Amistad

What is freedom? How does one determine who is free? In 1839, those questions were more difficult to answer then they are now. Yet, the mistakes of our forefathers must be examined in order to rectify current situations.

That is, in essence, what Steven Spielberg's gripping drama "Amistad" is about. Through its various dramas, Spielberg presents a case about a group of Africans, who, after being seized from their home, were forced onto a ship and sent to the United States aboard "La Amistad". On their way there, the slaves, led by Cinque (Djimon Hounsou), rebelled, killing off part of the crew. However, the ship was still directed towards the United States, where the Africans were brought to trial under murder.

In the court, various factions claim ownership of the slaves, and therefore try to seize them away. The United States government, led by President Martin Van Buren (Nigel Hawthorne), and Secretary of State Secretary Forsyth (David Paymer), try to ship the Africans to Spain, where an 11 year old Isabella II (Anna Paquin) wants them back. The two Spaniards who own "La Amistad" want the slaves for themselves. The American ship that found the slaves also wants them. In the midst of this are two abolitionists (Stellan Skaarsgard and Morgan Freeman), who want the slaves to be free. They enlist the help of lawyer Matthew McConaughey, who tries to free them. Through various legal proceedings, the case appears before the Supreme Court, where it is argued by ex-President John Quincy Adams (Anthony Hopkins).

The film itself is a visual wonder. Spielberg favorite Janusz Kaminski sets the film in a dark, somber mood when appropriate, and a visual setting when appropriate as well. At times, the film is very slow, and very methodical. Spielberg is not at his finest here, the courtroom scenes have a tendency to lag. But Spielberg's finest work in the film, the opening scene, a scene of Cinque's family, and the brutal voyage of the slaves to America, is altogether stunning. It is this emotional force that carries the film. McConaughey is superb as the lawyer defending the Africans, Hopkins is sensational as the old Adams, Freeman is outstanding when used (Spielberg vastly under uses his supreme talents), and the rest of the cast is stellar. The movie, however, belongs to Hounsou. His emotional intensity is brilliant. Spielberg manages to make even the slowest scenes sparkle with focus on Hounsou, and the film's extraordinary power is simply captivating. The film is flawed, for most of the supporting characters are merely cardboard. But that doesn't matter. The story is a gripping one, and one of extreme importance. Kudos to Spielberg for finding it, finding the right men for the job, and letting the audience listen to the words of Cinque. A good job all around. ***1/2 out of 4, or an 8 out of 10.

Beautifully told, it also made me go back to History books to double check or to confirm. That's what good movies also do, they provoke you into wanting to know more. I loved Djimon Hounsou - a sensational film presence and his soulfulness permeates the whole journey. Anthony Hopkins is a remarkable John Quincy Adams. The great Steven Spielberg doesn't shy away from the horrors and some of it is truly harrowing but even then the preciousness of the image protects you from excesses. I don't know if that is a flaw or just a grand commercial concession. I couldn't help trying to imagine, this story even the same script in the hands of an Arthur Penn for instance. After all of that, let me say I enjoyed it, I was moved and I will see it again.

The horrors of slavery are depicted here in graphic detail. The scenes dealing with the ships carrying their human cargo were awful - very hard to sit and watch. When the slaves were brought to America, a huge trial ensued over whether or not they should be freed or not. This was a big production complete with all the costumes of the era - the early 19th century. Great story, dialogue, and acting made this a must see film.

'Amistad' is not one of Steven Spielberg's best, in the way that 'Schindler's List', 'Jaws', 'ET' and 'Raiders of the Lost Ark' are. He has however done worse, with the likes of 'The Lost World' and '1941'. Instead it's around solid middle when it comes to his films.

Starting with the positives, the best things are the production values, coupled with the handsome and evocative period detail and the rich, searing cinematography there are some really arresting images here, and the sensational debut of Dijimon Hounsou, a performance of blistering passion and grave sensitivity.

Throughout, especially in the first three-quarters, 'Amistad' boasts moments that are harrowing (the brutal voyage of the slaves), powerful (the opening scene) and moving (most of the film). The script is well-intentioned and thoughtful, if sometimes a bit over-sentimental and heavy-handed (especially Adams' big speech, that could have been stirring but didn't seem to know how far to go to make its obvious point, so it felt preachy). Much of Spielberg's direction is impeccable, with enough of what makes his direction so great in his best films.

Hounsou isn't the only great actor here. Anthony Hopkins gives his all in an authoritative and stirring account of Adams and Matthew McConaughey shows more engagement and charisma than he does in some of his later films. Morgan Freeman is underused but is as you expect.

On the other hand, 'Amistad' is a long film (not a bad thing necessarily), but could have been about 20 minutes shorter with less characters and some of the final act being trimmed. Some of the latter part of the film drags, and the score disappointingly is over-emphatic and gives a heavy-handedness. Despite being brilliantly delivered by Hopkins and clearly written with thought and good intent Adams' big speech just went too far making its point.

In conclusion, a brave attempt at bringing a significant, if not as well known, event to film that works very well in a lot of elements but just misses the mark of completely working as an overall film. 7/10 Bethany Cox

I am a fan of historically-based dramas. I enjoy the genre, and Amistad did not disappoint me. It is well shot, the look and feel is quite right, and it pulls no punches in its cruel depiction of the slave trade.

Amistad shows this terrible business better than any other film I've ever seen. It portrays all the horrors: the capture of Africans at the hands of rival tribes; the abusive loading of slaves onto ships; the deplorable conditions; the murder and violence conducted in the name of economics; the hopelessness of the slaves' position; the crass indifference felt by the traders, auctioneers, owners and passers-by. Spielberg pulled few punches, only darkening the worst scenes to keep it from degenerating into some Rob Zombie horror film (thereby retaining an audience).

The film also does a good job with the portrayal of the heroes, the slaves who fought for their freedom aboard the schooner Amistad. You can really feel their anger, confusion, and frustration as the events unfold. They are a people pushed from one holding cell to another, subjected to trials and procedures incomprehensible to them (both for language barriers and for the inanity of it all).

One part the filmmakers did a fine job with was the communication barrier. Some of the best scenes involve the ignorance of the Connecticut gentry as they stare blankly at the Africans as they speak their tongue; incompetent linguists stating the obvious and disguising it as "science"; lawyers trying to figure out the slaves' stories; and finally the leader of the escaped Africans declaring "Give us free!" That part really stood out for me.

There are a few criticisms I can lay upon this film, however. Firstly, they didn't do that great of a job in portraying courtroom drama. Filmed in '97, this film predates some great television courtroom dramas (Law & Order, The Practice). Much of what happens in court is either boring or confusing or pointless. I think if Spielberg was able to study some of these great courtroom dramas, these parts would have had a lot more "punch". Having said that, Anthony Hopkins did some fine delivery as John Quincy Adams...

Another element I disliked was the clumsy interweaving of the "Big Slavery Picture" elements. There's a scene at President Van Buren's state dinner where Senator John Calhoun of South Carolina shows up and makes threats of civil war. The scene was really just thrown in there to try to put in some jeopardy, but the film was doing just fine without that. The intrigue between Van Buren and the Spanish girl queen was really nice, however (a very young Anna Paquin!).

The last element that didn't work too well was Morgan Freeman's character, Joadson. He really comes across as little more than an extra. He's such a fine actor, the script doesn't do him justice.

For the most part, this is a fine, and important, film. It just misses a few marks that would have made it a great film.

8 out of 10.