasden and please keep creating!