Aliens crashland near a small desert town, strewing odd bluish-glowing rocks throughout the area. Townfolk notice something is amiss when temperatures begin to soar, water disappears, power ... Read allAliens crashland near a small desert town, strewing odd bluish-glowing rocks throughout the area. Townfolk notice something is amiss when temperatures begin to soar, water disappears, power goes down and people seem not to be themselves.Aliens crashland near a small desert town, strewing odd bluish-glowing rocks throughout the area. Townfolk notice something is amiss when temperatures begin to soar, water disappears, power goes down and people seem not to be themselves.
Iilana B'tiste
- Kathy Paxon
- (as l'lana B'tiste)
Thom Adcox-Hernandez
- Hughy
- (as Thomas Adcox)
Featured reviews
I've seen this movie more than once. It isn't the greatest scifi flick I've every seen, but it is not a bad movie. The acting is good and the characters are more "real" than most in low budget sci fi. (At least it isn't full of dumb bimbos like so many other low budget scifi.) I especially like Elizabeth Pena. She is a good actress and she does worried single mother as well as any and better than some.
Don't let the nay sayers run you off. See it for yourself and judge it for yourself.
Don't let the nay sayers run you off. See it for yourself and judge it for yourself.
Based on a Ray Bradbury story; a professional photographer(Brian Kerwin)returns to his modest home near a tiny desert town, where most of the citizens wishes he stayed away. A lonely boy(Jonathan Carrasco) latches onto him for the attention; and the two witness the landing of an alien craft in the rocky region of the desert. The aliens turn themselves into the images of townspeople. Kerwin must convince evacuation of the town and falls in love with the young boy's mother(Elizabeth Pena). Acting is pretty shallow; the story line is no worse than some others; this movie leaves you feeling that you got shorted on a decent ending. Supporting cast includes: Howard Morris, Dean Norris and Mickey Jones.
They picked good actors and went through the motions well. If you did not see the original Based on a Ray Bradbury story, it could hold its own as a standard "blob from space" movie.
Basically, something comes from space and holds a small town at bay. You must ask why and how this could happen. Maybe you will still not get a clear answer. However, it is mostly "stay in the car scenes."
You may recognize Elizabeth Peña who plays the mother Ellen Fields. She is well known for major films such as "Jacob's Ladder" (1990) and "Vibes" (1998).
The filming locations may also look familiar: San Gabriel Mountains, California, USA Antelope Valley, California, USA Littlerock, California, USA.
Basically, something comes from space and holds a small town at bay. You must ask why and how this could happen. Maybe you will still not get a clear answer. However, it is mostly "stay in the car scenes."
You may recognize Elizabeth Peña who plays the mother Ellen Fields. She is well known for major films such as "Jacob's Ladder" (1990) and "Vibes" (1998).
The filming locations may also look familiar: San Gabriel Mountains, California, USA Antelope Valley, California, USA Littlerock, California, USA.
The photographer Jack Putnam (Brian Kerwin) returns to his hometown in the desert, where he meets old friends. The boy Stevie Fields (Jonathan Carrasco), who is raised by his mother Ellen Fields (Elizabeth Peña) alone and with no friends, tries to draw Jack's attention and invites him to go to a hill in the desert to take pictures. They go together and Jack lends a camera to Stevie. Out of the blue, they see something falling from the sky with a storm. Out of the blue, the water disappears, there is a power-cut and the temperature becomes unbearably high. Soon people realize that they are trapped inside the town. When some residents change their behaviors and Stevie is missing, Jack drives to the hill and sees a rock growing bigger and bigger and finds that there are aliens in town.
"It Came from Outer Space II" is an unnecessary sci-fi and a waste of time to the viewers. The teleplay is boring, with a corny conclusion. The romance of Jack and Ellen has no chemistry and does exist only to give a happy ending. Jack's friend Alan Paxson is one of the best characters of this movie and is the only to die in the story. My vote is three.
Title (Brazil): "A Ameaça que Veio do Espaço" ("The Threat that Came from the Space")
"It Came from Outer Space II" is an unnecessary sci-fi and a waste of time to the viewers. The teleplay is boring, with a corny conclusion. The romance of Jack and Ellen has no chemistry and does exist only to give a happy ending. Jack's friend Alan Paxson is one of the best characters of this movie and is the only to die in the story. My vote is three.
