User reviews

This 1991 British production (Thames TV) for the A&E channel is based on mystery writer John le Carre's second novel. Le Carre wrote the screenplay for "A Murder of Quality," so the necessary changes for filming were made by the book's author himself. It's interesting that this is the only story with le Carre's character, George Smiley, that is set outside the field of espionage.

A number of British actors have played George Smiley in movies made on le Carre's books. They all are very good. Denholm Elliott has the role in this film. He plays a more reserved, humble character than usual. Glenda Jackson is excellent as his friend from espionage days, Alisa Brimley. Joss Ackland is very good as Terence Fielding, a school headmaster. And, Matthew Scurfield is very good as Inspector Rigby. The rest of the supporting cast all are quite good.

While this story has the usual red herring or two, it wasn't difficult for me to guess early on who the culprit was. The film even seemed to make it easy with one scene in particular. While I haven't read many mystery novels of the past few decades, I do enjoy the movies based on works by mystery writers. Besides le Carre, John Grisham and others are still writing today. But no one, in my estimation, will ever top Agatha Christie as a crime and mystery writer. Her super sleuth, Hercule Poirot, remains the most beguiling of all crime solvers, in my book. Since the early 1960s, I have read and/or watched the films on all of Christie's works that have been printed or put on film. Only once was I able to guess correctly early on who the culprit was.

Still, one can't have caviar, clams casino, lobster, and crepes Suzette all the time. Those are all the more enjoyable on special occasions, after many more meals of good but wholesome everyday meals. So, a movie based on a le Carre novel is enjoyable and satisfying at any time. Most movie buffs should enjoy "A Murder of Quality."

Strongly agree with your own comments, this early Le Carre novel is one of my favourites but this version lacks one thing to make it complete. Denholm Elliott is very good as Smiley but Alec Guinness, for any who saw him in the role in "Tinker Tailor, Soldier, Spy" and "Smileys People" will understand that he IS George Smiley. The rest of the cast are superb and in answer to that question 'Why can't Americans make Movies like this?" the Answer is that you do! Look for them in odd places, "Chiefs", "Centennial" and so on. The Movie follows the book and only really misses on that strange and quintessentially English feeling of claustrophobia that exists in Public School Towns. The Constant battle between school and town. Both deeming the other to be the outsiders. Pickup is wonderful as D'Arcy. I would love to have seen Ian Cuthbertson as Fielding but well you cant have everything can you? I strongly urge all to view this at least twice, the first time to enjoy and the second time to pick up on all the Le Carre touches. I also urge you to find an old English movie of his "A Call For The Dead" All in all a great production and as stated faithful to the original.

A surprise to John Le Carré's readers and to viewers who already know about his works adapted into films, "A Murder of Quality" is a less challengeable enterprise for the great agent George Smiley, this time investigating a mysterious murder close to a respected school in England's countryside. Smiley and his ability to find clues here are more approachable to someone like Hercule Poirot than to someone who had difficult missions when of his time in the Circus solving global problems during the Cold War.

This TV adaptation goes according the original work, a small film based on a small book with effective and similar result. Both are good but they suffer from the greatness of seeing Smiley doing more important jobs going around the world working for the British intelligence. Plot is well elaborated but sometimes we lose interest in it, its lack of having a good pace to keep the story going. Plus, it looks like something already shown before time and time again, but it might work better for those who never watched careful and brilliant investigative flicks before. This isn't sinking into obscurity because people are rediscovering it due to very young Christian Bale's minor yet important role in it, people get curious to see some of his early projects.

Casting's good work is what makes of "A Murder of Quality" a very decent film. Playing the great George Smiley is Denholm Elliott, who brings a jolly quality to the role of the eternally enigmatic, contrived and serious character whose delivery of lines goes without affection, enthusiasm or surprise. Not the best portrayal of Smiley (Gary Oldman nailed it in every possible aspect in "Tinker Tailor Soldier Spy") but it's a good one anyway, very amusing and playful. And there's place for a remarkable performance of Glenda Jackson, playing George's best friend and helper with the case, and the efficient presences of David Threlfall and Joss Ackland.

A good dramatic suspense but never effervescent as Carré's stories tend to be. 7/10

SO I just watched the film version of Jean LaCarre's *A Murder of Quality*. I liked the way the book ended better. However, it did prove something I had been saying for a long time: that Gary Oldman made a TERRIBLE George Smiley. He does not look right and he does not act right. You see, I'm a HUGE Smioley fan and, like most, I'm a fan from the books. Smiley is described as a funny little man and a disheveled Oxford Don. He has great humor about him that masks a great rage, and his rage is righteous, almost zealous. He is a champion in a battle between good and evil, and he hates the fact that he is constantly doing evil in the name of good. Oldman was wrong physically and was wrong in temperament. Eliot, a great if often overlooked British Actor, plays that switch between humor and rage perfectly, and he looks like a funny little Oxford Don. When I read that Elliot played smiley in this version I knew it would be great, because his turn as Marcus Brody in the Indiana Jones movies had all of Smiley's humor and the Oxford don clichés without his cunning or his rage.

