The coal mine in a northern English village may be closing, which would also mean the end of the miners' brass band.The coal mine in a northern English village may be closing, which would also mean the end of the miners' brass band.The coal mine in a northern English village may be closing, which would also mean the end of the miners' brass band.
- Nominated for 3 BAFTA Awards
- 10 wins & 7 nominations total
- Greasley
- (as Ken Colley)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Firstly, from a musical point of view, Gloria does not enter the Grimley bandroom with an obligato cornet, it's a flugelhorn.
The fact that a woman has entered the band room is important. For a long time, the brass band was the domain of men. Women weren't allowed to play in the bands and indeed, this is still the case today in two of the biggest names in the banding world.
Underpinning all this is the fact that the film is (at least) semi-biographical. The events unfolding in the film mirror in no small way the same events which befell the Grimethorpe pit in 1992, and impacted on the world-famous Grimethorpe Colliery band. Thatcher's Britain did result in the pit closing down, and threatened the band's future. The band did take the stage at the National Final, and so the reason that the band don't turn professional is because there is no room in the banding movement for a professional band.
For a point of information, there are 4 basses in a Brass Band, 2 Eb and 2 Bb (not 2 or 3). Oh yes, and bandsmen most certainly do carry there instruments through the street without a case, especially bass players.
On a slightly different point, Phil does not have a gambling habit. He is still paying off the loan that he took out in 1982 to cover the loss of earnings because "suspended I were. 18 b****** months it took that lot to sort it out. 18 b***** months on strike pay. That's how big a f***** deal it is mate."
I've read some reviews condemning the politics of this film. Well, I applaud the political message. I grew up near an industrial town; one centered on the auto industry, heavy machinery, and agri-business. As I got older, I watched it disintegrate, through the 70's and 80's, as the grain embargo, auto industry woes and recession bled the life out of the town. It has never recovered. Many of us felt that Reagan and Thatcher, and their descendants, were monsters who sold their people out for a quick buck; while the parties that were supposed to represent the workers and middle class joined in the takings. To us, this isn't an anti-Thatcher film; it's the truth.
The performances of this film, particularly Pete Postlethwaite and Stephen Tompkinson, as well as Ewan McGregor and Tara Fitzgerald are top notch. There is a sweet and painful romance here; but it is the community of the miners, through the life of the band, that is the center here. The music is beautiful and will move you. The piece played as the pit closure is finalized stirs so many emotions. The rendition of "Danny Boy" brings tears to your eyes. The review in our local alternative paper said the surprise near the end would reduce even the hardest heart to tears, and they were right.
There is so much to see and love about this film, regardless of your political beliefs. Music does matter, but the people who create it matter, too. Communities matter, love matters. This is what good filmmaking is all about. See this film. You'll laugh a bit, cry a lot, get angry, become sad; but, you'll never be bored.
Released a year before The Full Monty made working class British comedy a Hollywood hit, this has a lot more realism and a lot more heart. The story deals mainly with the plight of the miners betrayed and deserted by the Tory Government and the bands corresponding struggle to survive and overcome. The metaphors are good but not heavy basically the story can work if you don't see the parallels. The story works best due to the level of emotion the story carries. This has a lot of heart and builds to a wonderful standoff that brings a message without being preachy.
The cast are excellent. Postlethwaite is top class as Danny and delivers a metaphor for the dying mine itself not interesting in politics, just trying to keep producing the ethics he always has but all the time knowing his time is coming. Equally as good is Tompkinson a complex role, full of emotion and he deasl very, very well with it to me his was the performance of the film. Fitzgerald is a little weak but a pre-Jedi McGregor is solid in support. The rest of the band is fleshed out by solid UK faces and do well.
Overall this is a great little film. It deals with heavy politics but mixes human drama effortlessly. It delivers message without preaching or shouting and it is driven by a fantastic cast.
I play in a brass band my self called Frickley South Elmsall band, and trust me, they have all the facts right; I have been to five contests in all and nearly every band member has had a drink or two before the contest it's self.
I first watched this film when i was eleven and loved it. I was inspired by this movie, to actually try and make it to a colliery band, (obviously not Grimethorpe as they don't accept girls) and I have actually met the flugal player which played concerto De aran jeux, Alan Morrison.
Overall, I loved this movie and have seen it more than twenty times; simply fantastic!
Did you know
- TriviaPete Postlethwaite was heavily criticized by ex-miners for claiming he supported the 1984 strike, but believed people should never burn coal. The last remaining coal mines in the UK closed largely as a result of the 2008 Climate Change Act.
- GoofsThe result of the vote for redundancy seems to take place on a Saturday, when the regional final for the brass band is also held. Some miners are shown leaving their shift. Saturday work had been eliminated from the National Coal Board long before the film is set. An announcement as important as a redundancy vote would not have been made on a Saturday.
- Quotes
Danny: This band behind me'll tell you that that trophy means more to me than owt else in the whole world. But they'd be wrong! Truth is, I THOUGHT it mattered. I thought that MUSIC mattered. But does it bollocks? Not compared to how people matter. Us winning this trophy won't mean bugger-all to most people. But us *refusing* it - like what we're going to do now - well, then it becomes news, doesn't it?
[flurry of press camera shutters]
Danny: You see what I mean. That way, I'll not just be talking to myself, will I? Because over the last ten years, this bloody government has systematically destroyed an entire industry. OUR industry. And not just our industry - our communities, our homes, our lives. All in the name of "progress". And for a few lousy bob. I'll tell you something else you might not know, as well. A fortnight ago, this band's pit were closed - another thousand men lost their jobs. And that's not all they lost. Most of them lost the will to win a while ago. A few of them even lost the will to fight. But when it comes to losing the will to live, to breathe, the point is - if this lot were seals or whales, you'd all be up in bloody arms. But they're not, are they, no, no they're not. They're just ordinary common-or-garden honest, decent human beings. And not one of them with an ounce of bloody hope left. Oh aye, they can knock out a bloody good tune. But what the fuck does that matter?
[gasps emotionally, close to tears]
Danny: And now I'm going to take my boys out onto the town. Thank you.
[rapturous applause and standing ovation]
- Crazy creditsOn some prints, the words "The End" remain onscreen as three additional lines of "definitions" are added one by one underneath:
- 1. closure (as in 140 pits since 1984)
- 2. termination (as in 250,000 jobs)
- 3. conclusion (as in draw your own...)
- Alternate versionsThe British release does not have the dictionary definitions at the start or end of the film. These were added to the American release to introduce the US audience to British slang. The end of the film has the same information, but just as normal text.
- SoundtracksDeath Or Glory
Written by Robert Browne Hall (as R. B. Hall)
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Tocando el Viento
- Filming locations
- High Street, Grimethorpe, Barnsley, South Yorkshire, England, UK('In Cod We Trust' fish and chip shop and Spar supermarket)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,576,331
- Opening weekend US & Canada
- $52,534
- May 26, 1997
- Gross worldwide
- $2,597,310