Persuasion

Jane Austen's novels lend themselves to cinematic adaptations. This production, directed by Roger Michell, and with a screen treatment by Nick Dear, comes close to be what Ms. Austen wanted us to see, if she had any saying in the matter. The film is blessed with great talented English actors who feel quite at home interpreting for us the rich text of the novel.

Amanda Root, is perfect as Anne Elliot, the down to earth woman at the center of the story. Ciaran Hands is a virile presence that plays well in the story. Their romance is seen coming all through the proceedings and their love seems to be real.

Corin Redgrave is perfect as Sri Walter Elliot, the fatuous man who was impressed with money and power. Susan Fleetwood has some excellent moments as the kind Lady Russell. Fiona Shaw is perfect as Mrs. Croft and Samuel West excels at his portrayal of the impoverished Elliot cousin.

Ultimately, the production has a great view because it was filmed in the area that is described in the book. The beautiful city of Bath is seen in glorious exteriors.

Recommended to all Jane Austen's fans because the beautiful job Roger Michell did in bringing the novel to the screen.

And the celebration of the ordinary and the idea that true love will out itself whatever the obstacles put in its way.

The casting was inspired and utterly believable in this wondrous adaptation. I never tire of Ciaran Hinds, there seems to be so many layers in what he brings to his far too infrequent roles in films. I believe he is mainly a stage actor.

The story bears truth to Jane Austen's original work, and I am a long time fan of Austen.

Amanda is not glamorous in her role of Anne Elliot. But her truth and honour stand steady in the ebb and flow of the values, minor complaints and minutiae of her family life. It is clear from the beginning that she is the one with all the missing qualities in the others.

Fiona Shaw also captivates in the role of Mrs. Croft who strikes out in a completely different kind of lifestyle for the era, sailing the seven seas with her husband and sharing his adventures.

8 out 10. Well done to all concerned.

For some reason, people seem to leave "Persuasion" out when they are naming Jane Austen adaptations. I find that lamentable, since it is such a wonderful film. It is exceedingly British, which means that Americans might find it a little hard to understand, but personally I think it is superb.

All the acting is stellar; I can't really identify a bad performance. Ciaran Hines especially shines as the warm but reserved Captain Wentworth.

Of all the Jane Austen adaptations (except "Pride and Prejudice") I believe "Persuasion" is the truest to the time period. The characters act within the conventions of regency England and seem to be comfortable doing so.

I would recommend this movie to any Jane Austen lover or a person who enjoys period films or classic literature. A person who does not fall into those categories might enjoy it as well, but is likely to find it slow and difficult to understand.

The recently released DVD provides a wonderful opportunity to revisit this exquisitely done Austen. Her usual themes of elligible young women and men, their social positions, and their incomes, are very much in evidence; however here there is something a bit quieter and more deeply felt, as two special people get a second chance at happiness. The direction is remarkably fine-tuned, and the production makes a welcome attempt to portray a more realistic glimpse of the life of various classes during the period than is usual. The flamboyant period costumes are particularly amusing, and the sight of the naval men striding along jettys in uniform with their very striking hats is one that has always stuck in my mind.

It is annoying to read the comment describing this movie as Victorian since Austen died before Queen Victoria was born. It is remarkable that all her novels describe rural English life almost untouched by the violence of the Napoleonic Wars raging on the continent during her lifetime. This one at least alludes to the careers of British naval officers. It also calls attention to the "great age for poetry" in which the characters lived. This is one of a small handful of truly beautiful love stories on film which end happily; An Affair to Remember and A Room With a View are two others in my canon. Every actor/actress in this movie should have been nominated for an Oscar, a perfect ensemble cast, typical of the best subtle British cinematic style.