A cowboy doll is profoundly jealous when a new spaceman action figure supplants him as the top toy in a boy's bedroom. When circumstances separate them from their owner, the duo have to put ... Read allA cowboy doll is profoundly jealous when a new spaceman action figure supplants him as the top toy in a boy's bedroom. When circumstances separate them from their owner, the duo have to put aside their differences to return to him.A cowboy doll is profoundly jealous when a new spaceman action figure supplants him as the top toy in a boy's bedroom. When circumstances separate them from their owner, the duo have to put aside their differences to return to him.
- Nominated for 3 Oscars
- 29 wins & 24 nominations total
Tim Allen
- Buzz Lightyear
- (voice)
Don Rickles
- Mr. Potato Head
- (voice)
Jim Varney
- Slinky Dog
- (voice)
Wallace Shawn
- Rex
- (voice)
John Ratzenberger
- Hamm
- (voice)
Annie Potts
- Bo Peep
- (voice)
John Morris
- Andy
- (voice)
Erik von Detten
- Sid
- (voice)
Laurie Metcalf
- Mrs. Davis
- (voice)
R. Lee Ermey
- Sergeant
- (voice)
Sarah Rayne
- Hannah
- (voice)
- (as Sarah Freeman)
Penn Jillette
- TV Announcer
- (voice)
Jack Angel
- Shark
- (voice)
- …
Spencer Aste
- Wounded Soldier
- (voice)
Greg Berg
- Local Announcer
- (voice)
Lisa Bradley
- Kid
- (voice)
Kendall Cunningham
- Kid
- (voice)
Summary
Reviewers say 'Toy Story' is acclaimed for its pioneering animation, compelling narrative, and universal themes of friendship. Tom Hanks and Tim Allen's performances elevate Woody and Buzz Lightyear, blending humor with emotional depth. Randy Newman's soundtrack, especially "You've Got a Friend in Me," enhances the film's emotional resonance. Its innovative technology and storytelling have made it a cultural milestone and timeless classic in animation history.
Featured reviews
Toy Story is not only the best Disney film because it has the best story and the best animation, but also because of the excellent actors chosen to provide the voices of the animals. The casting was perfect from top to bottom, and the movie provides an excellent adventure story about friendship and loyalty that keeps you engrossed until the nail-biting climax.
Tom Hanks and Tim Allen provided excellent voices for Woody and Buzz Lightyear -their performances alone are one of the biggest things that made this such a spectacular movie. Besides that, though, you have the excellent story that is not only noteworthy because it has never really been told from this perspective before, but also because it was just told so well. All of the characters in the film are very well developed and all have appropriate and effective actors chosen to provide their voices.
And of course, who could forget the revolutionary animation! The computer animation used for this movie not only made it startlingly realistic but also opened up tons of possibilities, and thankfully the filmmakers chose to explore these possibilities. There are dozens of things that are hidden in the woodwork throughout the film, as well as in the songs note, for example, the subtle playing of the Indiana Jones theme song in the scene where Woody knocks Buzz out the window with the desk lamp.
Toy Story is by far the best Disney film ever made, it's pretty much perfect. It's adventurous, it's exciting, it's entertaining, it's good for the whole family, it's got great characters, story, and plot, and above all, it's fun.
Tom Hanks and Tim Allen provided excellent voices for Woody and Buzz Lightyear -their performances alone are one of the biggest things that made this such a spectacular movie. Besides that, though, you have the excellent story that is not only noteworthy because it has never really been told from this perspective before, but also because it was just told so well. All of the characters in the film are very well developed and all have appropriate and effective actors chosen to provide their voices.
And of course, who could forget the revolutionary animation! The computer animation used for this movie not only made it startlingly realistic but also opened up tons of possibilities, and thankfully the filmmakers chose to explore these possibilities. There are dozens of things that are hidden in the woodwork throughout the film, as well as in the songs note, for example, the subtle playing of the Indiana Jones theme song in the scene where Woody knocks Buzz out the window with the desk lamp.
