Amityville 1992: It's About Time

"Amityville: It's About Time" follows a California architect who returns from a business trip in New York, where he acquires an antique clock. Soon after his return, he is in a terrible accident that leaves him bedridden; meanwhile, his family experiences an array of bizarre occurrences in their house. Little do they know, the clock they've brought in was from the Amityville DeFeo house, and is doing more than telling time.

I'll be frank here: none of the "Amityville" films have ever been spectacular—even the original, which, though a good haunted house film, had its flaws. The sequels have been hit and miss, and 1990's "The Amityville Curse" was abhorred by many (I actually somewhat enjoyed it, but that's another story). As the installments in this series progressed, they've tended to sprawl out to the point that each haunting is incidentally connected to the Amityville house via objects rather than geography—this occurred in Part 4 where a lamp possessed evil powers, and would be re-used again in the followup to "It's About Time" in "Amityville Dollhouse." Long story short, the series as a whole is rather silly.

With that out of the way, I do think "Amityville: It's About Time" does have some goods to offer. Where the earlier films in the series were more concerned with suspense, this sequel goes straight for thrills from the beginning, though there is a bit of character building as the film meditates on the disintegration of a family. The clock itself acts as a catalyst in the warped dynamic, and there is a lot of playful writing involving the clock's powers and its relationship toward time.

The film manages to evoke a weirdly oppressive suburban atmosphere, and the performances throughout are better than what you find in most direct-to-video fodder; Stephen Macht's role as the breadwinning architect-turned-madman is decent, and Megan Ward and Damon Martin play convincing enough teenagers. Nita Talbot is a bit of a show-stealer here as a matronly neighbor who uncovers the truth behind the family's turmoil.

Overall, "Amityville: It's About Time," though not a masterpiece by any stretch of the imagination, is one of the better "Amityville" sequels. As silly as the premise may be, there is a decent amount of fun to be had. A few memorable performances plus some appreciable special effects and playful writing render this worth a watch for genre fans. 6/10.

This movie is about a clock that is haunted and evil. It messes with reality and time, cursing the people in a house.

A great soundtrack and some really memorable scenes. The actors and story keep the film from dragging. Shawn Weatherly is attractive and a good leading lady.

If the film had been a little darker and scarier that could have made it even better, but certainly a good one to grab up and add to your vhs collection.

A decent straight to video sequel to a "popular" franchise. "It's About Time" centers on a possessed clock that happens to be from the original Amytiville house. A family with intentions to renew their life, move to a beautiful mansion. Unfortunately for them, they buy the possessed clock and that's when things start to get horrible.

This is probably the second best sequel in the franchise, following "The Possession", a sinister sequel. "It's About Time" obviously centers on the possession topic and has the occasional poltergeist scenes provoked by the clock's evil glow.

This movie scared me when I first rented it (I was 8 or 9) because it has a dark, creepy atmosphere. The mansion is scary enough for a movie like this. The f/x are below average but it's normal for a direct to video sequel.

If you are a fan of haunted house or possession flicks, this is a very good option that exploits the greatness of direct to video.

This one is probably one of the better sequels, and though it doesn't really live up to the classic standards, it sure packs a punch.

Unlike the fourth and seventh and eighth sequels, this one delivers far more suspense, though a lot of it is typical and expected, such as the declining sanity of the buyer of anything related to Amityville. But it's well-done/well-put-together, and the idea of an Amityville-possessed clock is far more ominous than a stupid lamp, mirror, or a doll-house, you've got to admit.

It even has some real gore thrown in there... what a surprise... Also, this is the first Amityville that really relies on lies, cons and deceits of people and how things like that can tear families and attachments into shreds.

It's a decent sequel, I suppose.

'It's About Time' rehashes a concept last seen in 'Amityville IV: The Evil Escapes', in that an artifact from the infamous Long Island house is relocated into the home of another family, where it soon begins to take over their lives with its demonic intentions. Hardly surprising, given that John G. Jones was the scribe for both installments.

This, I have to say, is the better attempt, and it goes a long way towards rebuilding the damage done by the painful and indeed execrable 5th film, 'The Amityville Curse'. This time around, the artifact is a clock, and its hellish influence not only possesses both the house and its occupants (naturally), but plays around with time itself, breathing at long last some new ideas into the franchise. The tension is reasonably well-paced, allowing for a gradual build until all hell breaks loose.

At the same time however, 'Amityville 1992' still suffers from a fairly silly and uneven storyline, aggravated by sloppy editing choices that prevent the overall effort from meshing together seamlessly. Add to this some rather hammy acting from veteran performers Steven Macht and Nita Talbot, along with some just plain bloody awful acting from Jonathan Penner, and it becomes difficult to take the film seriously. Thankfully the principal lead is Shawn Weatherly, who avoids the obvious temptation the script offers to go over-the-top and gives a creditable performance under the circumstances, as does Damon Martin, in what looks to be his final film.

Nonetheless, 'It's About Time' makes a far better effort to remember its roots than its two predecessors. With minimal rewrites, IV and V could very easily just be standalone horror flicks, but the plot of VI rests upon the apparently again-destroyed Amityville house's past history. On the one hand, it has no conscious ties to the DeFeo murders, but in the universe of the film franchise, these were supposed to be influenced by the house's long-present demonic incumbents, and it is here where 'It's About Time' builds its story. In the process, it grafts yet another unnecessary centuries-old European explanation for its dark history which I didn't really buy into, but I can let it slide since new ground is being explored. After all, I also have to put aside the obvious fact that if this clock has been in the house all along, why does it only manifest its powers now? Yet this is the most interesting aspect of the film, and if anything, Jones should have really let fly with the time distortion element and tried harder to pull it together into what could have been an even better and possibly mind-bending tale.

At any rate, 'It's About Time' pulls the franchise out of the mire that the previous installment dumped it into. It's still fairly silly, but a great improvement nonetheless.