In addition to Elliot, the movie has a terrific cast, including Joss Ackland at his sonorous best, Glenda Jackson, and a very young Christian Bale in a pivotal role (this was right before Newsies and a couple years after Henry V). It has that typical made for TV British mystery plodding, and one or two incredibly poor digital mats, but I really liked it.

Poor old "George Smiley" (Denholm Elliott) never seems to get left to his retirement for long by John le Carré. This time, it's his pal "Miss Brimley" (Glenda Jackson) who embroils him a mystery after a lady is killed in a small village. Just before her death, she wrote to the Christian magazine run by his friend claiming that she knew the identity of her own killer. Intrigued, well cajoled more like, he sets off to see what he can deduce with the help of local police inspector "Rigby" (Matthew Scurfield). As it happens, his younger spying days were spent in the company of the brother of local boys' school master "Fielding" (Joss Ackland) and pretty swiftly we begins to appreciate that all is not as it seems - or should be - in a school were the relationship between this master and the enigmatic young "Perkins" (Christian Bale) is somewhat circumspect. Indeed this whole community seems to have secrets and prejudices to hide - and even the dead seem to be involved! Elliott holds this together solidly if not exactly remarkably, but Ackland does better as the flawed school master with a penchant for things still very much frowned upon and the supporting cast deliver something that reminded me a lot of the television dramatisations of the P. D. James "Adam Dalgliesh" novels with plenty of attention to the detailed look of the drama. It's all just a bit slow, though, and this adaptation lacks any sense of the sinister or the dark and the ending rather lets the whole thing down. Still, it's good to see Elliott take the lead for a change and fans of the genre will probably find it passes ninety minutes effortlessly enough.

I saw this recently and remembered how good English TV drama can be. Denholm Elliot's Smiley is so good that I didn't even feel urged to compare it with Alec Guinness'. They both took the character on so well that in each case it was a very complete performance. They both captured the deceptively calm and inoffensive persona - and the sharp biting anger that seems to come from nowhere. The story is good, the mood and supporting cast are all tops. Some of the answers to the mystery can be picked up early on but who cares? The entire production is so well crafted that it's a pleasure just watching it all roll out scene by scene.

A disappointing film – neither fish nor fowl. Although it's a Le Carre story with George Smiley in the leading role, it's not a spy story. Instead, it's a conventional detective story set in a stuffy English public school. The characters and their motivations are not complex or shadowy. Nor is there anything original about the plot. If you extracted Smiley and inserted Poirot you'd hardly notice the difference, except maybe for the vagueness of the period – is MoQ set in the 1940s, 50s, 60s? If you're expecting a film on par with Spy who Came in from the Cold or Looking Glass War, you'll likely be disappointed. I was.

John LeCarré has been lucky in the adaptations of some of his books on to film. 'A Murder of Quality', though quite different from 'Tinker Tailor Soldier Spy' and 'Smiley's People', not to forget 'The Spy Who Came in From the Cold', is a perfectly crafted murder mystery.

Denholm Elliot's George Smiley does not try to imitate the famous portrayals by Alec Guinness but creates a similarly fascinating character out of LeCarré's most famous creation. Glenda Jackson plays his spinsterish "pal", Ailsa Brimley, a former colleague of Smiley's from The Circus during the war years. She is akin to Connie Sachs, memorably played by the great Beryl Reid in other LeCarré adaptions. Both Ailsa and Connie were in love with George and enraged at his reprobate wife, Ann. This and other LeCarré themes are used in 'A Murder of Quality' to their usual intriguing effects; the inclusion of homosexuality, misogynistic tendencies in some of the male characters and the hint of Smiley's darker, perhaps murderous past.

It is good to see Joss Ackland and Thorley Walters, old hands from earlier LeCarré adaptations. There isn't a weak link in the cast. Christian Bale makes a sexually tantalizing school boy, complete with his "criminal mind" and vulnerable consciousness. Diane Fletcher, the Lady Macbeth-like Mrs Urquehard from 'House of Cards' appears here as the tough dramatic arts mistress, the archetype gorgon, hearty and heartless.

Billie Whitelaw is a poignant mad-woman, Ronald Pickup a wonderfully spineless worm who lives with his "manly" sister, Fiona Walker. Matthew Scurfield is a fascinating police chief, a working grunt with many-faceted depths to his personality.

The cinematography is on the dark and gloomy side, as befits the story and setting. The music is superb, another wonderfully evocative score by the late great Stanley Myers.

This is now available on DVD from Acorn Media and I urge all LeCarré addicts to get it.

Great television like this is extremely rare, and getting scarcer all the time.

This time, it's Denholm Elliot as George Smiley, and the story is "A Murder of Quality" from 1991, also starring Glenda Jackson, Joss Ackland, Billie Whitelaw, and a 17-year-old Christian Bale.