Toy Story is by far the best Disney film ever made, it's pretty much perfect. It's adventurous, it's exciting, it's entertaining, it's good for the whole family, it's got great characters, story, and plot, and above all, it's fun.
Andy's toys live a reasonable life of fun and peace, their only worries are birthdays and Christmases, when new toys could easily replace those already there. One such birthday Andy's top toy, Woody the cowboy, finds himself in direct competition with Andy's new Buzz Lightyear doll. When rivalries boil over Woody tries to hide Buzz down the side of the bed but accidentally pushes him out the window, the other tops expel Woody, and he leaves with no choice but to find Buzz and return him to the house. But with only two days before Andy moves house, time is of the essence.
Given how often the same mix of animation, wit, jokes and kids humour has been used since Toy Story (Ice Age, Monsters Inc, Bugs Life) it is easy to forget how refreshing it was when it first came out. I have just watched it again and it is dating a little in comparison to more recent twists on the formula. It seems each one has to be sharper and have more references etc in the background. However it is still very funny and deserves praise for being the first of a successful formula.
The plot is simple but effective and actually has genuine drama and excitement to it. The main story is fun but the degree of character development is what really shores it up. The conflict between Buzz and Woody is taken deeper than this and, when confronted by the truth of his status as a toy, Buzz's turmoil is very real as opposed to him being a cartoon character and nothing more. Despite the two strong leads there is a real depth in the support cast. They may not actually have that many lines, but they have all the funniest lines. Most of the `adult' wit comes from the Potato Head, dinosaur, the pig and slinky dog. They are funny and are very well used. In fact the majority of this humour and plot will go right over kids heads.
Looking back on it, I do feel a cynical edge on it in so much as this film must really have helped sales of the toy companies in the film. It's hard not to see the marketing department standing behind this film rubbing their hands. However the actual product is so wonderfully fun that I forgot this quickly. The voice work is excellent and the characters match the actors. Hanks is good as Woody and Allen has a good B-movie type voice for Buzz. Varney, Ratzenberger, Ermey (doing his usual), Rickles and others are all really good in the support roles and, probably, come out as the favourite characters for adults.
Overall this is a classic film that will appeal to adults as much as to kids (if not more). A good plot and a really sharp script make the already short running time fly by. The only downside is that your kids will want you to go out and buy the damn things!
Given how often the same mix of animation, wit, jokes and kids humour has been used since Toy Story (Ice Age, Monsters Inc, Bugs Life) it is easy to forget how refreshing it was when it first came out. I have just watched it again and it is dating a little in comparison to more recent twists on the formula. It seems each one has to be sharper and have more references etc in the background. However it is still very funny and deserves praise for being the first of a successful formula.
The plot is simple but effective and actually has genuine drama and excitement to it. The main story is fun but the degree of character development is what really shores it up. The conflict between Buzz and Woody is taken deeper than this and, when confronted by the truth of his status as a toy, Buzz's turmoil is very real as opposed to him being a cartoon character and nothing more. Despite the two strong leads there is a real depth in the support cast. They may not actually have that many lines, but they have all the funniest lines. Most of the `adult' wit comes from the Potato Head, dinosaur, the pig and slinky dog. They are funny and are very well used. In fact the majority of this humour and plot will go right over kids heads.
Looking back on it, I do feel a cynical edge on it in so much as this film must really have helped sales of the toy companies in the film. It's hard not to see the marketing department standing behind this film rubbing their hands. However the actual product is so wonderfully fun that I forgot this quickly. The voice work is excellent and the characters match the actors. Hanks is good as Woody and Allen has a good B-movie type voice for Buzz. Varney, Ratzenberger, Ermey (doing his usual), Rickles and others are all really good in the support roles and, probably, come out as the favourite characters for adults.
Overall this is a classic film that will appeal to adults as much as to kids (if not more). A good plot and a really sharp script make the already short running time fly by. The only downside is that your kids will want you to go out and buy the damn things!
This is a very clever animated story that was a big hit, and justifiably so. It had a terrific sequel and if a third film came out, that would probably be a hit, too.
