Directed by
Peter Duncan |
Writing Credits (in alphabetical order)
Peter Duncan | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
Tristram Miall | ... | producer |
Greg Ricketson | ... | associate producer |
Music by
Nigel Westlake |
Cinematography by
Martin McGrath |
Editing by
Simon Martin |
Casting By
Peter Duncan | ||
Robyn Kershaw |
Production Design by
Roger Ford |
Art Direction by
Laurie Faen |
Set Decoration by
Kerrie Brown |
Costume Design by
Terry Ryan |
Makeup Department
Nik Dorning | ... | prosthetic makeup artist |
Ann-Maree Hurley | ... | prosthetic makeup artist |
Wendy Sainsbury | ... | additional makeup artist / prosthetic makeup artist |
Yvonne Savage | ... | hair stylist / wig stylist |
Bec Taylor | ... | assistant hair stylist / makeup assistant |
Kirsten Veysey | ... | makeup artist / prosthetic makeup artist |
Production Management
Robert Graham | ... | assistant unit manager (as Bob Graham) |
Grayden Le Breton | ... | assistant unit manager |
Simon Martin | ... | post-production supervisor |
Will Matthews | ... | unit manager |
Laurence Pettinari | ... | assistant unit manager (as Laurie Pettinari) |
Greg Ricketson | ... | production supervisor |
Second Unit Director or Assistant Director
Jennifer Leacey | ... | third assistant director |
John Martin | ... | second assistant director |
Elizabeth Reidy | ... | assistant director attachment |
P.J. Voeten | ... | first assistant director |
Art Department
Richard Baldwin | ... | set finisher |
Kane Barwick | ... | construction assistant |
Josh Black | ... | construction runner |
Giles Bradbury | ... | painter |
Herman Brown | ... | carpenter |
Martin Bruveris | ... | painter |
Danny Burnett | ... | construction manager |
Gregory Commerford | ... | painter |
Frank Falconer | ... | set finisher |
Gordon Finney | ... | carpenter |
Tracey Hyde-Moxham | ... | art department coordinator (as Tracey Moxham) |
Glen W. Johnson | ... | additional set dresser |
Kate Joyce | ... | painter |
Eugene Land | ... | carpenter |
Dan Potra | ... | storyboard artist |
Faith Robinson | ... | prop buyer / set dresser |
Murray Simmance | ... | carpenter |
Jeremy Sparks | ... | carpenter |
Andrew Staig | ... | construction crew |
Patrick Thompson | ... | carpenter |
Jonathon Tidball | ... | assistant props buyer |
Sarah Tooth | ... | graphic art director |
Stephen Tulloch | ... | carpenter |
Susan Ward | ... | additional art department |
George Zammit | ... | stand-by props |
Dan Potra | ... | conceptual designer (uncredited) |
Sound Department
Emma Barham | ... | second boom operator |
Gethin Creagh | ... | dubbing mixer |
Antony Gray | ... | sound effects editor |
Phil Heywood | ... | re-recording mixer |
Rick Lisle | ... | adr engineer |
Fiona McBain | ... | boom operator |
Delia McCarthy | ... | sound attachment |
Nada Mikas | ... | sound attachment |
Wayne Pashley | ... | adr editor |
Jane Paterson | ... | atmosphere editor |
Julie Pearce | ... | foley recordist |
Andrew Plain | ... | supervising sound editor |
Guntis Sics | ... | sound recordist |
John Simpson | ... | foley artist |
Libby Villa | ... | dialogue editor |
Matt Villa | ... | assistant dialogue editor |
Jenny T. Ward | ... | assistant supervising sound editor |
Special Effects by
John Bowring | ... | special effects |
Peter Luczak | ... | effects printing |
Ken Phelan | ... | effects makeup |
David Roberts | ... | additional special effects |
Visual Effects by
Roger Cowland | ... | optical effects manager |
Ken Phelan | ... | digital scanning |
John Pope | ... | effects printing / film recording |
Charlie Revai | ... | computer graphic artist |
Robert Sandeman | ... | digital effects manager |
Stunts
Richard Boué | ... | stunt coordinator (as Richard Boue) |
Nash Edgerton | ... | stunts |
Camera and Electrical Department
