Chasing Amy

Let me warn you up front: this is the worst "date movie" ever. It mercilessly explores the topic of past sexual encounters in a way that will probably lead to an uncomfortable discussion with your date after the movie. Even worse if you don't discuss it, you'll be eying each other suspiciously, forever wondering if the other person is more sexually experienced, and if you'll be adequate.

It's also a bad "hetero bro movie" or "hetero gal's night movie" because it gets into the subject of homosexuality in a way that will probably make you feel awkward with your friends.

So basically you should either watch this movie alone, or with a gay friend. Or if you are gay, congrats, you can watch it with anybody.

That said, "Chasing Amy" is a hard-hitting sex comedy from writer/director Kevin Smith who brought us "Clerks", "Mallrats", "Jay & Silent Bob" (who make a brief cameo here), and "Dogma". "Chasing Amy" is perhaps the most serious of the bunch, diving boldly into themes of homophobia, sexism and sexual double standards. Yes, there are some great gags, particularly in the first half. But the love story gets pretty intense in the 2nd half, and humor is downplayed. There are some downright upsetting arguments which shift the tone away from comedy and into heavy drama.

For you Ben Affleck fans, be forewarned he's not always the "good guy" in this flick. In fact, he represents a sort of naïve, ultra-conservative, morally-judgmental attitude of society. His love interest Alyssa (Joey Lauren Adams) is the "good guy" who represents open sexuality and free-spiritedness. The only problem is, to me, she sometimes came across as ditzy/hysterical and hard to take seriously. Although she did a very believable job of acting, I can't help but wonder if the role of Alyssa would've been better filled by an actress who is a bit more commanding: Cate Blanchett, Charlize Theron, or even Cameron Diaz. Oh well, no biggie.

With its sexual-boundary-bending approach, "Chasing Amy" has a vibe that reminds me of the classic French feminism films of the 60s-70s with Catherine Deneuve and Brigitte Bardot displaying a new sexual honesty that was unheard of until then. It brings to mind the urban dictionary definition of a slut: a woman with the morals of a man ;)

Miles away from his usual low level comedy, in Chasing Amy, Kevin Smith manages to deliver a great rom-com with some serious undertones.

There are the standard Smith jokes throughout the film, but this time they take a backseat to the touching tale of Holden and Alyssa. I don't know quite how he did it, but Chasing Amy feels real and unpredictable. It's not some glossy Hugh Grant/Julia Roberts production, instead it's filled with characters that feel more like real people, which is a nice relief.

The film manages to be both moving and funny, and the cast do their best work to date (Affleck and Adams at the hockey game must rank as one of my favourite scenes of all time). This may not be Smith's best known film, but it's definitely his best. [8/10]

Love stories are difficult to do well. So is comedy. Kevin Smith does both. Very very well.

Chasing Amy is, in my opinion Kevin Smith's best movie (Clerks 2nd, Dogma 3rd) and I really don't know where to start the praise.

Traditionally, Hollywood romantic comedies are... well, bad. Really lame PG-13 comedy, with some catch phrase repeated ad nauseum, and always some sort of "hilarious" incident involving a baby or a cute dog. And the characters are just as annoying as the lame jokes, so ultimately, you don't really care about whether or not they get together in the end.

Chasing Amy is different. These characters are lifelike.This isn't a romantic comedy for teenage girls. It's a movie for adults. Almost everyone can relate to being a situation where they've loved someone so much, but due to certain circumstances, you just weren't able to have that person. And I guess that's what Amy's all about. Unrequited love. Well, Unrequited love and sexual identity, but that's another topic for another day.

The real genius of this film is that for all it's serious themes, it manages to convey it's message without being at all pretentious. Most independent films have this sort of, arrogant pretentious "I'm so artistic" feel about them.......And I hate that. Smith's success lies in the fact that his movies are meaningful, and they're actually funny as well. And Chasing Amy is no exception.

In short, you'll be hard pressed to find a more entertaining, and realistic love story than Chasing Amy. It's combination of hilarious dialogue, interesting characters, and realistic themes makes it a winner.

My all-time favourite film! Kevin Smith creates such truly endearing, eccentric, quirky characters, and then manages to cast actors who seem destined to play their roles. Joey Lauren Adams steals the show (we need to see more of this brilliant gem!), and the Jason Lee / Ben Affleck dynamic is really powerful - all of the actors appear so natural and comfortable, and Jason Mewes is a gift from God (and that's coming from an athiest!). A beautifully written conversational comedy that very gently uncovers the hypocrisy surrounding gender relationships. This film goes way beyond the 'acceptance of sexual preference' cliche, and instead concentrates on the insecurities that all human beings are born with - gay or straight! Mr Smith, you are truly a genius!!!

With his third film, Kevin Smith tried to do something new for him: a grown-up film. As loved as it may (deservedly) be, Clerks is remembered for the crude humor rather than the plot, while Mallrats, which was meant to be a smart, amusing teen movie, turned out to be little more than a vehicle for Jason Lee's comedic talent. Chasing Amy is radically different: combining Smith's trademark superb dialogue, believable characters and a heartfelt story, it is one of the best, most insightful romantic comedies of the '90s, and the director's most satisfying picture aside from Clerks I and II.

Whereas his first two movies kept referencing other films as soon as there was time to do so, Chasing Amy centers on Smith's second great passion: comic-books. In fact, it all begins at a convention, where Banky Edwards (Jason Lee) and Holden MacNeil (Ben Affleck) are signing issues of their successful book Bluntman & Chronic. Afterwards, they hang out with fellow artists Hooper X (Dwight Ewell) and Alyssa Jones (Joey Lauren Adams), and while Banky spends all of his time arguing with Hooper over the racism in Star Wars (one of the funniest things Smith has ever written) or the gay subtext in Archie comics, something clicks between Holden and Alyssa, and soon enough they start seeing each other almost every day. It is obvious something deeper than friendship is in the air, and they both know it, yet there's a catch: Alyssa is a lesbian, or at least she used to be one before meeting Holden. Hence the big question: can they have a meaningful relationship with her past being such a huge burden? What kind of sacrifices will have to be made?

In another film, the boy-loves-lesbian premise would have been an excuse to deliver a 90-minute marathon of distasteful, gratuitously explicit jokes. Chasing Amy, on the other hand, is good because it really cares for its characters and whatever crudities there may be never feel excessive or out of place, but on the contrary they manage to convey the speaker's emotions more correctly (this is particularly true for Jason Lee's foolproof, energetic performance). The central love story is honest and touching, two characteristics that are evident in the realistic dialogue and acting: Adams, who hasn't managed to find a decent role ever since, portrays Alyssa as a human being, not a stereotype, and that's what makes her scenes with Affleck, always at his best when working with Smith, compelling and almost painful to watch.

Most of the time, Chasing Amy is a perfect balance between gross-out humor and tender romance, something the director kept toying with on the underrated Jersey Girl (where the jokes were less sweary than usual) and perfected with his masterpiece, Clerks II. There are, however, a few moments when Smith doesn't understand he has to stop and tells us everything about a certain character's personality, whereas he should simply have implied it. Overall, though, this feature remains one of the most hilarious, moving, revealing films of the '90s, with its best moment saved for the director himself: halfway through the movie, the mandatory Jay and Silent Bob (Jason Mewes and Smith) make their appearance. In all the other View Askew flicks, they are just incredibly funny. This time, Bob breaks his silence and gives a long, thoughtful speech that explains the film's title and has more to say about love and relationships than certain movies do in their entire running time. Astonishing.

8,5/10