When this came out, computer technology just was beginning to strut its stuff. Man, this looked awesome. Now, it's routine because animation, which took a giant leap with this movie, has made a lot more giant strides.
The humor in here, however, is what made this so popular. There are tons of funny lines, issued by characters voiced by Tom Hanks, Tim Allen, Jim Varney, Don Rickles, Wallace Shawn and John Ratzenberger, among others. As good as Hanks is as "Woody" and Allen as "Buzz Armstrong," I think the supporting characters just about stole the show: Mr. Potato Head, Slinky, Rex the dinosaur, etc.
Multiple viewings don't diminish the entertainment, either. There are so many things to catch, audibly and visually, that you always seem to discover something new. The colors in here are beautiful, too. This is a guaranteed "winner" as is the sequel.
When this came out, computer technology just was beginning to strut its stuff. Man, this looked awesome. Now, it's routine because animation, which took a giant leap with this movie, has made a lot more giant strides.
The humor in here, however, is what made this so popular. There are tons of funny lines, issued by characters voiced by Tom Hanks, Tim Allen, Jim Varney, Don Rickles, Wallace Shawn and John Ratzenberger, among others. As good as Hanks is as "Woody" and Allen as "Buzz Armstrong," I think the supporting characters just about stole the show: Mr. Potato Head, Slinky, Rex the dinosaur, etc.
Multiple viewings don't diminish the entertainment, either. There are so many things to catch, audibly and visually, that you always seem to discover something new. The colors in here are beautiful, too. This is a guaranteed "winner" as is the sequel.
Y'know, I always suspected that my toys were coming to life when I wasn't looking!
In Andy's Room, his toys lead lives of noisy desperation come every birthday and Christmas - no one wants to be one-upped by a new addition to the toy box. Nominally led by Cowboy Woody (there's a Brokeback joke in there just waiting to happen), Mr. Potato Head, Rex the Dinosaur, Ham the piggybank, Bo Peep, Slinky the dog and a smattering of other playthings go about their toy business of playing checkers, hanging with the hometoys and "plastic corrosion awareness meetings," until Andy's birthday party, when they gather expectantly around a transistor radio, listening to the reports of their toy soldier troops "in the field" (downstairs watching Andy's gift-opening), hoping that no gift will be exciting enough to cause Andy to neglect *them.* There is. His name is Buzz Lightyear, Space Ranger.
Directed by Pixar mainstay John Lasseter, with the voice talents of Tom Hanks (as Woody), Don Rickles, John Ratzenberger (forever Cliff from *Cheers*), R. Lee Ermey, Annie Potts, Jim Varney and Tim Allen (as Buzz), *Toy Story* is that *rara avis* that succeeds on all levels in its animation, storyline, character development, its messages of friendship and self-realization and, most importantly, its entertainment value. The fact that this is a cartoon (or animated feature just what DO we call this new wave of computer-generated movies?) is incidental. Which makes the slightly dodgy animation (of the "real people") irrelevant - it gets the point across with or without the technological finesse.
The "Disney Movie" has become synonymous with maudlin messages, redneck fundamentalism, anachronistic family values, boneheaded parents, smart-mouthing youngsters, too-hip-to-be-smart teens and insufferable pets. Though Disney's tyrannical umbrella overarches this film's production studio, Pixar Animation, *Toy Story* somehow avoided all trace of Disney's craven hand, which is doubly surprising, considering this is Pixar's first feature length film, after years of experimentation. Right outa the gate and right outa the field.
Sure, there are "messages," but they are heartfelt, rather than maudlin (Woody tells Buzz during Buzz's greatest depression that it matters not what Buzz thinks of himself, what makes him important is what his owner, Andy, thinks of him); there are emotional segments, which are truly heartbreaking, rather than cheesy (when Buzz's escape attempt lands him with a broken arm, proving he is Not A Flying Toy, the lyric, "Clearly I will go sailing no more," launches a thousand hankies); and the portrayal of Andy's family was Pixar's triumphal achievement. Boldly contravening Disney's *idée fixe* of the 1950's nuclear family and Norman Rockwell fantasies, one of the many incarnations of a modern-day family is presented: a single mother with two kids, who are neither geniuses nor monsters, just normal children; happy to visit Pizza Planet and disappointed when favorite toys are lost.
