A piano player at a crossroads in his life returns home to his friends and their own problems with life and love.A piano player at a crossroads in his life returns home to his friends and their own problems with life and love.A piano player at a crossroads in his life returns home to his friends and their own problems with life and love.
- Awards
- 1 win & 4 nominations total
- Victor
- (as Adam Le Fevre)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Prior Review--
I love this movie. Too bad Demme is Donne because this is great work. Every single role is believable and not over-acted. Maybe it's my 30 something (now 40 something) mind working but this is a great movie to sit down and enjoy. Nothing blows up and I can't recall a single car chase but if you can allow yourself to get involved with a storyline, this is for you.
You can fall in love with Natalie Portman and I don't know that I've ever seen Rapaport in a better role. There isn't anyone more anti Rosie Odonell than me, but even her role is great. The bad news for friends and family is that I've stolen many lines from this flick because I'm not original enough to come up with my own stuff.
"What's he all creased about"
I would be first in line to purchase a (another) DVD that is Dolby Digital and has some extras. Lastly, don't miss the soundtrack, there is a great blend of feel good music along with some new, cool licks.
Small-town sensibilities and community spirit are intertwined with the notions of enigmatic strangers posing in an almost prophetic manner delivering advice upon the populous. Events such as brutal fighting, unashamed drunkenness and references to sex are handled as items which are not derogatory but necessary in a rites of passage kind of way. Each character develops through the film into better individuals of what they once were but not to such an extent as to impose sickly sweet values on the audience.
Every character is natural and rounded despite some major personality flaws. Timothy Hutton's excellent Willy is at odds with himself over the next stage of growing up, Rappaport plays the goofy yet loveable fool for love, Dillon the lost soul and Emmerich the doting yet somewhat incapable father. But it is in the Beautiful Women themselves where the real essence of the film lies. Uma Thurman is every blonde inch the mysterious and elegant Andera crossing paths with everyone and influencing their lives for the better. Rosie O'Donnell as the brash 'matron' of the group is the perfect foil for Sorvino's insecure personality. The ace of the bunch however is a mesmerising Natalie Portman who even despite being the cast's youngest member is compelling to the point that you can understand Willy's fascination with her character Marty.
For anyone wishing for comfort on a cold winter afternoon there are very few films with such a strong heart, Demme excels himself by never laying on the sentimentality rather poking gingerly at our own innermost feelings, and coming out with a winner.
The key word in ensemble cast is obviously "cast". And this movie has a stellar cast. Timothy Hutton, as Willy, is perfectly cast. Yes, this is an ensemble movie, but it sort of hovers around his character and he carries the movie so well. And to play off him, Natalie Portman is tremendous in this movie. Despite being the youngest cast member, she outacts most of the adults in this movie. Her chemistry with Timothy Hutton is amazing.
The other cast members, including Rosie O'Donnell, Michael Rappaport, Uma Thurman, and Matt Dillon are also really good in their respective roles. Rosie O'Donnell delivers a hilarious monologue about the differences between men and women and it should not be missed.
The story is relatively simple... a man going back home to attend his 10 year reunion. But because of the complex characters and their various storys, it becomes much more than just a high school reunion. Its a story about a man finding himself. Its a story about a young girl getting a taste of what love might be, despite it being in an unlikely person. Its a story of a man who has to grow up and let go of the long gone high school glory years. Its a story about relationships, between friends, family and couples. All these tales are interwoven into a heartwarming story.
This movie ranks as one of my all time favorite movies.
I keep telling my friends to rent it, but I think they are put off by the title they expect some movie with Mira Sorvino, Uma Thurman, Natalie Portman, Lauren Holly, and Annabeth Gish to be something this movie isn't an exploitative movie about 'beautiful girls' when it is in fact a charming movie about how people move through life yet retain a sense of who they are if they can remember where they came from.
Did you know
- TriviaThe movie was inspired by the experiences of screenwriter Scott Rosenberg when returning home to Needham, Massachusetts. During what he claimed was the worst winter for his hometown, he was waiting to see if his script Con Air (1997) was going to be produced and was getting fed up with writing action movies. Rosenberg cited that there was more action happening with his friends not wanting to accept that they were turning 30 or had commitment issues, which became the basis for Beautiful Girls (1996).
- GoofsGina mentions to Sarah that she looks like Ally Sheedy from The Breakfast Club (1985) with the Estevez Brothers. Ally Sheedy and Emilio Estevez were in Breakfast Club but his brother Charlie Sheen (Carlos Irwin Estevez) was not.
- Quotes
Paul: Supermodels are beautiful girls, Will. A beautiful girl can make you dizzy, like you've been drinking Jack and Coke all morning. She can make you feel high full of the single greatest commodity known to man - promise. Promise of a better day. Promise of a greater hope. Promise of a new tomorrow. This particular aura can be found in the gait of a beautiful girl. In her smile, in her soul, the way she makes every rotten little thing about life seem like it's going to be okay. The supermodels, Willy? That's all they are. Bottled promise. Scenes from a brand new day. Hope dancing in stiletto heels.
- ConnectionsEdited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
- SoundtracksBeautiful Girl
Written by David A. Stewart & Pete Droge
Performed by Pete Droge & The Sinners
Courtesy of American Recordings
Details
Box office
- Gross US & Canada
- $10,597,759
- Opening weekend US & Canada
- $2,761,790
- Feb 11, 1996
- Gross worldwide
- $10,597,759
- Runtime1 hour 52 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1