Robert Agganis | ... | steadicam operator |
Brandon Batten | ... | camera attachment |
Danny Batterham | ... | camera operator |
Angela Buckingham | ... | camera attachment |
Damian Church | ... | camera attachment (as Damien Church) |
Katrina Crook | ... | additional focus puller |
Colin Deane | ... | additional focus puller |
Tim Duggan | ... | electrician |
Michele Duval | ... | clapper loader (as Michelle Duval) |
Lorrie Graham | ... | production photographer |
Manfred Hnilica | ... | electrician |
Susan Hoerlein | ... | camera attachment |
Peter Holland | ... | electrician |
Adam Hunter | ... | electrician |
Philip Le Masurier | ... | still photographer |
Martin Lee | ... | steadicam operator |
Owen Maguire | ... | camera attachment |
Brett McDowell | ... | key grip |
David Parkinson | ... | gaffer |
Ian Phillips | ... | focus puller |
Greg Rawson | ... | best boy electric |
James Rickard | ... | additional focus puller |
Clive Rippon | ... | electrician |
Graham Sharpe | ... | camera operator: rostrum camera |
John Tate | ... | assistant grip |
Philippa Veitch | ... | camera attachment |
Casting Department
Jane Dawkins | ... | extras casting assistant |
Gabrielle Healy | ... | extras casting |
Costume and Wardrobe Department
Isobel Carter | ... | stand-by wardrobe |
Wendy Cork | ... | costume attachment |
Mel Dykes | ... | costume supervisor |
Suzanne Head | ... | costume constructor |
Andrew Infanti | ... | costume assistant |
John Power | ... | costume constructor |
Kirsten Smallbone | ... | costume attachment |
Susan Waters | ... | costume constructor |
Editorial Department
Leo Bahas | ... | negative cutter |
Martin Connor | ... | first assistant editor |
David Gillies | ... | on-line editor |
John Lee | ... | assistant editor |
Tony Manning | ... | color grader |
Location Management
Maude Heath | ... | location manager |
'Aussie' Auslan Ismail | ... | location manager (as Auslan Ismail) |
Music Department
Christo Curtis | ... | orchestra recording engineer |
Ron Layton | ... | orchestral manager |
Rudolf Osadnik | ... | orchestra leader (as Rudolph Osadnik) |
David Stanhope | ... | conductor |
Carl Vine | ... | music copyist |
Jan Loquet Westlake | ... | assistant to composer |
Nigel Westlake | ... | music producer / orchestrator |
Christine Woodruff | ... | music coordinator |
Script and Continuity Department
Kate Dennis | ... | continuity |
Simon Martin | ... | script editor |
Galea McGregor | ... | continuity attachment |
Transportation Department
Adam Pinnock | ... | vehicle wrangler |
Additional Crew
Peter Arena | ... | stand-in: F. Murray Abraham |
Libby Blainey | ... | title designer |
John Bowring | ... | armorer |
James Bramley | ... | production accountant |
Georgina Burle | ... | film researcher |
Trish Cameron | ... | secretary to producer |
Tony Gibbs | ... | insurer |
David Haines | ... | stand-in: Geoffrey Rush and Richard Roxburgh |
Megan Humphries | ... | stand-in: Judy Davis |
Robyn Kershaw | ... | producer's attachment |
Peter Kodicek | ... | unit assistant |
Fiona Lennard | ... | unit nurse |
George Mannix | ... | safety report |
Alison Meir | ... | production assistant |
Sarah Milsome | ... | production secretary |
Christine Moran | ... | assistant accountant |
John O'Connell | ... | choreographer |
Ian Russell | ... | laboratory liaison |
Robert Simper | ... | safety report |
Catie Stephen | ... | unit nurse |
Sandy Stevens | ... | production coordinator |
Sandra Strudwick | ... | unit nurse |
Paul Sullivan | ... | production runner |
Carl Vine | ... | computer scoring |
Graham Ware Jr. | ... | animal wrangler (as Graham Ware Jnr.) |
Damian Woods | ... | unit assistant |
Tom Burstall | ... | risk manager (uncredited) |
Thanks
Gregory Klumov | ... | acknowledgment: Russian archival footage |
Graeme Wills | ... | special thanks |