Buzz who believes he is a real life space ranger on a mission to save the universe - become Andy's favorite toy over Woody. The funny thing is: though Buzz believes he is real, he still adheres to toy protocol of "playing inert" when humans are in the area. (Maybe it's instinct?) When he mentions saving a toy from Sid, the vicious boy next door, how does he propose to do it if he is to adhere to the inert protocol? Buzz's ingenuousness regarding his role as a toy infuriates Woody to the point of attempted toy-assassination. Through a concatenation of accidents, both he and Buzz become lost and must use teamwork, trust and ingenuity to beat their path back to Andy, which finds them ensconced in scorchingly funny vignettes (Buzz fastening himself in an over-sized seatbelt; both falling in with green, three-eyed aliens; Buzz hyperventilating as "Mrs. Nesbitt"). During a climactic rocket ride, the callback line, "This is not flying - this is falling with style," simply seals this movie's greatness.
At least I now have a plausible explanation as to why my toys always got lost: after going about their toy business, they would just go inert anywhere they happened to be, instead of paying attention to their master's infallible toy filing system .
In Andy's Room, his toys lead lives of noisy desperation come every birthday and Christmas - no one wants to be one-upped by a new addition to the toy box. Nominally led by Cowboy Woody (there's a Brokeback joke in there just waiting to happen), Mr. Potato Head, Rex the Dinosaur, Ham the piggybank, Bo Peep, Slinky the dog and a smattering of other playthings go about their toy business of playing checkers, hanging with the hometoys and "plastic corrosion awareness meetings," until Andy's birthday party, when they gather expectantly around a transistor radio, listening to the reports of their toy soldier troops "in the field" (downstairs watching Andy's gift-opening), hoping that no gift will be exciting enough to cause Andy to neglect *them.* There is. His name is Buzz Lightyear, Space Ranger.
Directed by Pixar mainstay John Lasseter, with the voice talents of Tom Hanks (as Woody), Don Rickles, John Ratzenberger (forever Cliff from *Cheers*), R. Lee Ermey, Annie Potts, Jim Varney and Tim Allen (as Buzz), *Toy Story* is that *rara avis* that succeeds on all levels in its animation, storyline, character development, its messages of friendship and self-realization and, most importantly, its entertainment value. The fact that this is a cartoon (or animated feature just what DO we call this new wave of computer-generated movies?) is incidental. Which makes the slightly dodgy animation (of the "real people") irrelevant - it gets the point across with or without the technological finesse.
The "Disney Movie" has become synonymous with maudlin messages, redneck fundamentalism, anachronistic family values, boneheaded parents, smart-mouthing youngsters, too-hip-to-be-smart teens and insufferable pets. Though Disney's tyrannical umbrella overarches this film's production studio, Pixar Animation, *Toy Story* somehow avoided all trace of Disney's craven hand, which is doubly surprising, considering this is Pixar's first feature length film, after years of experimentation. Right outa the gate and right outa the field.
Sure, there are "messages," but they are heartfelt, rather than maudlin (Woody tells Buzz during Buzz's greatest depression that it matters not what Buzz thinks of himself, what makes him important is what his owner, Andy, thinks of him); there are emotional segments, which are truly heartbreaking, rather than cheesy (when Buzz's escape attempt lands him with a broken arm, proving he is Not A Flying Toy, the lyric, "Clearly I will go sailing no more," launches a thousand hankies); and the portrayal of Andy's family was Pixar's triumphal achievement. Boldly contravening Disney's *idée fixe* of the 1950's nuclear family and Norman Rockwell fantasies, one of the many incarnations of a modern-day family is presented: a single mother with two kids, who are neither geniuses nor monsters, just normal children; happy to visit Pizza Planet and disappointed when favorite toys are lost.