Smiley is asked by a former colleague (Jackson) to look into a strange letter sent to her by a junior master's wife at a boy's school, Carne. When Smiley calls the school, he learns that the woman has been murdered. Her husband is a suspect.

Smiley travels to the school and works with the police. He discovers that plenty of people had a motive to kill this woman besides the husband - she was a blackmailer, not for money, but for the power of it. Another murder follows, and Smiley begins to put the pieces together.

Very good film, with LeCarre writing the screenplay himself. Denholm Elliot does an excellent job as Smiley, quietly observant, perhaps lacking the bite of Alec Guinness, but good nonetheless. It was a delight to see Glenda Jackson - she's been out of acting for so long, it was a joy to see her and remember how fabulous she was. Christian Bale doesn't have a ton of dialogue, but he was instantly recognizable and did well. Joss Ackland has a showy part as a professor and gives a flamboyant performance.

This is a depressing, moody film, quite dark, and highly recommended.

My favorite DVD bar none. Denholm Elliott's Smiley was a brilliant interpretation in the shadow of Alec Guinness, not a surprise if one remembers his role in Woody Allen's "September." Glenda Jackson and Diane Fletcher might have been given more screen time. Christian Bale was smartly cast.

I've watched the DVD perhaps 30 times, more than either Tinker Tailor 1979 or Smiley's People 1982 (but they are several hours longer, I'd have to reload the DVD player for these, and each have gotten 10 or more viewings). To digress, Bernard Hepton's part in Smiley"'s People is scary good. To digress again, Cyril Cusack's "Control" in Spy Who Came in from the Cold" is chilling (though the style of the film is badly dated).

Is this program a mystery at all? I think "A Murder of Quality" is mostly a commentary by Le Carre on the sins and pretensions and hypocrisy of the decayed British Empire of the 1950's. To me, the mystery is much in the background - it provides a great format. In contrast, Tinker-Tailor and Smiley's People use the complex mystery to illuminate the hypocrisies of the East and West, but are strong core mysteries.

When I first viewed "A Murder of Quality" I was slightly put off by the structure, particularly the quick scene changes. I now think it was clever and possibly the reason I view the story over and over. I'm not sure who might get my credit/praise. Perhaps it's J Le Carre himself since he has screen writing credit.

On my DVD, Diane Fletcher's photo appears for Glenda Jackson in her (Glenda's) biography. There is no Diane Fletcher biography.

This movie is a fine work of art. Changes to the original story are very scarce and the acting is quite flawless. So is the period feel as well as camera and directing. Denholm Elliot was magnificent as Smiley. "So sad - so few of us left" (Shane Hecht in the novel, for those who have not read it.)

A murder of an instructors' wife (at a seemingly second rate public school in England) brings out George Smiley. The plot gives the director the chance to bring out the best and the worst of the British class system. All delivered in quick, almost incomprehensible-to-American-ears, English. Very intellectual - very elegant. And Denholm Elliott (as Smiley) was such a superb actor, you wonder how he could live with himself!

Stella Rode writes to her aunt, Ailsa Brimley (Glenda Jackson), saying that her husband killed the dog and that Stella is next on his list. The Stanley Rode teaches at a boy's school. It just happens that Alisa knows George Smiley (Denholm Elliott) and asks for his help by informing him they also have a mutual acquaintance who works at the same school. After finding that the woman is already dead George Smiley agrees to investigate the problem to satisfy Alicia Brimley's suspicions of the husband.

Naturally, when we get to the school a lot of people look guilty; of course, they have a motive, opportunity, and sneaky looks.

George Smiley, helps Inspector Rigby (Matthew Scurfield) slowly unraveled the truth. There are enough clues that if you want you can figure out what happened before the final scene where everything is explained.

Unfortunately, I have not read the book yet and we always know that the book is better than the movie; just a note John le Carré wrote the screenplay. Other people that watched the many various movies containing the character George Smiley will tend to compare Denholm Elliott to Alec Guinness. That is not necessary as Denholm Elliott holds his own as the Smiley character.

No closed caption but no mumbling to require it.

Filmed on location at Sherborne School and in the town of Sherborn, Dorset, and at Shepperton Studios. For Thames Television. 1991.

The title, A MURDER OF QUALITY, should warn one that George Smiley is here more on a whodunnit than a spydoing it mission. This forewarning aside, Gavin Millar is no director that I know anything about, but from watching A MURDER OF QUALITY I can tell that he knows how to extract the best from veteran actors like Elliott, Jackson and Ackland, and young ones like Christian Bale and David Threlfal, who, to me, is the pick of the bunch.

Quality acting gives real and superb quality to A MURDER. Cinematography by Denis Crossan is high level, suitably dark in line with the subject of homicide.

The script, off the novel by John Le Carré, is logical, sound cause and effect, though the astounding amount of characters helps to take the viewer's eye off possible flaws.

Anyway, I liked it and I think most will, too. 8/10.