Oilman Jan is paralyzed in an accident. His wife, who prayed for his return, feels guilty; even more, when Jan urges her to have sex with another.Oilman Jan is paralyzed in an accident. His wife, who prayed for his return, feels guilty; even more, when Jan urges her to have sex with another.Oilman Jan is paralyzed in an accident. His wife, who prayed for his return, feels guilty; even more, when Jan urges her to have sex with another.
- Nominated for 1 Oscar
- 44 wins & 28 nominations total
Finlay Welsh
- Coroner
- (as Finley Welsh)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaTheatrical film debut of Emily Watson. She received an Oscar nomination and was expelled from the School of Economic Science (the alleged cult she was brought up in) for her role in this film.
- GoofsThe film is set in the early 1970s, but the van featured prominently in the car park and heliport scenes is a mid-1980s Freight Rover 200, formerly known as the Leyland Sherpa.
- Quotes
Dodo McNeill: Not one of you has the right to consign Bess to hell!
- Alternate versionsThe director's cut of the film, featuring explicit shots removed from the U.S. version for ratings purposes, is available on Criterion laserdisc.
Featured review
I just finished watching "Breaking the Waves" and am still not sure whether it was a good film or a strong piece of manipulation. Perhaps there is ultimately no difference.
Emily Watson was luminous and altogether convincing, and the camerawork didn't bother me in the slightest. On the contrary, it suited the story immensely - as did the deliberately washed-out palette. A brilliant invocation of a time and place.
However, the story left me feeling like I'd just watched someone kicking a puppy ... for several hours. I dislike the implication that such brutal and violent self-sacrifice can be justified by intense love, and to have this line wrapped up in a dewy religious shroud is a cop-out. It's like watching a documentary about the horrors of sideshow life - with plenty of explicit segments starring the freaks themselves. Allows an audience to moralize and yet be voyeurs at the same time.
Poor Bess was more than naive - whatever brain she was born with was utterly starved of oxygen by the narrow and restrictive community she was born into. I sympathized most with Dodo, who of them all loved Bess the most, and the least selfishly.
I find myself very angry after seeing "Breaking the Waves", which is why I cannot say that I disliked this film. Had I truly disliked it, my response would be less emotional.
Emily Watson was luminous and altogether convincing, and the camerawork didn't bother me in the slightest. On the contrary, it suited the story immensely - as did the deliberately washed-out palette. A brilliant invocation of a time and place.
However, the story left me feeling like I'd just watched someone kicking a puppy ... for several hours. I dislike the implication that such brutal and violent self-sacrifice can be justified by intense love, and to have this line wrapped up in a dewy religious shroud is a cop-out. It's like watching a documentary about the horrors of sideshow life - with plenty of explicit segments starring the freaks themselves. Allows an audience to moralize and yet be voyeurs at the same time.
Poor Bess was more than naive - whatever brain she was born with was utterly starved of oxygen by the narrow and restrictive community she was born into. I sympathized most with Dodo, who of them all loved Bess the most, and the least selfishly.
I find myself very angry after seeing "Breaking the Waves", which is why I cannot say that I disliked this film. Had I truly disliked it, my response would be less emotional.
Details
- Release date
- Countries of origin
- Language
- Also known as
- Contra viento y marea
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- DKK 42,000,000 (estimated)
- Gross US & Canada
- $3,803,298
- Gross worldwide
- $3,831,182
- Runtime2 hours 39 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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