Buzz who believes he is a real life space ranger on a mission to save the universe - become Andy's favorite toy over Woody. The funny thing is: though Buzz believes he is real, he still adheres to toy protocol of "playing inert" when humans are in the area. (Maybe it's instinct?) When he mentions saving a toy from Sid, the vicious boy next door, how does he propose to do it if he is to adhere to the inert protocol? Buzz's ingenuousness regarding his role as a toy infuriates Woody to the point of attempted toy-assassination. Through a concatenation of accidents, both he and Buzz become lost and must use teamwork, trust and ingenuity to beat their path back to Andy, which finds them ensconced in scorchingly funny vignettes (Buzz fastening himself in an over-sized seatbelt; both falling in with green, three-eyed aliens; Buzz hyperventilating as "Mrs. Nesbitt"). During a climactic rocket ride, the callback line, "This is not flying - this is falling with style," simply seals this movie's greatness.
At least I now have a plausible explanation as to why my toys always got lost: after going about their toy business, they would just go inert anywhere they happened to be, instead of paying attention to their master's infallible toy filing system .
I am a big fan of the animated movies coming from the Pixar Studios. They are always looking for the newest technological possibilities to use in their movies, creating movies that are more than just worth a watch, even when they were made a decade ago.
The movie is about toys that come to life when their owner is asleep or not in the same room. When the young boy's birthday is coming up, all the toys are nervous. They don't want to be ignored when the new one arrives. Woody the cowboy is their "leader" because he's the most popular one of them all. He's the only one that hasn't got to be afraid, but than a new favorite arrives ... Buzz Lightyear. He hates him and tries everything possible to get rid of him, but as the time passes by they learn to appreciate each other...
When you see Toy Story, you may think that the different human like characters (Woody the cowboy for instance) aren't always as perfect as we are used to see in todays animated movies. Perhaps that's true, but if you keep in mind that all this was done in 1995, when computers weren't yet as strong and the technology for creating such movies was almost unknown, than you can only have a lot of respect for what the creators did. I loved the story and liked the animations a lot. I give it an 8.5/10.
The movie is about toys that come to life when their owner is asleep or not in the same room. When the young boy's birthday is coming up, all the toys are nervous. They don't want to be ignored when the new one arrives. Woody the cowboy is their "leader" because he's the most popular one of them all. He's the only one that hasn't got to be afraid, but than a new favorite arrives ... Buzz Lightyear. He hates him and tries everything possible to get rid of him, but as the time passes by they learn to appreciate each other...
When you see Toy Story, you may think that the different human like characters (Woody the cowboy for instance) aren't always as perfect as we are used to see in todays animated movies. Perhaps that's true, but if you keep in mind that all this was done in 1995, when computers weren't yet as strong and the technology for creating such movies was almost unknown, than you can only have a lot of respect for what the creators did. I loved the story and liked the animations a lot. I give it an 8.5/10.
Did you know
- TriviaSid Phillips is said to be inspired by a former Pixar Animation Studios employee of the same last name who was known to disassemble toys and use the parts to build bizarre creations.
- GoofsEven though Buzz believes he is a real space ranger and not a toy, he still freezes when people are around like the other toys do. Every time he freezes it is because Woody says "Freeze" and being a space ranger with years of training in covert missions, freeze means to be still.
- Crazy creditsThis is the first Pixar film to feature the "Production Babies" section, which lists babies born to the crew members during production. This would become a trademark in the following years, in films like A Bug's Life (1998), Toy Story 2 (1999), Monsters, Inc. (2001) and Finding Nemo (2003).
- Alternate versionsIn the post-2015 releases, the Pixar variant of the original 1990 Walt Disney Pictures logo was replaced with the 2011 variant of the current 2006 Walt Disney Pictures logo.
- ConnectionsFeatured in Gamesmaster: Episode #5.9 (1995)
- SoundtracksYou've Got a Friend in Me
Written, Performed, and Produced by Randy Newman
Randy Newman appears courtesy of Reprise Records
- How long is Toy Story?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Toy Story in 3-D
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $223,225,679
- Opening weekend US & Canada
- $29,140,617
- Nov 26, 1995
- Gross worldwide
- $394,436,586
- Runtime1 hour 21 minutes
- Sound mix
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