Title (Brazil): "A Ameaça que Veio do Espaço" ("The Threat that Came from the Space")
This is a pretty pointless remake. Starting with the opening title shots of the original was a real mistake as it reminds the viewer of what a great little period piece chiller that was. The new version that follows is an exercise in redundancy.
Brian Kerwin plays a 'city boy' photographer who returns to a semi-abandoned desert town populated by a scattering of underdeveloped clichéd stock characters: the lollipop sucking Daby-Doll Lolita, the 'ornery old coot prospector, the crippled vet and his Asian wife, etc...
Kerwin's character witnesses the crashing of 'something' into a hillside and shortly after strange things start to happen as pieces of weird blue rock are scattered around. The temperature starts to rise, all the water in the area vanishes, people start to act weirdly, things explode. Kerwin's character gets in and out of his car more often than is humanly possible in one movie. The film develops no sense of place, no character development, no humour, no tension. Everything that made the Jack Arnold's original a creepy little Cold-war paranoia classic has been abandoned. It just runs through its minimal hoops and then just ends.
The special effects aren't very special - the interior of the ship looks like bits of cling film wrapped round some ropes which were then dangled in front of the camera to frame some of the most uninspired and clumsy wire-work ever put onto the screen. The script is repetitive - everyone says everything at least twice, Kerwin gets to say "let's get out of here" at least three times during the movie, twice in one scene. Loads of things are left unexplained at the end - why do the aliens need all the heat and water for example? - not that anyone watching would care; if the film makers didn't care why should we?
The acting is adequate - better than the script, which at times, has an under-rehearsed improvisational quality, deserves. Though often the actors look like they just want to get the thing over with as quickly as possible - a notable example of this is when Elizabeth Peña registers the briefest, token moment of "frustrated despair hands to face gesture" before following sulking son Stevie outside to watch him do "angry sulky teenager smashing something off a table" gesture.
Continuity errors include the (GB) sticker on the back of Kerwin's jeep appearing and disappearing, a double action of the gas in the exploding car, a towns-person being in two places simultaneously - once in the Alien Stevie's POV shot then immediately afterwards in a reaction shot, Elizabeth Peña appearing to shut a car door twice... you can tell I was gripped can't you? The movie commits that greatest of errors. It's boring.
Brian Kerwin plays a 'city boy' photographer who returns to a semi-abandoned desert town populated by a scattering of underdeveloped clichéd stock characters: the lollipop sucking Daby-Doll Lolita, the 'ornery old coot prospector, the crippled vet and his Asian wife, etc...
Kerwin's character witnesses the crashing of 'something' into a hillside and shortly after strange things start to happen as pieces of weird blue rock are scattered around. The temperature starts to rise, all the water in the area vanishes, people start to act weirdly, things explode. Kerwin's character gets in and out of his car more often than is humanly possible in one movie. The film develops no sense of place, no character development, no humour, no tension. Everything that made the Jack Arnold's original a creepy little Cold-war paranoia classic has been abandoned. It just runs through its minimal hoops and then just ends.
The special effects aren't very special - the interior of the ship looks like bits of cling film wrapped round some ropes which were then dangled in front of the camera to frame some of the most uninspired and clumsy wire-work ever put onto the screen. The script is repetitive - everyone says everything at least twice, Kerwin gets to say "let's get out of here" at least three times during the movie, twice in one scene. Loads of things are left unexplained at the end - why do the aliens need all the heat and water for example? - not that anyone watching would care; if the film makers didn't care why should we?
The acting is adequate - better than the script, which at times, has an under-rehearsed improvisational quality, deserves. Though often the actors look like they just want to get the thing over with as quickly as possible - a notable example of this is when Elizabeth Peña registers the briefest, token moment of "frustrated despair hands to face gesture" before following sulking son Stevie outside to watch him do "angry sulky teenager smashing something off a table" gesture.
Continuity errors include the (GB) sticker on the back of Kerwin's jeep appearing and disappearing, a double action of the gas in the exploding car, a towns-person being in two places simultaneously - once in the Alien Stevie's POV shot then immediately afterwards in a reaction shot, Elizabeth Peña appearing to shut a car door twice... you can tell I was gripped can't you? The movie commits that greatest of errors. It's boring.
Did you know
- TriviaA sequel to It Came from Outer Space (1953).
- ConnectionsFollows It Came from Outer Space (1953)
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- Besök från yttre rymden
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